Categories :

Albums

HI-RES€ 14,99
CD€ 9,99

Kamermuziek - Verschenen op 15 november 2019 | Centaur Records, Inc.

Hi-Res
CD€ 8,99

Klassiek - Verschenen op 15 november 2019 | Aulicus Classics

HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 8 november 2019 | OnClassical

Hi-Res
HI-RES€ 10,49€ 14,99(30%)
CD€ 6,99€ 9,99(30%)

Klassiek - Verschenen op 1 november 2019 | Ondine

Hi-Res Booklet
Lars Vogt continues his series of concerto recordings with the Royal Northern Sinfonia with this new recording of Johannes Brahms’ (1833–1897) First Piano Concerto together with Four Ballades (Op. 10) for solo piano. As in previous albums, Lars Vogt conducts from the keyboard. The evolution of Brahms’ 1st Piano Concerto took several steps. Originally conceived to become a Sonata for Two Pianos through orchestration it was developed into a four-movement "Symphony" until reaching into its final form of a "Piano Concerto" in three movements. During the process, which lasted from 1854 to 1856, some movements were also discarded and replaced by new material. This music is packed with much drama. No wonder since these years were particularly tumultuous in Brahms’ personal life: it was during this period when his great mentor Robert Schumann was sent into an asylum and ultimately died. It was also time when Brahms formed a close, lifelong friendship to Clara Schumann. Some of these feelings might well be echoed in the peaceful second movement, Adagio. Brahms’ Four Ballades, Op. 10 are works written in 1854 by a young composer barely in his 20s, yet these pieces are technically mature and profound in such a manner that they could even be compared to his final piano opuses. © Ondine
HI-RES€ 11,89€ 16,99(30%)
CD€ 10,14€ 14,49(30%)

Klassiek - Verschenen op 1 november 2019 | Sony Classical

Hi-Res
CD€ 5,99

Klassiek - Verschenen op 1 november 2019 | Il Loggione Records

CD€ 9,99

Klassiek - Verschenen op 18 oktober 2019 | Intense Media GmbH

CD€ 8,49

Klassiek - Verschenen op 18 oktober 2019 | Australian Broadcasting Corp (ABC)

HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 18 oktober 2019 | ART_INFINI

Hi-Res
HI-RES€ 11,49
CD€ 9,99

Klassiek - Verschenen op 4 oktober 2019 | Warner Classics

Hi-Res
HI-RES€ 14,99
CD€ 9,99

Kamermuziek - Verschenen op 4 oktober 2019 | Centaur Records, Inc.

Hi-Res
CD€ 9,99

Klassiek - Verschenen op 20 september 2019 | Rubato

CD€ 5,99

Klassiek - Verschenen op 12 september 2019 | Music Manager

CD€ 5,99

Klassiek - Verschenen op 12 september 2019 | Music Manager

CD€ 5,99

Klassiek - Verschenen op 12 september 2019 | Music Manager

CD€ 5,99

Klassiek - Verschenen op 24 augustus 2019 | Armasi

HI-RES€ 8,99
CD€ 5,99

Klassiek - Verschenen op 23 augustus 2019 | Naxos

Hi-Res Booklet
HI-RES€ 14,99
CD€ 9,99

Kamermuziek - Verschenen op 2 augustus 2019 | DUX

Hi-Res Booklet
HI-RES€ 14,99
CD€ 9,99

Symfonieën - Verschenen op 2 augustus 2019 | BR-Klassik

Hi-Res Booklet Onderscheidingen Diapason d'or
These concert recordings give the lie in stunning style to the reputation for slowness which has dogged the great Otto Klemperer. The image of a partially-paralysed old man directing Beethoven's symphonies at a deathly slow pace is dispelled by these two concert versions of Symphony No.101 "The Clock" by Haydn and Symphony No.4 by Brahms recorded in Munich in 1956 and 1957, with the excellent Bavarian Radio Symphony Orchestra, one of Germany's best.Here is a perfectly-balanced Haydn, both biting and joyful. The opening Presto launches with sparkling élan, and sets the tone for the whole album. It reminds us how, in his youth, Otto Klemperer had always been a conductor ready to take to the barricades for contemporary music, and to play the great works of the repertoire with a style whose grandeur was only rivalled by its vivacity.His vision of the Fourth Symphony by Brahms alternates between a sense of immensity (Allegro giocoso) and a versatility in terms of tempo that most conductors today wouldn't dare tackle. He cleverly structures the Finale, to underscore the thread linking Brahms and the contrapuntists of musical history, the crowning summit of which writing being a Bach cantata and the use of a passacaglia that holds together the whole magisterial performance. Starting at a relatively moderate tempo, the movement reaches its climax, as Brahms instructs on the score (Più Allegro), in a fateful and liberating whirlwind. © François Hudry/Qobuz
CD€ 9,99

Kamermuziek - Verschenen op 2 augustus 2019 | Centaur Records, Inc.