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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Piano solo - Verschenen op 15 maart 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Liederen (Duitsland) - Verschenen op 6 oktober 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 8 april 2016 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 5 april 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
This recording is Anima’s very first to be completely devoted to instrumental ensemble music. A group of musicians headed by violinist Jakob Lehmann breathes new life into two 19th-century masterpieces. Schubert's Octet in F is a crown jewel from the repertoire, taking its cue from Beethoven’s celebrated Septet yet at the same time paving the way toward the "Grosse Sinfonie". Roughly 20 years after its iconic recording of the complete Schubert symphonies, Anima brings its signature approach to the composer’s chamber music to explore it with the insights and “language skills” developed back then and from thereon. In contrast to Schubert, Franz Berwald has been largely forgotten – undeservedly, as this gifted Swede left behind an oeuvre that is both surprisingly modern and delightfully original. Performed on period instruments, using authoritative sources and contemporary playing techniques, these brilliant pages of large ensemble music are now ready to be rediscovered and enjoyed once again. © Alpha Classics
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Kamermuziek - Verschenen op 17 maart 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 27 oktober 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik - 5 Sterne Fono Forum Jazz
The third album from Lucas Debargue with Sony Classical, this is a very original programme - the previous album offered a mixture of Bach, Beethoven and Medtner - which combines two Schubert sonatas (D.874, 1823, and D.664, 1819, respectively) and the ambitious Piano Sonata No. 2 (1910-11) from Szymanowksi, with post-Regerian momentum. Lucas Debargue, who sent shockwaves at the last Tchaikovsky competition, opens his new work with Sonata in A Minor, and gives it some truly tragic, wintry tones,  in the style of certain Russian pianists (Richter, Sofronitzky, etc.): a black and white keyboard, lit up by a recording effort that in no way dulls the harmonics. The cheeriest Sonata in A Major - which was a favourite of Wilhelm Kempff - has a similarly staid character, rather reserved. To be honest, this album seems to owe more than a little to Sviatoslav Richter. If Schubert was one of Richter's "obsessions", the Piano Sonata No. 2 from Szymanowksi was also at the heart of the Russian pianist's repertoire, who performed it several times in concert (e.g. at Parnassus, the concert for the centenary of Szymanowksi's birth on 26 November 1982 in Warsaw). A convulsive, tortured work, it is made up of two amply developed movements, which are very dark, dense and complex, including a theme and variations, crowned by a tremendous fugue. © TG/Qobuz
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Kamermuziek - Verschenen op 2 november 2018 | BIS

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
Founded in 2005, the Chiaroscuro Quartet brings together musicians from all the corners of Europe: the Russian Alina Ibragimova and the Spaniard Pablo Hernán Benedi on violins, the Swede Emilie Hörlund on the viola and France's Claire Thirion on the cello. From their very first performances Chiaroscuro have been hailed as "a trailblazer for the authentic performance of High Classical chamber music" by the very highbrow UK music magazine Gramophone, and "a shock to the ears of the best kind" by The Observer. Indeed, their performance of Schubert is compelling in its rhythmic freedom and its limitless palette of contrasts. It goes from the gentlest pianissimo to the most resounding full-bowed fortissimos by way of a thousand and one shades which are hardly ever heard in the performances of "classical" quartets. In their hands, the discourse of Death and the Maiden takes on a bitterness, a pure romanticism and even a level of modernity as they strip out the rather sepia-Vienna aspect which some traditional interpretations feature. As for the Ninth Quartet in G minor, it's one of the those Schubertian miracles written in his adolescence: coming to light in 1815 its discourse is indeed tragic, but lacking in the inconsolable depth of Death and the Maiden. However, this doesn’t make it any less of a masterpiece. © SM/Qobuz
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Kwartetten - Verschenen op 2 maart 2018 | PentaTone

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
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Trio´s - Verschenen op 23 september 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 Sterne Fono Forum Klassik
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Liederen (Duitsland) - Verschenen op 9 oktober 2015 | Challenge Classics

Hi-Res Booklet Onderscheidingen 4 étoiles du Monde de la Musique - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 7 juni 2019 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
Andrea Lucchesini’s career continues discreetly in the shadow of more mediatized Italian pianists. The star pupil, like Nelson Goerner, of the great Maria Tipo, Lucchesini has invested a lot of his time into concerts and recording. After becoming known for his interpretations of Luciano Berio’s music, in particular his concerto Echoing Curves directed by the composer himself, he has recorded the integrity of Beethoven’s sonatas for the label Stradivarius.Over the last few years, Lucchesini has concentrated on Schubert, “my great love”, he calls him. These two very different composers on the cusp of romanticism fascinate Andrea Lucchesini who presents here his first volume dedicated to the late works of Schubert. These works were written at a time when the composer of Lieder returned to composing sonatas amidst greats like Beethoven who also coincidentally lived in the same town.For Lucchesini, Schubert remains an enigma. The man left behind almost no written documents, he never stayed put in one precise residence and no one could understand his shyness, agitation, nor his latent homosexuality. “Rediscovering his final works”, says Andrea Lucchenini, “showed me the difference between the artist who entertained his friends and the composer who worked in solitude without any prospect of being published nor played.” Such solitude that longs to break free can be heard clearly in this album, particularly in the interpretation of Andantino of Sonata D. 959 through which troubling phantoms move. © François Hudry/Qobuz
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Piano solo - Verschenen op 3 maart 2017 | Oehms Classics

Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 1 juni 2015 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 20 januari 2017 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 26 mei 2017 | deutsche harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 17 februari 2017 | Gramola Records

Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 7 oktober 2014 | CPO

Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 14 augustus 2015 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 5 april 2019 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik