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1844 albums gesorteerd op Best verkocht en gefilterd op Klassiek en 24 bits / 88.2 kHz - Stereo
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Klassiek - Verschenen op 30 augustus 2019 | deutsche harmonia mundi

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Klassiek - Verschenen op 30 augustus 2019 | Mirare

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Concertmuziek - Verschenen op 13 september 2019 | Alpha

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After releasing two recordings – the first devoted to Chopin and the second to Ravel and Scriabin – and winning First Prize at the Géza Anda Competition in 2015, which gave his career a powerful momentum, the young American pianist Andrew Tyson has conceived a new tailor-made programme of music by Domenico Scarlatti, Schubert, Mompou and Albéniz. His programme focuses on landscapes, starting out from Federico Mompou’s piece of that name (Paisajes) and taking us on a journey elsewhere in Spain (Sonatas by Domenico Scarlatti, Book I of Iberia by Isaac Albéniz) and the Austrian countryside (where Franz Schubert composed the Sonata in A Major D. 664). © Alpha Classics
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Klassiek - Verschenen op 20 september 2019 | deutsche harmonia mundi

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The founder of the Lausanne Bach Festival, Japanese organ-player Kei Koito came to the attention of the general public thanks to unforgettable recordings of Buxtehude, Nivers and Johann Sebastian Bach. Her illuminating approach to the music of the Cantor is shot through with a powerful breath and a depth of engagement that few musicians can attain. Choosing her instruments with care (remember her magnificent recording of The Art of Fugue on Bordeaux's famous Dom Bedos, which was restored by Pascal Quoirin), she has recorded a series of albums for various labels, such as Claves and deutsche harmonia mundi, which is publishing this compilation of famous works by Bach.Kei Koito's organological research is a natural complement to her insatiable curiosity about the music of past masters; and about the contemporary music which forms a key part of her repertoire, including works by the likes of Ligeti, Maxwell Davies, Jolivet, Stockhausen or François-Bernard Mâche. Born into a family of artists in Japan, Kei Koito learned to sing and play the piano and cello, before dedicating herself fully to the organ from the age of 16. She studied at the Geneva Conservatoire with Pierre Segond, and then worked with Xavier Darasse, Luigi Ferdinando Tagliavini and Reinhard Goebel. She also took classes in composition, orchestration and analysis with Eric Gaudibert in Geneva. © François Hudry/Qobuz
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Concertmuziek - Verschenen op 13 september 2019 | Berlin Classics

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In her numerous concerts, the most famous female pianist of the nineteenth century performed works by her contemporaries, thereby adding to their success and enhancing their popularity. In view of this fact, it is all too easy to forget that Clara Schumann was herself a highly talented composer. This recording pays homage to her two greatest cyclical works: the Piano Concerto op. 7 and the Piano Trio op. 17. While the concerto illustrates the spirit of the youthful virtuosa, the trio, with its melodic lines and polyphonic structure, is testimony to the artistic maturity of the versatile Clara Schumann. © Berlin Classics
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Klassiek - Verschenen op 23 augustus 2019 | Alpha

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Klassiek - Verschenen op 20 september 2019 | SOMM Recordings

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Klassiek - Verschenen op 30 augustus 2019 | deutsche harmonia mundi

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Klassiek - Verschenen op 23 augustus 2019 | Portrait - Sony Masterworks

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Klassiek - Verschenen op 20 september 2019 | deutsche harmonia mundi

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Klassiek - Verschenen op 6 september 2019 | deutsche harmonia mundi

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Klassiek - Verschenen op 23 augustus 2019 | deutsche harmonia mundi

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Klassiek - Verschijnt op 27 september 2019 | Masterworks

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Klassiek - Verschenen op 23 augustus 2019 | deutsche harmonia mundi

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Klassiek - Verschijnt op 25 oktober 2019 | harmonia mundi

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Klassiek - Verschijnt op 11 oktober 2019 | Ricercar

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Concertmuziek - Verschenen op 11 mei 2018 | naïve classique

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
Concertos for viola d'amore represent a fairly atypical part of Vivaldi's work, and he was probably the first composer to write pieces for this work in the solo concerto format. The viola d'amore was certainly well-liked for its soft, suggestive sound, which evoked the moods and climes of the orient thanks, in particular to its sympathetic strings which vibrate with those strings the player bows. But it was little-used because of its complex tuning and objective difficulties involved in playing it. In fact, the instrument would be tuned in different ways to fit the tonality of the piece being played – the famous scordatura, so finicky for the musicians – and it is believed that Vivaldi wrote these specifically for one of the musicians at Venice's Pietá: the famous Anna-Maria. Another characteristic of these concertos for viola d'amore, the rapid movements are also much longer and fuller than in most of Vivaldi's writing, for example in the seven string concertos which figure at the start of the album, or in the miniatures which were intended as showcases for the talent of the greatest possible number of soloists in the public concerts at the Pietá. A little curiosity is offered up here in the shape of the original concerto La Conca RV163, whose themes mimic the sound of the "conca", a kind of large marine conch used as an instrument since prehistoric times. The recording includes a conch being sounded at the start of the first movement by way of explanation. © SM/Qobuz
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Klassiek - Verschenen op 8 maart 2019 | Alia Vox

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Piano solo - Verschenen op 6 oktober 2017 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
Sophisticated colourist and cerebral virtuoso though he is, Nelson Goerner nevertheless brings out the moments of weakness, the hesitations, the lightning passions in the labyrinth of Chopin’, wrote Diapason on the release of the Preludes in 2015 (Diapason d’Or, Choc de Classica). ‘Serenity’, ‘balance’, ‘clarity’, ‘phrasing’ are the key words that recur in reviews of the discs and concerts of the Argentine pianist, whose fifth solo release on Alpha this is. His latest venture is a complete recording of the Nocturnes, a highpoint of Chopinesque poetry. These twenty-one miniatures accompanied Chopin over a good part of his life, for he composed them between 1827 and 1848. They are tributes to Italian bel canto, expressing reveries but also complexity of feeling and a profundity that far transcends their apparent simplicity. Nelson Goerner’s feeling for melody and tempo works wonders in these pieces, which he recorded in the ideal surroundings of the Salle de Musique of La Chaux de Fonds (Switzerland). © Alpha
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Religieuze vocale muziek - Verschenen op 26 oktober 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
For his first album as a soloist, the Polish countertenor Jakub Józef Orliński chose to explore some of the rarest repertoires, to the point that several of the pieces presented here are world premieres. As a result, we are introduced to composers who are almost unknown today: Gaetano Schiassi (1698-1754), Domènec Terradellas (1711-1751) and Nicola Fago (1677-1745), alongside other composers who are famous today such as Hasse, Zelenka or Durante. Helped by the bass-baritone Yannis François, Orliński covers a large amount of time, from the end of the 17th century to the last third of the 18th century, though solely in the spiritual domain, with Masses, Dixit Dominus or sacred oratorios. That said, the vocal and instrumental writing borrows from baroque, with its vocalisations, its embellishments and its brightness. On top of this, the ensemble il pomo d'oro performs the work with great confidence. © SM/Qobuz