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Klassiek - Verschenen op 17 januari 2020 | Archiphon

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Duo´s - Verschenen op 6 december 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 29 november 2019 | Mezzoforte

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Kamermuziek - Verschenen op 15 november 2019 | Centaur Records, Inc.

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Klassiek - Verschenen op 1 november 2019 | Sony Classical

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Symfonieën - Verschenen op 2 augustus 2019 | BR-Klassik

Hi-Res Booklet Onderscheidingen Diapason d'or
These concert recordings give the lie in stunning style to the reputation for slowness which has dogged the great Otto Klemperer. The image of a partially-paralysed old man directing Beethoven's symphonies at a deathly slow pace is dispelled by these two concert versions of Symphony No.101 "The Clock" by Haydn and Symphony No.4 by Brahms recorded in Munich in 1956 and 1957, with the excellent Bavarian Radio Symphony Orchestra, one of Germany's best.Here is a perfectly-balanced Haydn, both biting and joyful. The opening Presto launches with sparkling élan, and sets the tone for the whole album. It reminds us how, in his youth, Otto Klemperer had always been a conductor ready to take to the barricades for contemporary music, and to play the great works of the repertoire with a style whose grandeur was only rivalled by its vivacity.His vision of the Fourth Symphony by Brahms alternates between a sense of immensity (Allegro giocoso) and a versatility in terms of tempo that most conductors today wouldn't dare tackle. He cleverly structures the Finale, to underscore the thread linking Brahms and the contrapuntists of musical history, the crowning summit of which writing being a Bach cantata and the use of a passacaglia that holds together the whole magisterial performance. Starting at a relatively moderate tempo, the movement reaches its climax, as Brahms instructs on the score (Più Allegro), in a fateful and liberating whirlwind. © François Hudry/Qobuz
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Kamermuziek - Verschenen op 2 augustus 2019 | DUX

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Kamermuziek - Verschenen op 5 juli 2019 | Orchid Classics

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Piano solo - Verschenen op 14 juni 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
Following a previous recording devoted to Mozart, François Chaplin has chosen Brahms' latest opus for solo piano: Rhapsodies Op. 79 and the intermezzi from Klavierstücke Op. 117 and Op. 118. The Rhapsodies, moving and powerful scores, express Brahms' sober melancholy. Far from his symphonic works, the interludes of Opus 117 and Opus 118, true miniatures, reveal the inner imagination of the composer. Brahms talks directly to the heart of the listener with his mature and sober poetry. Within these Klavierstücke, the interlude is a humble but generous genre where the musician gathers freely the fruits of his most intimate inspiration. These « lullabies of pain », as he called them, are composed during summer in the Austrian countryside, dear to this sturdy northern German. The emotion that emerges from it is all the more intense as it measures his artistic evolution. On this journey, François Chaplin brings out a soft poetry from a contained lyricism. © Aparté
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Duo´s - Verschenen op 7 juni 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason