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Piano solo - Verschenen op 7 februari 2020 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Duo´s - Verschenen op 31 januari 2020 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 17 januari 2020 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Kamermuziek - Verschenen op 17 januari 2020 | Ricercar

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 22 november 2019 | Printemps des Arts de Monte-Carlo

Hi-Res Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 6 september 2019 | CPO

Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Kamermuziek - Verschenen op 19 juli 2019 | DOREMI

Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 24 mei 2019 | Le Palais des Dégustateurs

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Trio´s - Verschenen op 3 mei 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
Rachmaninoff's output of chamber music is small but all the more precious for that. Two absolute gems bear witness to the fact: these ‘elegiac trios’, which were produced by a young composer still indisputably under the influence of Tchaikovsky. But Rachmaninoff’s personality is already fully present, reaching heights of emotion and expressiveness. The pieces by Suk and Grieg add a further touch of character to the picture, which is painted with an exceptionally rich palette: the artistry of the phenomenal Trio Wanderer! © harmonia mundi
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Kwartetten - Verschenen op 19 april 2019 | Klarthe

Hi-Res Booklet Onderscheidingen 5 de Diapason
In the torment and the great human disorder of the Second World War, millions of children, women and men perished in death camps, killed by the barbary of man. Amongst them, three musicians: Pavel Haas, Hans Krása and Erwin Schulhoff. They were Jewish, they were also intellectuals, modernist, communist or homosexual, and all three of them extraordinary musicians. A double and terrible injustice as, assassinated in their youth, they were also deprived of posthumous glory, history having retained their status as victims, rather than that of composers. This recording pays homage to the music of these "Three brothers of the storm", full of sensuality, colours and life. © Klarthe
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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Kwintetten - Verschenen op 12 april 2019 | Channel Classics Records

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 29 maart 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
Frescobaldi brilliantly combines improvisation and architecture. These qualities resonate with the discography of harpsichordist Christophe Rousset, whose choice of repertoire and interpretation are adventurous and serious at the same time. Frescobaldi’s counterpoint goes along with the finest art of singing, inherited from the Italian madrigal, and the flexibility of his language highlights the virtuosity of his compositions. Christophe Rousset recorded toccate and partite on a beautiful and original harpsichord of the late 16th century. Its sound faithfully testifies for the significant place of this First Book of harpsichord pieces in the nascent modernity of Frescobaldi. If the modal harmonies are still old-fashioned, the free beat and subtle melodies make it an indisputable baroque master, admired from Italy to France and Germany: Bach is said to have had a copy of his Fiori musicali! This new disc by Christophe Rousset reveals the first treasures composed specifically for the harpsichord. Its repertoire was served from the beginning by musicians whose expressive boldness recalls in a musical way Caravaggio’s chiaroscuro. © Aparté
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Kwartetten - Verschenen op 29 maart 2019 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
Founded in 1998 at Pro Corda, Suffolk, the multiaward-winning Doric String Quartet describes recording Britten’s quartets as a significant milestone: ‘In our recording we have endeavoured to tread a line that brings out the humanity in these works but also recognises the need for distance and fragility. This is very personal and intimate music, yet also world-encompassing and timeless.’ The Quartet continues: ‘Another feature of this recording is that Hélène Clément, our violist, is playing on Benjamin Britten’s own viola. This instrument (on loan from the Britten-Pears Foundation) was made in 1843 in Milan by Francesco Guissani. It was previously owned by the composer Frank Bridge who gave it to Britten, as a departure gift when Britten and Pears set sail for the USA in 1939.’ Hélène Clément writes: ‘To be able to explore the music of Britten with the very sound that the composer had in his ears is the greatest honour and joy I could have imagined.’ © Chandos
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Kamermuziek - Verschenen op 29 maart 2019 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 29 maart 2019 | Supraphon a.s.

Hi-Res Onderscheidingen 5 de Diapason
The very first complete recording of Viktor Kalabis’s piano works, as well as the previous album of his three sonatas, have come to fruition upon the initiative and owing to the relentless enthusiasm of the world-renowned harpsichordist Zuzana Růžičková, the composer’s wife and a keen promoter of his oeuvre. Of major importance was the selection of the pianist – one possessing superlative technical skills and having a profound understanding of the structure of Kalabis’s music. As Ivo Kahánek put it: “Kalabis was one of the composers who don’t restrict their ideas by the traditional laws of the piano technique, hence his music is now and then extremely difficult to perform.” Even though Kalabis drew inspiration from the music of other 20th-century masters, he soon arrived at his own, singular and unique musical idiom, which is already palpable in his early opuses. The album maps more than half a century of Kalabis’s work, from the post-war Sonata No. 1 to the masterful miniatures dating from the very end of the millennium. Following the critically acclaimed recordings of his symphonic and concert pieces (Choc de Classica, Gramophone Editor’s Choice), and of the three sonatas, the present album opens yet another window into Viktor Kalabis’s fascinating musical world. © Supraphon
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Piano solo - Verschenen op 15 maart 2019 | RUBICON

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Duo´s - Verschenen op 8 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice
Despite (or because of) composing some twenty-seven symphonies, Nikolai Myaskovsky (1881-1950) has practically been forgotten about. He was a student of Liadov and Rimsky-Korsakov and a friend of Prokofiev, but he never ventured far from his romantic style of writing even when it was fading in popularity. Despite this, he was a fantastic composer of instrumental music, as demonstrated by this First Sonata composed in 1911 which has since been revised several times. Its lyricism is perfectly suited to the cello’s rich sound that is so close to the human voice.As a finalist of the Queen Elisabeth Competition in Belgium, special prize winner at the Tchaikovsy Competition in Moscow and ADAMI Classical Musical Talent in Paris, Bruno Philippe has amassed a whole host of prizes and awards, but it is a desire to play music that motivates him rather than a desire for recognition. After an initial project dedicated to Brahms’ two Sonatas, he signed with Harmonia Mundi and released an album dedicated to Beethoven and Schubert. Here, he explores the work of Myaskovsky with pianist and composer Jérôme Ducros, however most of this new recording is dedicated to Rachmaninov and includes two of his early pieces, Prelude and Oriental Dance and the famous Sonata for Cello and Piano in G minor. As an added bonus Prelude in C sharp minor is also included, a piece which Jérôme Ducros clearly enjoys playing and which we certainly enjoy listening to. This piece was one of the main reasons for the composer’s worldwide fame even though it was unexpected and he would have been grateful just for some public recognition for his symphonies. © François Hudry/Qobuz
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Piano solo - Verschenen op 1 februari 2019 | Nonesuch

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Duo´s - Verschenen op 25 januari 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason