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Kamermuziek - Verschenen op 2 september 2016 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Le Choix de France Musique - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 21 april 2017 | PentaTone

Booklet Onderscheidingen Diapason d'or
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Piano solo - Verschenen op 7 april 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4F de Télérama - Gramophone Award - Gramophone Record of the Month - Le Choix de France Musique - Choc de Classica - 5 Sterne Fono Forum Klassik
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Duo´s - Verschenen op 6 mei 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Qobuzism
Marie-Elisabeth Hecker made her entry into the ‘big leagues’ by winning first prize in the Rostropovich Competition in Paris back in 2005. Her international career was simultaneously launched on the back of this great success. Born in 1987 in Zwickau, the young cellist has studied with Steven Iserlis, Bernard Greenhouse and even Gary Hoffman. She has performed as a soloist with the Russian Symphony Orchestra, the Mahler Chamber Orchestra, the Kremerata Baltica, the Mariinsky Orchestra, the Philharmonia Orchestra, the Munich and Dresden Philharmonic Orchestras, the Staatskapelle Berlin, the Vienna Symphony Orchestra, Orchestre de Paris… the list goes on. Her experience has seen her work with conductors such as Yuri Temirkanov, Yuri Bashmet, Gidon Kremer, Valery Gergiev, Fabio Luisi, Marek Janowski, Emmanuel Krivine, Christian Thielemann or even Daniel Barenboim. Here, with her musical partner (and husband) pianist Martin Helmchen for their first duo album; the two musicians met at the Lockenhaus Festival at which time they performed another one of Brahms sonatas: Proust's Madeleine! More than twenty years separate the two sonatas for cello and piano, the first from 1862 – the composer had not yet turned 30 – and the second from 1886, by which time he had nothing left to prove to anyone. Hecker-Helmchen thoroughly master this repertoire. A coup for this first album as a duo. © SM / Qobuz
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Piano solo - Verschenen op 18 maart 2016 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Pianiste Maestro - Choc de Classica - Choc Classica de l'année - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 7 februari 2020 | PentaTone

Hi-Res Booklet
After their acclaimed Brahms' String Quintets, the WDR Chamber Players now present the composer’s String Sextets. Brahms wrote his two Sextets at the beginning of his career, partly as a way to evade the “Ghost of Beethoven” haunting the string quartet, but also as the ideal genre to realize a typically Brahmsian sound: full, “orchestral” and rich in harmonies. Due to the limited institutionalisation of the sextet as an ensemble, these pieces are rarely performed today. The WDR Chamber Players – who are all members of the WDR Symphony Orchestra, as well as pursuing their own international careers – are ideal interpreters of this repertoire, combining chamber-musical intimacy with “symphonic” depth. © Pentatone
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Piano solo - Verschenen op 15 april 2016 | Evidence

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
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Duo´s - Verschenen op 6 april 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
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Kamermuziek - Verschenen op 22 september 2014 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4F de Télérama - Exceptional Sound Recording
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Trio´s - Verschenen op 15 september 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte
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Piano solo - Verschenen op 19 februari 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Duo´s - Verschenen op 5 april 2011 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Duo´s - Verschenen op 19 januari 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or
Pianist Alexandre Tharaud and cellist Jean-Guihen Queyras are long-established as a duo team, but this is the first time that Queyras has joined Tharaud for an Erato recording. They have chosen works that lie at the heart of the Romantic repertoire, all by Brahms: his two cello sonatas and the duo’s own transcriptions of six of the Hungarian Dances.
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Kamermuziek - Verschenen op 23 november 2018 | Indésens

Hi-Res Booklet Onderscheidingen Choc de Classica
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Kamermuziek - Verschenen op 6 december 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 1 februari 2016 | La discothèque idéale de Diapason

Booklet Onderscheidingen Diapason d'or
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Kamermuziek - Verschenen op 9 juni 2015 | Ondine

Hi-Res Booklet
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Kamermuziek - Verschenen op 8 februari 2019 | Naxos

Hi-Res Booklet
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Kamermuziek - Verschenen op 7 juni 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Duo´s - Verschenen op 14 september 2018 | Glossa

Hi-Res Booklet Onderscheidingen 5 de Diapason
The violin sonatas of Johannes Brahms were the product of much self-critical reflection, and the three surviving works are from a composer mature in years. Composed around the same time as the Violin Concerto (No. 1), the Piano Trio in C Minor and the Cello Sonata No. 2 (Nos. 2 and 3), they also echo some of his songs, such as those written to poems by Klaus Groth. Into this Romantic atmosphere come new performances of the three works on Glossa, played by violinist Leila Schayegh (particularly awarded for her recordings of Bach, Caldara and Benda), teaming up here with pianist Jan Schultsz. Schayegh plays a copy of a period violin, whilst Schultsz uses an original 1879 Streicher instrument. The two players aim to recapture the performing tradition as the composer would have known it, and within which he would have intended his pieces to have been played. Schayegh and Schultsz worked with Clive Brown and Neal Peres Da Costa in their efforts to aim for “the spirit rather than the dead letter of the score” and they pay admirable notice of important interpretative questions for music of this time – and they provide an intuitive musical and emotional response to the lyricism of the first two sonatas and the darker-hued tones of the third, investing these late-nineteenth-century works. © Glossa