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Klassiek - Verschenen op 8 april 2016 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Klassiek - Verschenen op 27 maart 2020 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Klassiek - Verschenen op 16 juni 2017 | MUNCHNER PHILHARMONIKER GBR

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Klassiek - Verschenen op 30 januari 2015 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Pianiste Maestro - Choc de Classica
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Klassiek - Verschenen op 27 januari 2014 | Warner Classics International

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Hi-Res Audio
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Piano solo - Verschenen op 5 mei 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Uitzonderlijke Geluidsopnamen - Hi-Res Audio
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Klassiek - Verschenen op 23 oktober 2012 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica - Hi-Res Audio
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Klassiek - Verschenen op 23 september 2016 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Klassiek - Verschenen op 6 maart 2020 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 2013 | Deutsche Grammophon (DG)

Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - 4 étoiles Classica
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Piano solo - Verschenen op 3 september 2015 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Klassiek - Verschenen op 22 september 2014 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica - Choc Classica de l'année
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Piano solo - Verschenen op 27 oktober 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik - 5 Sterne Fono Forum Jazz
The third album from Lucas Debargue with Sony Classical, this is a very original programme - the previous album offered a mixture of Bach, Beethoven and Medtner - which combines two Schubert sonatas (D.874, 1823, and D.664, 1819, respectively) and the ambitious Piano Sonata No. 2 (1910-11) from Szymanowksi, with post-Regerian momentum. Lucas Debargue, who sent shockwaves at the last Tchaikovsky competition, opens his new work with Sonata in A Minor, and gives it some truly tragic, wintry tones,  in the style of certain Russian pianists (Richter, Sofronitzky, etc.): a black and white keyboard, lit up by a recording effort that in no way dulls the harmonics. The cheeriest Sonata in A Major - which was a favourite of Wilhelm Kempff - has a similarly staid character, rather reserved. To be honest, this album seems to owe more than a little to Sviatoslav Richter. If Schubert was one of Richter's "obsessions", the Piano Sonata No. 2 from Szymanowksi was also at the heart of the Russian pianist's repertoire, who performed it several times in concert (e.g. at Parnassus, the concert for the centenary of Szymanowksi's birth on 26 November 1982 in Warsaw). A convulsive, tortured work, it is made up of two amply developed movements, which are very dark, dense and complex, including a theme and variations, crowned by a tremendous fugue. © TG/Qobuz
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Klassiek - Verschenen op 28 augustus 2012 | harmonia mundi

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 21 april 2017 | MUSO

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 26 mei 2011 | Fuga Libera

Hi-Res Booklets Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - 4 étoiles Classica - Hi-Res Audio
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Klassiek - Verschenen op 3 mei 2019 | Challenge Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
In September 2018, the first volume of Franz Schubert’s complete symphonies was released under the bright, precise and joyful lead of Jan Willem de Vriend (featuring Symphony No. 2 and Symphony No. 4). This second volume mostly fulfils expectations, with a few unforeseen nuances. It’s worth mentioning that the Symphony No. 1 in D major written by sixteen-year-old Schubert is touching, in more ways than one. First of all because it is constructed with brazen confidence, and casually – without any attempt at hiding it – covers Mozart’s Symphony No. 40 in G minor, oscillating incessantly between major and minor modes with the subtle mastery of modulation, which the Austrian composer would use throughout his life.As for the Symphony No. 3, also in D major, it is more Haydn − who died only six years before Schubert started working on this piece – who inspired the young composer. While the structure stemmed from his London symphonies, the melodies already bore the marks and melodic contours of the future composer of Die schöne Müllerin. At the other end of the corpus is the Unfinished Symphony, written in a radically different language because in the meantime, classicism had mutated into apprehensive romanticism, with a form of weariness growing around this magnificent music, rich with dizzying melancholy. Dropped by its author, like many others he left unfinished, it yet seems to end in pain and disarray, as a masterful question mark upon our miserable human destiny… © François Hudry/Qobuz
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Klassiek - Verschenen op 4 november 2016 | Evil Penguin Classic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 5 april 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason