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Piano solo - Verschenen op 19 februari 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica
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Religieuze vocale muziek - Verschenen op 5 juni 2012 | SDG

Hi-Res Onderscheidingen Diapason d'or de l'année - Diapason d'or - Gramophone Award - Choc de Classica - Hi-Res Audio
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Klassiek - Verschenen op 9 mei 2011 | Warner Classics

Booklet
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Klassiek - Verschenen op 30 oktober 2015 | ARTALINNA

Hi-Res Booklet
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Klassiek - Verschenen op 1 januari 2014 | Archiv Produktion

Hi-Res Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 14 augustus 2015 | Ondine

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 10 november 2017 | Mirare

Hi-Res Booklet Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 3 februari 2017 | ARTALINNA

Hi-Res Booklet
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Klassiek - Verschenen op 13 september 2019 | Jube Classic

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Klassiek - Verschenen op 4 oktober 2019 | Listenpony

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Klassiek - Verschenen op 8 februari 2019 | Oehms Classics

Hi-Res Booklet
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Klassiek - Verschenen op 21 januari 2015 | HORTUS

Hi-Res Booklet
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Klassiek - Verschenen op 13 januari 2015 | Signum Records

Hi-Res Booklet
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Klassiek - Verschenen op 3 mei 2019 | Genuin

Hi-Res Booklet
Young violinist Liv Migdal ventures a journey to the limits of the speakable, playable, and tangible: the winner of numerous international prizes (including at the Ruggiero Ricci Competition Salzburg and Hindemith Competition Berlin) performs music by Bach, Bartók, and refugee from Germany Paul Ben-Haim. What could be more fragile than Liv Migdal's lonely violin playing Bach, and what more existentially violent than the same instrument with Bartók? A true discovery is the work of Israel’s national composer Ben-Haim: a firestorm of energy, a melancholy meditation on lost happiness. A fabulous violinist presents a bold program! © Genuin
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Piano solo - Verschenen op 25 augustus 2014 | naïve classique

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica
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Klassiek - Verschenen op 20 april 2018 | Glossa

Hi-Res Booklet
Of Bach's two known religious cantatas and 15 known profane cantatas, only two make use of bass in the vocal section: the famous 1727 BWV 82 Ich habe genug, which has been recycled for various different vocal soloists over the years, and Ich will den Kreuzstab gerne tragen BWV 56 from 1726. In order to avoid putting out just another recording of these cantatas with the same programme as the dozens which have been recorded over nearly sixty years (by such artists as Hans Hotter, Dietrich Fischer-Dieskau, Gérard Souzay, Gerhard Hüsch, Hermann Prey, John Shirley-Quirk, Bernard Kruysen, Philippe Huttenlocher, Max von Egmond, Siegfried Lorenz, Siegmund Nimsgern, Matthias Goerne, Thomas Quasthoff…), even though this new version is sung by Christian Senn, a little originality is needed. And that's what we have here. In addition to the two hits mentioned above, we have the rare cantata BWV 158 Der Friede sei mit dir – we don't know the exact date it was written, possibly Weimar around 1715, or perhaps only around 1730 in Leipzig. This piece is surely a re-working of an older, lost cantata. Some sources give it as the "cantata for bass and soprano" but in reality this is a serious error of observation: for sure, the aria which makes up the second movement is clearly marked Aria & Chorale, the chorale being restricted to the soprano register, but in reality it was to be sung by "one or several sopranos in the choir", and certainly not for a solo voice. So it's a cantata (unfinished or incomplete) for solo bass, and so this record is a kind of complete collection of Bach's three cantatas for this vocal line-up. © SM/Qobuz
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Klassiek - Verschenen op 7 mei 2012 | Signum Records

Hi-Res Booklet
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Klassiek - Verschenen op 2 augustus 2019 | BIS

Hi-Res Booklet
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Klassiek - Verschenen op 30 oktober 2015 | Onyx Classics

Hi-Res Booklet
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Klassiek - Verschenen op 20 juli 2009 | Cavendish Music

Hi-Res