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Piano solo - Verschenen op 30 september 2016 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année - Exceptional sound
CD€ 27,99

Volledige opera's - Verschenen op 7 oktober 2010 | harmonia mundi

Booklets Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica - Exceptional sound
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Volledige opera's - Verschenen op 9 oktober 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Disque de la semaine France Musique - Choc de Classica - Hi-Res Audio
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Volledige opera's - Verschenen op 16 juni 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - The Qobuz Ideal Discography
CD€ 24,49

Klassiek - Verschenen op 19 oktober 2009 | Warner Classics

Booklet Onderscheidingen Diapason d'or - The Qobuz Ideal Discography
HI-RES€ 48,99
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Klassiek - Verschenen op 1 januari 2013 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 4F de Télérama - Hi-Res Audio
CD€ 22,99

Volledige opera's - Verschenen op 22 mei 2009 | harmonia mundi

Onderscheidingen Choc de Classica - Exceptional sound
CD€ 21,99

Volledige opera's - Verschenen op 29 mei 2015 | La discothèque idéale de Diapason

Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
CD€ 34,99

Klassiek - Verschenen op 1 januari 1955 | Decca Music Group Ltd.

Onderscheidingen Diapason d'or - The Qobuz Ideal Discography
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Opera - Verschenen op 7 juli 2017 | Warner Classics

Booklet Onderscheidingen Diapason d'or - Choc de Classica
The operas of Mozart are synonymous with the festival at Glyndebourne, where exemplary performances are staged amidst the verdant landscape of southern England. Glyndebourne’s first music director was the distinguished conductor Fritz Busch, an exile from his native Germany. These pioneering recordings, deriving primarily from performances at Glyndebourne’s original theatre, date from the festival’s inaugural season (1934) and the years to 1951. Both Le nozze di Figaro and Così fan tutte were world premiere recordings – indeed, Figaro was the first-ever complete recording of a Mozart opera. In newly remastered sound, these classic interpretations of the three Da Ponte operas and Idomeneo can be enjoyed with unprecedented immediacy. Fritz Busch (1890-1951) was one the greatest German conductors of the first half of the twentieth century, noted for his illuminating performances and his ethical principles. He was famous for his performances and for enlarging the repertory and discovering new composers. He premiered operas by Paul Hindemith and Pfitzner very early in his carreer and when in 1922, he became music director of the Dresden State Opera, he premiered Strauss' Intermezzo (1924) and Die Ägyptische Helena (1928), Hindemith's Cardillac (1926), Busoni's Doktor Faust (1925), and Weill's Der Protagonist (1926). Busch’s open contempt of the Nazi government, which came to power in Germany in 1933, caused him to be fired from his post in Dresden – even though he was not Jewish. Then John Christie, a wealthy English landowner, invited Busch to become music director of a summer opera festival at his country estate in Glyndebourne. Glyndebourne soon became a prestigious summer festival, famous for meticulous musical preparation and astute casting. Mozart became they mainstay of Glyndebourne. After the outbreak of World War II (which closed Glyndebourne from 1939-1945), Busch withdrew mainly to South America, although he made appearances at the New York Philharmonic and the Metropolitan Opera. He resumed his association with Glyndebourne in 1950 but died in London soon after, in 1951. The curtain rose on the first Opera Festival performance at Glyndebourne on 28 May, 1934. It was intended as “not the best we can do, but the best that can be done anywhere”, in the words of the festival’s founder, John Christie, who built a 300-seat opera house with an orchestra pit and sophisticated technical and lighting equipment. The first Glyndebourne season in 1934 lasted for two weeks, and comprised six performances each of Le nozze di Figaro and Così fan tutte, a work that regained its place in the repertoire thanks to Busch’s advocacy. The artistic standards were astonishingly high. There were no star names among the singers (even though these recordings boast excellent singers such as Heddle Nash, Sena Jurinac, Erich Kunz, Blanche Thebom, Richard Lewis and so many others), but the emphasis was on the quality of the ensemble, built in that first season from outstanding, theatrically credible singers from Germany, Austria, Czechoslovakia, Finland, Italy, the United States and all over the UK. Le nozze di Figaro was recorded June 1934 and June 1935 (hence a « best of » both series), but a complete performance of course, Così fan tutte in June 1935, Don Giovanni in July 1936, while further excerpts from Cosi are dated June 1950, and from Idomeneo July 1951 – recorded not an Glyndebourne but at Abbey Road Studios in London, by the way.
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Klassiek - Verschenen op 1 januari 1978 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 12 januari 2018 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica
These are the recordings of Mozart created by Ferenc Fricsay at the head of the Berlin RIAS orchestra, now known at the Deutsches Symphonie-Orchester Berlin, of which he was the musical director from 1948 to 1954, and then from 1959 to his premature death in 1963. More precisely, these recordings date from 1951 and 1952, still in mono (high-fidelity music lovers take note); the majority having been recorded in the studio, the last few in concert. They cover almost all the symphonies of Mozart's youth, from No. 1 to No. 9, and No. 23 and No. 27; as well as a number of serenades and cassations, and some rather less-usual concertos - the Concerto for bassoon, and the Sinfonia Concertante for Four Winds – and an air from the Noces with Suzanne Danco as well as a duet from Don Giovanni with Danco and Rita Streich. The impeccable sound recording by Radio Berlin, even in mono, attests to the immense musical talent and vitality of the conductor, a student of Bartók (whom he would always faithfully champion) and Kodály, who disappeared at the unreasonably-young age of 48. © SM/Qobuz
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Klassiek - Verschenen op 1 januari 2001 | TransArt

Onderscheidingen 5 de Diapason - 4 étoiles du Monde de la Musique
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Opera - Verschenen op 5 april 2013 | harmonia mundi

Onderscheidingen Gramophone Record of the Year
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Klassiek - Verschenen op 1 januari 1982 | Decca Music Group Ltd.

Onderscheidingen The Qobuz Ideal Discography
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Kwintetten - Verschenen op 16 november 2018 | Accentus Music

Hi-Res Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 2012 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 4F de Télérama
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Klassiek - Verschenen op 1 januari 1986 | Decca Music Group Ltd.

Onderscheidingen The Qobuz Ideal Discography
CD€ 38,69

Klassiek - Verschenen op 2 augustus 2013 | Parlophone Label Group

Onderscheidingen The Qobuz Ideal Discography
HI-RES€ 28,49
CD€ 24,49

Opera - Verschenen op 14 februari 2014 | Sony Classical

Hi-Res Booklet Onderscheidingen Hi-Res Audio