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Kwartetten - Verschenen op 17 maart 2014 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Piano solo - Verschenen op 13 januari 2017 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 3 november 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
The cream of the crop of French musicians—well, okay, Swiss for the flautist Emmanuel Pahud—come together to bring us a sumptuous album devoted to Debussy’s chamber music: Edgar Moreau for the Sonata for cello and piano, Renaud Capuçon for the Sonata for violin and piano, Gérard Caussé, Marie-Pierre Anglamet and Emmanuel Pahud for the Sonata for flute, viola and harp (these three very belated sonatas are the only ones that the composer had time to finish in his planned series of “Six sonatas for various instruments by Claude Debussy, French musician”). We find the same Emmanuel Pahud performing solo for Syrinx, and the album closes with the Trio for violin, piano and cello written in a still very classic—or even conventional—style and architecture (the shadows of Franck, Massenet and Fauré undoubtedly loom) in 1880, when the composer was residing in Florence with the von Meck family. This last work was released only a hundred years later… On the piano in all the collective works, you’ll find Bertrand Chamayou. © SM
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Piano solo - Verschenen op 26 januari 2018 | NoMadMusic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 5 étoiles de Classica
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Duo´s - Verschenen op 23 maart 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
I present to you the violinist of the Chung family (actually, perhaps "dynasty" would be more precise). Born in 1948, Kyung-wha Chung's career started with a bang at the age of just ten. His youth proved no obstacle to starting his studies at the Juilliard school, but child-prodigy status carries with it a great risk: that of remaining a child. Chung dodged this particular error, and his adult career has blossomed on the world stage. Here he takes up the Franco-Belgian repertoire of Fauré and Franck: the former's First Sonata and the latter's sole Sonata are plainly the pillars of the album. Franck gave his to the world in 1886, but in fact Fauré's came first by a long way: it dates from 1876! And so the first of Fauré and the mature Franck confront each other on this record: both sharing the radiant tones of A major (on violin, the keys are much more clearly differentiated than they are on, say piano: some are much more striking, for technical reasons whose explanation can get a bit... technical); both are structured in four movements, but whereas one speaks of youth and fervour – in rather fashionable accents, too, perhaps – Franck's music shows a mellowing with age, broad, cyclical construction, and a precise way of giving each instrument an equal share weight in the discourse. Chung and pianist Kevin Kenner round off the programme with a few treats from the two composers, as well as a little Debussy and Elgar's Salut d'amour, which he wrote for his fiancée as an engagement present. © SM/Qobuz
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Piano solo - Verschenen op 29 juni 2018 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 19 oktober 2018 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 étoiles de Classica
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Duo´s - Verschenen op 25 januari 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason
Polish pianist Rafal Blechacz saw Korean violinist Bomsori Kim on television, in the Henryk Wieniawski International Violin Competition in 2016, and proposed a musical partnership. She was skeptical inasmuch as Blechacz had little experience with chamber music, but one may be thankful that they ended up trying each other out. The mix of Polish and French music suggests the career of Chopin, Blechacz's specialty so far, but really what's impressive here is the sharp differentiation in the duo's playing between the two French pieces and the arch-Romantic Violin Sonata in D minor, Op. 9, of Karol Szymanowski. The gutsy performance of this early Szymanowski work is worth the price of the album in itself, but also sample the exceptionally delicate duo work of both players in the Fauré Violin Sonata No. 1 in A major, Op. 13. Kim's training was Korean and American, but she is emerging as a fine player of French music, even in the rather knotty Debussy Violin Sonata in G major. The program is structured with a little encore, the Nathan Milstein arrangement of the Chopin Nocturne in C sharp minor, Op. posth. You will be calling for encores yourself after this superb and youthful recital, beautifully recorded at Siemens Villa in Berlin by Deutsche Grammophon. © TiVo