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Symfonische muziek - Verschenen op 10 april 2020 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
Some music lovers are familiar with Ce qu’on entend sur la montagne, Liszt’s symphonic poem based on Victor Hugo. But who knows that, ten years earlier, César Franck was inspired by the same poem? This early piece is recorded here by the Orchestre Philharmonique de Radio France conducted by Mikko Franck. They couple it with the famous Symphony in D minor, dedicated to Henri Duparc and premiered, without much success, in 1889. Even if the score is quite well-known today, in the end it is performed quite rarely, which is a pity, because it really has all the characteristics of a masterpiece: melodic and harmonic inspiration, refined orchestration, variety of mood, an ingenious structure. Two works by Franck ... by Franck! This album marks the beginning of a collaboration between Alpha and the Orchestre Philharmonique de Radio France, which will focus on very varied repertories. © Alpha Classics
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Klassiek - Verschenen op 27 maart 2020 | NoMadMusic

Hi-Res Booklet Onderscheidingen 5 de Diapason - 3F de Télérama - 5 étoiles de Classica
“Jardin féérique”, the Métaboles’ second album with NoMadMusic, is a true ode to nature. Infinite source of inspiration, it becomes an enchanted forest with Ravel, is the symbolical reflection of the soul’s tremors with Saint-Saëns, while Britten, in his Hymn to Saint Cecilia – patron of musicians – pays homage to the muse walking through a shady garden. Britten’s Flower Songs create a unique cycle like a musical herbarium… The figurative music of Murray Schafer (Miniwanka) – engaged composer and ecology-lover – develops the concept of a musical landscape: a fascinating conjunction of vocal gestures, percussion, onomatopeia, evocation of rituals which reveal the metaphysical dimension of the link between Nature and Mankind. © Nomadmusic
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Religieuze cantates - Verschenen op 14 februari 2020 | deutsche harmonia mundi

Hi-Res Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 24 januari 2020 | B Records

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 17 januari 2020 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Concerten voor viool - Verschenen op 10 januari 2020 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason
 
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Klassiek - Verschenen op 22 november 2019 | NoMadMusic

Hi-Res Booklet Onderscheidingen 5 de Diapason
After "Waiting for Clara", which focused on the music of Brahms and Schumann, this second album on NoMadMusic from the clarinetist Julien Hervé looks back another few years, to the apex of Classical style, with Mozart’s Quintet and Concerto. After discovering the instrument later in his life, Mozart fell entirely in love with it and dedicated these sublime pieces to it. This hedonistic, luminous programme, recorded live, offers us the opportunity to discover - or rediscover - two of the greatest masterpieces in the clarinet repertoire. © NoMadmusic
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Klassiek - Verschenen op 25 oktober 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
 Much gossip has surrounded the double murder committed by Carlo Gesualdo, who killed his young wife and her lover when he caught them in flagrante delicto. The remorse he felt for this atrocious crime is said to have inspired the Neapolitan composer to write new harmonies, using and abusing scraping and characterful chromatisms. Paul Agnew takes aim at this widespread belief, contending that "this aristocratic double murder only indirectly influenced the musician's life." In a very interesting introductory text, the "Associate Musical Director" of the Arts Florissants sets the figure of Gesualdo back into his historical context, explaining just how his tormented psychological state would have fed into his own musical evolution, alongside the musical journeys of his peers. The same line of argument is also made by musicologist Denis Morrier in his analysis of the two first Books of Madrigals, which are presented here: "At once visionary and conservative, eccentric in language and conventional in form, these works have fascinated musicians and commentators across the ages", he writes.Following the recording of 17 madrigals from Book IV to Book VI, conducted by William Christie in 1988, this new album marks the first stage of a complete recording of Gesualdo's Madrigals, which are to be performed across three seasons at the Philharmonie de Paris. Passionate, violent, dark and burning with meaning, Gesualdo's music touches the heart and speaks to us of the doubts and contradictions of the human soul. © François Hudry/Qobuz
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Opera - Verschenen op 18 oktober 2019 | Glossa

Hi-Res Booklet Onderscheidingen 5 de Diapason
The remarkable Hypermnestre by Charles-Hubert Gervais is the latest unremembered early 18th-century French opera to be recorded afresh for Glossa, and conducted by György Vashegyi. Gervais was a contemporary of Campra and Destouches, learning from Lully and paving the way for Rameau and, like Marais and François Couperin, open to the Italianising trends of “les goûts réunis”. A high-quality libretto from Joseph La Font tackles the story of Hypermnestra which proved so popular in the early eighteenth century. The Glossa recording contains both the original fifth act and the major revision of it from 1717 and Vashegyi drives the whole tragedy expertly to its bitter (and not-so-bitter!) end. Musically, this “tragédie lyrique” provides powerful opportunities for the trio of leading characters, here taken by Katherine Watson (Hypermnestre), Thomas Dolié (Danaüs, her father) and Mathias Vidal (Lyncée, her betrothed), but they are ably supported by Juliette Mars, Chantal Santon-Jeffery, Manuel Núñez Camelino and Philippe-Nicolas Martin. No French opera of this time would have been complete without a generous helping of choral or instrumental music and Gervais – a master of melody, harmony and orchestration – serves these up in a dazzling set of divertissements and festive set pieces full of dances (including a massive passacaille); all this performed with great stylistic awareness and vivacity by Vashegyi’s Orfeo Orchestra and Purcell Choir. © Glossa