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Klassiek - Verschenen op 27 september 2013 | ECM New Series

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Hi-Res Audio
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Klassiek - Verschenen op 7 april 2017 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Concerten voor klavier - Verschenen op 28 april 2011 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Klassiek - Verschenen op 1 augustus 2010 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Kamermuziek - Verschenen op 5 november 2009 | Mirare

Hi-Res Booklets Onderscheidingen Hi-Res Audio
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Piano solo - Verschenen op 23 februari 2018 | Fuga Libera

Hi-Res Booklet Onderscheidingen 5 de Diapason
For his fourth release on the Fuga Libera label, the pianist and fortepianist Piet Kuijken, professor at the Royal Conservatory of Brussels and the Antwerp Conservatory, presents a programme of music by Ludwig van Beethoven. The starting point of this double album is an artistic approach that is both pedagogical and musical: the first part contains pieces such as the Sonate Pathétique and the Sonata op.110 performed on a historical piano (a Tomkison original from 1808), while the second invites you to compare this with pieces of the same magnitude – the Appassionata Sonata and the imposing op.111, amongst others – played on a modern piano. A text written by the eminent musician invites you to follow the artist’s approach, within the same type of repertory when faced with these two different instruments. A sensitive and interesting album to help you discover all the different facets of this artist! © Fuga Libera/Outhere
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Klassiek - Verschenen op 11 november 2016 | Ondine

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 10 maart 2015 | Ondine

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 24 september 2009 | Mirare

Hi-Res Booklets + Video Onderscheidingen Hi-Res Audio
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Duo´s - Verschenen op 20 oktober 2017 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 25 maart 2014 | Tafelmusik

Hi-Res Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 4 januari 2011 | TwoPianists

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Klassiek - Verschenen op 14 augustus 2020 | Challenge Classics

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Klassiek - Verschenen op 29 november 2019 | Sony Classical

Hi-Res Booklet
International stardom has made Lang Lang into an ambassador for the classical repertoire. Sony has chosen Beethoven's 250th birthday to release a compilation that was born of a live concert recorded in Vienna, a city which has seen the birth of so many of the composer's works. The collection takes in Sonata No.3 and No.23, also known as Appassionata. These scores are an imaginary battlefield pitting the writer's contending passions against one another. Beethoven, subject to a compulsive inspiration, uses his writing to guide, even contain, this irresistible force: the greatest liberty dammed up by reason, an apparent paradox which his art summarises well.But here Lang Lang gives us an almost fantastical Beethoven. The pianist has fun with a repertoire which exacerbates contrasts thanks to an immense palette of nuances and several liberties taken with the tempos. Although his level of technique permits him such extravagances, it must be said that he is much more conventional with Beethoven than he is with Rachmaninov. You don't fool around with the Master of Bonn. The record closes on a studio version of the first movement of Sonata No.17 (the famous Tempest), recorded for the video game Gran Turismo 5. The rather grandiloquent switch between its Largo and Allegro sections makes its mark on the text. Lang Lang serves up a very literally visual interpretation of this score, built around the most epic settings that these Beethovian storms permit. © Elsa Siffert/Qobuz
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Kamermuziek - Verschenen op 24 april 2020 | PM Classics Ltd.

Hi-Res Booklet
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Klassiek - Verschenen op 10 april 2020 | Challenge Classics

Hi-Res Booklet
In 1799, after having made a name for himself with major compositions in the genres of the piano trio, piano sonata, violin sonata, and string quartet, but before finishing his first symphony, Beethoven wrote a work for mixed strings and winds. This piece, the Septet op. 20, would become one of his most popular compositions, with a large number of arrangements, including the one for piano trio on this volume. The form is clearly related to the divertimenti by Mozart, with six movements that alternate fast and slow tempos. The appearance of the Triple Concerto in this series might surprise some listeners, as it is the only work with orchestra, but this composition has more in common with chamber music than with concertos. It was written in 1805, and its instrumentation is highly exceptional if not unprecedented altogether. In tone, it is rather a stark contrast from Beethoven’s other concertos, which generally contain easily recognisable melodies and strikingly rhythmic material, neither of which are found to a great degree here. Furthermore, the opposition of soloist and orchestra, a central aspect of many solo works with orchestra written up until that point that was the engine behind much of the drama, is also absent, with the orchestra taking a largely subservient role to the three soloists. So, although the work was called a ‘Grand Concerto Concertant’ when it was published, it really has very little in common with other works with a similar title. The question is whether this piece is a concerto at all, or whether it could be more fruitfully played and judged as a different kind of experimental piece in a more collaborative genre. This disc takes the latter approach, and by contextualising it in a series of piano trios, it presents this work as Beethoven’s most richly instrumented chamber music. © Challenge Records
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Symfonieën - Verschenen op 31 maart 2017 | Berlin Classics

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Klassiek - Verschenen op 2 juni 2017 | Challenge Classics

Hi-Res Booklet
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Klassiek - Verschenen op 3 november 2017 | Challenge Classics

Hi-Res Booklet
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Klassiek - Verschenen op 11 september 2015 | Sony Classical

Hi-Res Booklet