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Klassiek - Verschenen op 20 juni 2019 | Armasi

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Klassiek - Verschenen op 20 februari 2020 | Nar Classical

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Klassiek - Verschenen op 1 november 2019 | Il Loggione Records

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Klassiek - Verschenen op 12 september 2019 | Music Manager

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Klassiek - Verschenen op 10 juli 2019 | Ello

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Klassiek - Verschenen op 12 september 2019 | Music Manager

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Klassiek - Verschenen op 12 september 2019 | Music Manager

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Klassiek - Verschenen op 24 augustus 2019 | Armasi

HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 1 november 2019 | Ondine

Hi-Res Booklet
Lars Vogt continues his series of concerto recordings with the Royal Northern Sinfonia with this new recording of Johannes Brahms’ (1833–1897) First Piano Concerto together with Four Ballades (Op. 10) for solo piano. As in previous albums, Lars Vogt conducts from the keyboard. The evolution of Brahms’ 1st Piano Concerto took several steps. Originally conceived to become a Sonata for Two Pianos through orchestration it was developed into a four-movement "Symphony" until reaching into its final form of a "Piano Concerto" in three movements. During the process, which lasted from 1854 to 1856, some movements were also discarded and replaced by new material. This music is packed with much drama. No wonder since these years were particularly tumultuous in Brahms’ personal life: it was during this period when his great mentor Robert Schumann was sent into an asylum and ultimately died. It was also time when Brahms formed a close, lifelong friendship to Clara Schumann. Some of these feelings might well be echoed in the peaceful second movement, Adagio. Brahms’ Four Ballades, Op. 10 are works written in 1854 by a young composer barely in his 20s, yet these pieces are technically mature and profound in such a manner that they could even be compared to his final piano opuses. © Ondine
CD€ 8,49

Klassiek - Verschenen op 18 oktober 2019 | Australian Broadcasting Corp (ABC)

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Kamermuziek - Verschenen op 26 april 2019 | Signum-Cala

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Kamermuziek - Verschenen op 6 december 2019 | Le Triton

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CD€ 11,49

Piano solo - Verschenen op 14 juni 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
Following a previous recording devoted to Mozart, François Chaplin has chosen Brahms' latest opus for solo piano: Rhapsodies Op. 79 and the intermezzi from Klavierstücke Op. 117 and Op. 118. The Rhapsodies, moving and powerful scores, express Brahms' sober melancholy. Far from his symphonic works, the interludes of Opus 117 and Opus 118, true miniatures, reveal the inner imagination of the composer. Brahms talks directly to the heart of the listener with his mature and sober poetry. Within these Klavierstücke, the interlude is a humble but generous genre where the musician gathers freely the fruits of his most intimate inspiration. These « lullabies of pain », as he called them, are composed during summer in the Austrian countryside, dear to this sturdy northern German. The emotion that emerges from it is all the more intense as it measures his artistic evolution. On this journey, François Chaplin brings out a soft poetry from a contained lyricism. © Aparté
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Klassiek - Verschenen op 1 november 2019 | Sony Classical

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Klassiek - Verschenen op 10 mei 2019 | MusicMasters

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Kamermuziek - Verschenen op 10 mei 2019 | MusicMasters

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Klassiek - Verschenen op 31 januari 2020 | CLassical Tunes - ARP

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Klassiek - Verschenen op 15 november 2019 | Aulicus Classics

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Klassiek - Verschenen op 7 februari 2020 | G.O.P.

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CD€ 11,99

Kamermuziek - Verschenen op 7 februari 2020 | PentaTone

Hi-Res Booklet
After their acclaimed Brahms' String Quintets, the WDR Chamber Players now present the composer’s String Sextets. Brahms wrote his two Sextets at the beginning of his career, partly as a way to evade the “Ghost of Beethoven” haunting the string quartet, but also as the ideal genre to realize a typically Brahmsian sound: full, “orchestral” and rich in harmonies. Due to the limited institutionalisation of the sextet as an ensemble, these pieces are rarely performed today. The WDR Chamber Players – who are all members of the WDR Symphony Orchestra, as well as pursuing their own international careers – are ideal interpreters of this repertoire, combining chamber-musical intimacy with “symphonic” depth. © Pentatone