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Klassiek - Verschenen op 3 februari 2017 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Exceptional Sound Recording - 5 Sterne Fono Forum Klassik
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Koormuziek - Verschenen op 14 juni 2019 | Ondine

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 15 juli 2007 | Challenge Classics

Onderscheidingen 5 de Diapason - Choc du Monde de la Musique - 10 de Répertoire
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Kamermuziek - Verschenen op 6 september 2019 | CPO

Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Klassiek - Verschenen op 27 november 2015 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Klassiek - Verschenen op 2 augustus 2011 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Klassiek - Verschenen op 3 mei 2011 | PentaTone

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Concerten voor viool - Verschenen op 1 januari 1953 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason - 5 étoiles de Classica
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Klassiek - Verschenen op 15 maart 2019 | Decca Music Group Ltd.

Hi-Res Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 18 oktober 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason
Don't be fooled: this youthful face belongs to an 18 year old violinist with a wealth of knowledge and a tried-and-tested technique. For proof, just look at his Bach record, which came out before this Tchaikovsky Concerto, also on Deutsche Grammophon. With every new outing, Daniel Lozakovich surrounds himself with famous formations: for Bach, the Bavarian Radio Chamber Orchestra; for Tchaikovsky, the Russian National Philharmonic under Vladimir Spivakov (himself a great violinist who conducted his first recital in 2010). This gutsy concerto is addressed by a musician with an ample, sparkling sound, capable of an intense virtuosity and a very tender melancholy. Alongside Spivakov, who also recorded this score, he is quite at home. The hands-on sound recording seeks out the fullness of lyricism here, without robbing the strings of their bite. Note that the young soloist learned his scales under Eduard Wulfson in Karlsruhe. This student of giants like Henryk Szeryng, Nathan Milstein and Yehudi Menuhin (no less) taught his young disciple the violin of the Russian school.This young artist's voracious curiosity did the rest. And so, the second part of his programme here offers passages where pure melancholy has been distilled into music, as in Lensky's aria from Eugene Onegin, an opera that the violinist adores and knows by heart. His performance is inspired by previous interpretations by Fritz Wunderlich and Ivan Kozlovsky. And no-one could deny it: Daniel Lozakovich's violin sings! © Elsa Siffert/Qobuz
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Opera - Verschenen op 4 september 2015 | BR-Klassik

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 2010 | Decca (UMO)

Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 15 maart 2019 | RUBICON

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 4 juni 2012 | Warner Classics

Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 2 november 2018 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 27 maart 2007 | Naxos

Booklet Onderscheidingen 5 de Diapason
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Symfonische muziek - Verschenen op 11 januari 2019 | Decca

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 18 augustus 2017 | Ars Produktion

Booklet Onderscheidingen 5 de Diapason
The title of this recording by violinist Fedor Rudin (grandson of Edison Denisov) and pianist Florian Noack, REFLETS, was chosen for two reasons, according to the two soloists: firstly, because all works of art are connected in one way or another, because they make reference to each other in various ways or because they share a common tradition. Ravel, for example, was Fauré’s composition pupil, who in turn was Lili Boulanger’s piano teacher; sure, Catoire was influenced by Wagner, but when listening to his violin sonata, the first thought that comes to mind is: “This is the Sonata that Rachmaninoff should have written!”, even though Rachmaninoff lived after Catoire. In that sense, art is a reflection of our past while pointing towards the future; the interpreter turns into the composer’s reflection during the performance. The second meaning is related to our personal histories, to the so-called origin-based traditions and the reflections on culture that result from them, something Fedor Rudin is most familiar with as someone who was born in Russia and brought up in France. These reflections had a considerable influence on this selection of Russian and French works on this recording: one sonata – Catoire and Ravel – and two miniatures each, which belong together – Rachmaninov and Boulanger –, as well as two separate pieces, one from Russia and one from France – Fauré and Tchaikovsky. The programmatic reciprocation between the two countries mirrors Rudin’s own personal circumstances. Catoire was of French heritage and grew up in Russia... Within the programme there are similar parallels, for example with the two Romances, one Russian and the other French: two cultures that were closely intertwined and influenced each other before the Russian revolution. Franco-Russian violinist Fedor Rudin, a prizewinner of renowned international violin competitions including the Henri Marteau, Rodolfo Lipizer and the Aram Khachaturian competitions, is quickly establishing himself as one of the most exciting and gifted soloists of today. His recent concert engagements include solo debuts at prestigious venues such as Carnegie Hall, the Philharmonie de Paris, Vienna’s Musikverein or the Tonhalle Zurich among others. The Belgian pianist Florian Noack was named “Emerging Artist of the Year” in 2015 by ECHO Klassik and awarded the International Classical Music Award (ICMA) 2017 for his recording of his own piano transcriptions and paraphrases of orchestral works by Tchaikovsky, Rimsky-Korsakov and Rachmaninoff. © SM/Qobuz
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Klassiek - Verschenen op 18 oktober 2019 | Intense Media GmbH

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 1 januari 2006 | Claves Records

Onderscheidingen 5 de Diapason