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Piano solo - Verschenen op 7 april 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4F de Télérama - Gramophone Award - Gramophone Record of the Month - Le Choix de France Musique - Choc de Classica - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 18 maart 2016 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Pianiste Maestro - Choc de Classica - Choc Classica de l'année - 5 Sterne Fono Forum Klassik
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Musique de chambre - Verschenen op 2 september 2016 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Le Choix de France Musique - 5 Sterne Fono Forum Klassik
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Musique de chambre - Verschenen op 22 september 2014 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4F de Télérama - Exceptional Sound Recording
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Trios - Verschenen op 29 november 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
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Duos - Verschenen op 6 mei 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Qobuzism
Marie-Elisabeth Hecker made her entry into the ‘big leagues’ by winning first prize in the Rostropovich Competition in Paris back in 2005. Her international career was simultaneously launched on the back of this great success. Born in 1987 in Zwickau, the young cellist has studied with Steven Iserlis, Bernard Greenhouse and even Gary Hoffman. She has performed as a soloist with the Russian Symphony Orchestra, the Mahler Chamber Orchestra, the Kremerata Baltica, the Mariinsky Orchestra, the Philharmonia Orchestra, the Munich and Dresden Philharmonic Orchestras, the Staatskapelle Berlin, the Vienna Symphony Orchestra, Orchestre de Paris… the list goes on. Her experience has seen her work with conductors such as Yuri Temirkanov, Yuri Bashmet, Gidon Kremer, Valery Gergiev, Fabio Luisi, Marek Janowski, Emmanuel Krivine, Christian Thielemann or even Daniel Barenboim. Here, with her musical partner (and husband) pianist Martin Helmchen for their first duo album; the two musicians met at the Lockenhaus Festival at which time they performed another one of Brahms sonatas: Proust's Madeleine! More than twenty years separate the two sonatas for cello and piano, the first from 1862 – the composer had not yet turned 30 – and the second from 1886, by which time he had nothing left to prove to anyone. Hecker-Helmchen thoroughly master this repertoire. A coup for this first album as a duo. © SM / Qobuz
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Musique de chambre - Verschenen op 15 maart 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
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Trios - Verschenen op 31 juli 2007 | harmonia mundi

Onderscheidingen Choc du Monde de la Musique - Diapason d'or / Arte - Le Choix de France Musique
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Musique de chambre - Verschenen op 6 november 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Hi-Res Audio
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Piano solo - Verschenen op 19 februari 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Duos - Verschenen op 17 september 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Piano solo - Verschenen op 6 december 2019 | TACET Musikproduktion

Booklet Onderscheidingen 5 de Diapason
At first sight, the programme of this album could seem extravagant. Indeed, it assembles into one single volume all of Brahms’ intermezzi, the works that the composer held so dear. In doing so, Evgeni Koroliov isolates them from pieces which Brahms classifies under the same opus number and whose sequence is almost too well-known by music lovers. Frustrated by this fact and inviting us to gloss over it, Koroliov instead explores a more secretive side of Brahms: one of melancholy emotions and solitary twilight walks. And the result is overall successful: there is decidedly no monotony in this suite of slow pieces which Brahms wallowed in throughout his entire life. The almost nonchalant version which the Russian pianist portrays here seems almost to be like a series of improvisations for a few select friends. The seriousness of the expression helps us understand why Schönberg referred to Brahms as “progressive”, just as the “dissonance” of opus 117 to 119 heralds the music of the future, with its harmonic audacity so displeasing to the ears of a certain Clara Schumann, to whom some of the pieces are dedicated. © François Hudry/Qobuz
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Piano solo - Verschenen op 25 oktober 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Duos - Verschenen op 19 januari 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or
Pianist Alexandre Tharaud and cellist Jean-Guihen Queyras are long-established as a duo team, but this is the first time that Queyras has joined Tharaud for an Erato recording. They have chosen works that lie at the heart of the Romantic repertoire, all by Brahms: his two cello sonatas and the duo’s own transcriptions of six of the Hungarian Dances.
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Trios - Verschenen op 15 september 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte
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Piano solo - Verschenen op 14 juni 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
Following a previous recording devoted to Mozart, François Chaplin has chosen Brahms' latest opus for solo piano: Rhapsodies Op. 79 and the intermezzi from Klavierstücke Op. 117 and Op. 118. The Rhapsodies, moving and powerful scores, express Brahms' sober melancholy. Far from his symphonic works, the interludes of Opus 117 and Opus 118, true miniatures, reveal the inner imagination of the composer. Brahms talks directly to the heart of the listener with his mature and sober poetry. Within these Klavierstücke, the interlude is a humble but generous genre where the musician gathers freely the fruits of his most intimate inspiration. These « lullabies of pain », as he called them, are composed during summer in the Austrian countryside, dear to this sturdy northern German. The emotion that emerges from it is all the more intense as it measures his artistic evolution. On this journey, François Chaplin brings out a soft poetry from a contained lyricism. © Aparté
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Musique de chambre - Verschenen op 25 januari 2019 | B Records

Hi-Res Booklet Onderscheidingen 4F de Télérama
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Musique de chambre - Verschenen op 23 november 2018 | Indésens

Hi-Res Booklet Onderscheidingen Choc de Classica
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Piano solo - Verschenen op 1 juni 2018 | Nimbus Alliance

Booklet Onderscheidingen Choc de Classica
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Quintettes - Verschenen op 22 juni 2018 | B Records

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica