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Kamermuziek - Verschenen op 17 augustus 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
What do you mean, “Six evolutions”? It’s an intriguing title, almost esoteric… The cellist Yo-Yo Ma, who needs no introduction after a worldwide career of some fifty years, pens here his third (and ultimate, according to him) recording of Bach’s Solo Cello Suites. The first, while he was in his twenties, gave rise to enthusiasm, the second—in his forties—gave rise to emotion, so what will this final vision give rise to, now that he is in his late sixties? Serenity and joy, probably, and the completion of a triple discographic evolution. That being said, we still cannot explain the “Six evolutions”, and you will have to dive into a small corner of the accompanying booklet to find an indication, giving little more information, it is true, since it comes with no clarification: 1) Nature is at play, 2) Journey toward the light, 3) Celebration, 4) Construction/Development, 5) The struggle for hope, and 6) Epiphany. Well… Whatever it be, and despite what he said—and the amazing quality of this interpretation—let’s meet in 2038 to find out if he doesn’t decide to give a new interpretation in his eighties! © SM/Qobuz
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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Piano solo - Verschenen op 5 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 5 oktober 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 24 maart 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Exceptional Sound Recording
Fazil Say, who made his debut on this label with a very, very well-received work on Mozart’s Complete Piano Sonatas, is now turning his attention to Chopin, but a more confidential side of Chopin, much less virtuoso, the Chopin Nocturnes, the almost complete work of which he recorded in the Mozarteum Salzburg in March 2016. An “almost complete work” because the Nocturne in C-Sharp minor Op. 71/1 is missing, most likely due to CD running time restrictions as the total exceeded the limit by just a handful of seconds… Regardless the interpretation is dazzling and almost symphonic, taking these Nocturnes out of the hyper-romantic state of torpor they are so frequently plunged in by musicians. In addition to Chopin’s music, a few of Say’s short-lived grunts can also be heard who, much like Gould (albeit to a lesser extent), sometimes enjoys humming in the background. © SM/Qobuz
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Piano solo - Verschenen op 23 november 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
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Piano solo - Verschenen op 18 maart 2016 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Pianiste Maestro - Choc de Classica - Choc Classica de l'année - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 7 februari 2020 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Viool solo - Verschenen op 5 oktober 2018 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month
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Duo´s - Verschenen op 9 november 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
At a time when Mozart was writing his first sonatas for violin and clavier, in 1778, it was the done thing to write piano sonatas with violin accompaniment in which the violin part is fairly unobtrusive. The purpose of this was not to put off the target audience for the scores: educated amateurs. But Mozart paid no heed to this convention and took off into a new world with real duets, in which the two instruments found themselves on an even footing. At the same time, he avoided the corrective exaggeration which would appear in some scores which resembled violin concertos with a little piano support. Here we have a perfect balance between the two players: Isabelle Faust on the violin and Alexander Melnikov at the clavier. The latter of the two plays on a copy of a Viennese fortepiano made in 1795 by Anton Walter. The sound balance is utterly perfect, which is a relief, as all too often these sonatas either favour the keyboard part when played on the piano or the violinist tries to force it. We have here two sonatas written in Paris shortly after the death of Mozart's mother (who accompanied him on the journey), and then another from 1787 written in the wake of Leopold Mozart's death. Despite this the composer seems to be putting on a brave face, flashing a smile tinged with a tender nostalgia on the Sonata in E Minor K. 304. © SM/Qobuz
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Kwartetten - Verschenen op 29 september 2017 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 6 april 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Exceptional Sound Recording - 5 étoiles de Classica
The remarkable Turkish pianist Fazıl Say (born 1970) here offers us a suitably remarkable album, recorded in 2016 in the Great Hall of the Salzburg Mozarteum and given over to the Premier Livre of Debussy's Préludes – 1910 – which he sets up in against the six Gnossiennes by Satie (1890 for the first three, 1897 for the latter three) and to the pieces which made him famous, the Gymnopédies of 1888. It's quite stunning to hear these works and to reflect on the fact that Satie's works actually come before Debussy's Préludes – by almost two decades, in fact. It is hardly surprising the Satie has been thought a real avant-gardist both in his day and by minimalists today. Considering how different these two were, it was natural that they should have been friends, especially given Debussy's tendency towards jealousy of his contemporaries... But it is impossible to be jealous of a kind, bubbly soul like Satie. Say brings immense tenderness to these two opposite poles – poles so far removed that they almost join back up. © SM/Qobuz
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Kamermuziek - Verschenen op 17 januari 2020 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Piano solo - Verschenen op 22 augustus 2014 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month - 4 étoiles Classica
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Kamermuziek - Verschenen op 6 oktober 2017 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik
This is a gentle kind of duet, which sets up Cecilia Bartoli "opposite" cellist Sol Gabetta, if we can speak of "opposition". The two stars chose a few airs out of the baroque repertoire where the composers have included a part for cello, and the two lines intertwine against the backdrop of the continuo or the orchestra. Albinoni, Caldara, Haendel and many others have often married the cello's deep voice with the light, airy tones of the soprano in a game of mirrors, contrasts, and "he-loves-me-he-loves-me-not”... This highly original billing benefits not only from the duettists' clear talents, but also the involvement of the Capella Gabetta led by the violinist Andrés Gabetta - to be sure, in the duets of old it wasn't the done thing for other performers to get involved, but in this instance, it adds up to a perfect balance. It's certainly not the end of the world - or of this duet! This album, highly original, is one of September's nicest surprises.
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Kwartetten - Verschenen op 26 maart 2013 | Zig-Zag Territoires

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month - Hi-Res Audio
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Kamermuziek - Verschenen op 17 januari 2020 | Ricercar

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 6 september 2019 | CPO

Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Trio´s - Verschenen op 3 mei 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
Rachmaninoff's output of chamber music is small but all the more precious for that. Two absolute gems bear witness to the fact: these ‘elegiac trios’, which were produced by a young composer still indisputably under the influence of Tchaikovsky. But Rachmaninoff’s personality is already fully present, reaching heights of emotion and expressiveness. The pieces by Suk and Grieg add a further touch of character to the picture, which is painted with an exceptionally rich palette: the artistry of the phenomenal Trio Wanderer! © harmonia mundi
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Piano solo - Verschenen op 29 juni 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Preis der deutschen Schallplattenkritik