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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Piano solo - Verschenen op 15 maart 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 1 november 2019 | Sony Classical

Hi-Res Booklet
Seventeen years after his first Schubert recording, Arcadi Volodos takes us on another dive into the world of Schubert with the very great and very turbulent Sonata in A Major, D.959. Less than two months before his death, Schubert wrote this penultimate sonata, the most fully-developed in terms of the scope of its final movement. In its crepuscular light, it enfolds the darkness of human solitude in Andantino in F Sharp Minor, which protests against a cheap happiness, first with resignation and then with indignation. Then, a cheering, somersaulting call to life, a most Viennese Scherzo, full of insousiance and serenity, which comes before the final and utterly simple movement, which suffers from no "longueur", however "divine"... Preferring intimacy to ostentation, Arcadi Volodos provides a style of expression which is no less captivating for its sobriety. Going from the most gently-whispered pianissimi to extreme fortissimi, his playing style adapts from moment to moment, a velvet touch that paints unique colours. His interior style of performance, its poetic depth, mixed with the classicism of his approach to the work, all add up to an utterly simple and natural Schubertian language. Returning to the very young Schubert, this inspired recital is rounded off with three rare Minuets (including the stunning D.600, which starts out sounding like an aria by Bach), sculpted with peerless grace and purity: a fitting end to a programme of such high musical quality. © GG/Qobuz
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Trio´s - Verschenen op 18 januari 2019 | Masterworks

Hi-Res Booklet Onderscheidingen 4F de Télérama
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Klassiek - Verschenen op 16 augustus 2019 | Berlin Philharmonic Orchestra

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Symfonieën - Verschenen op 16 november 2018 | Deutsche Grammophon (DG)

Booklet Onderscheidingen Diapason d'or / Arte - Choc de Classica
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Piano solo - Verschenen op 8 september 2017 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month - Choc de Classica - Choc Classica de l'année
With his 60th birthday approaching, the Polish pianist Krystian Zimerman thought it was time “to find the courage for works such as these and the last Beethoven sonatas. I’ve played these pieces for 30 years, but always feared them tremendously because of my unbelievable respect for the composers. Perhaps I worried that if I left them any longer, it would be too late.” Zimerman has used a normal piano, but fitted with a keyboard made by himself, designed to create qualities Schubert would have known in his instruments. Compared to a modern grand piano, the hammer strikes a different point of the string, enhancing its ability to sustain a singing sound – though it does also set up different overtones and the piano might sound strangely tuned. Also, the action is lighter. On a modern grand piano the many repeated notes in Schubert could turn into Prokofiev. According to Zimmerman, these two last Sonatas contribute significantly to our view of Schubert’s greatness, as “he switches into a different gear, daring radically to use new ideas in harmony and polyphony. Compared to his earlier sonatas, they could almost be by another composer.” The album was recorded in January 2016.
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Klassiek - Verschenen op 1 februari 2019 | PentaTone

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Klassiek - Verschenen op 27 maart 2015 | ECM New Series

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month - Gramophone Editor's Choice
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Klassiek - Verschenen op 23 augustus 2019 | PentaTone

Hi-Res Booklet
Just like Pears and Britten, Ian Bostridge worked with the composer Thomas Adès on this recording of Schubert's Winterreise, made at a concert at London's famous Wigmore Hall in 2018. With his unique voice and style, the British singer divides opinion. Love him or hate him, he evokes strong feelings. As we fall into the former camp, we couldn't recommend this recording strongly enough. It is very different from the studio version recorded some years before for EMI, with the great Norwegian pianist Leif Ove Andsnes. Compared to that splendid record, this new version is simpler, almost calmer. Thomas Adès makes use of original manuscripts to build a fine accompaniment, that gives voice to the overwhelming melancholy of the young composer who knows himself to be doomed. Fatal wanderings, seen through a lens of solitude, regret and resignation. The first volume of a trilogy which will eventually bring together Schubert's great cycles, in live recordings by these same musicians. © François Hudry/Qobuz
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Klassiek - Verschenen op 19 oktober 2018 | Alpha

Hi-Res Booklet
Alexander Lonquich has his own special place in the world of the piano: this German pianist, who made his home in Italy, has enjoyed an untypical career. A disciple of Paul Badura-Skoda, he is highly respected by many conductors and instrumental artists, such as Philippe Herreweghe, Nicolas Altstaedt and Christian Tetzlaff, with all of whom he collaborates on a regular basis. Navigating his way between the modern and the early piano, he takes the time needed to allow programmes to properly mature, working on them and thinking them over for several years. Such was also the case for this recording, carefully made on a modern Steinway piano, and we have genuinely fallen in love with it. As Alexander Lonquich’s accompanying notes to this album testify, the artist has intensively reflected on and lived with the music of Schubert before recording it. The year of Schubert’s death, which took place on 19th November 1828, was marked - particularly from its springtime - by an extraordinary burst of artistic creativity, produced at a frenetic working pace. It was during this period that he composed the three last piano sonatas and the threeKlavierstücke that make up this programme. © Alpha Classics
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Kwartetten - Verschenen op 6 september 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
The Quatuor Voce is fifteen years old! To celebrate this anniversary, the four musicians present an album focusing on two composers, Mozart and Schubert, but only one number: 15! This milestone, an age imbued with both ardour and maturity, is therefore embodied in the respective fifteenth quartets of these two geniuses of the eighteenth and nineteenth centuries. Mozart composed his Quartet No. 15 in 1783, as the second in the set of six "Quartets dedicated to Haydn". Schubert wrote his Quartet No. 15, his last work in the genre, in 1826. He composed it in only ten days but did not live to hear its first performance, which took place twenty-three years after his death. © Alpha Classics
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Kwintetten - Verschenen op 3 november 2017 | Deutsche Grammophon (DG)

Hi-Res Booklet
It is not just a matter of showbiz that sees the names of Anne-Sophie Mutter and Daniil Trifonov written in big letters on the cover of this CD (well... even bigger than Schubert's name, but let's let that lie): in fact, they play on all the pieces in the album, and in particular the famous Trout Quintet (wiith Hwayoon Lee on the viola, Roman Patkoló on the double bass and Maximilian Hornung on the cello), but also the movement of trio D 897, "Notturno" - whose name was added by an editor, whereas it appears that this was a movement originally written for the trio in B flat then set aside - and the two Lieder adapted for violin and piano respectively, by Jascha Heifetz and Mischa Elman. First among equals, Mutter leads proceedings with both energy and a delicate touch, and it's a safe bet that although this is only the latest in a long line of recordings of this quicksilver masterpiece by Schubert, it will soon find a prominent place in the discographic hall of fame. © SM/Qobuz
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Kamermuziek - Verschenen op 5 april 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
This recording is Anima’s very first to be completely devoted to instrumental ensemble music. A group of musicians headed by violinist Jakob Lehmann breathes new life into two 19th-century masterpieces. Schubert's Octet in F is a crown jewel from the repertoire, taking its cue from Beethoven’s celebrated Septet yet at the same time paving the way toward the "Grosse Sinfonie". Roughly 20 years after its iconic recording of the complete Schubert symphonies, Anima brings its signature approach to the composer’s chamber music to explore it with the insights and “language skills” developed back then and from thereon. In contrast to Schubert, Franz Berwald has been largely forgotten – undeservedly, as this gifted Swede left behind an oeuvre that is both surprisingly modern and delightfully original. Performed on period instruments, using authoritative sources and contemporary playing techniques, these brilliant pages of large ensemble music are now ready to be rediscovered and enjoyed once again. © Alpha Classics
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Klassiek - Verschenen op 4 oktober 2019 | CAvi-music

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Kwartetten - Verschenen op 2 maart 2018 | PentaTone

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
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Klassiek - Verschenen op 7 april 2015 | Deutsche Grammophon (DG)

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Piano solo - Verschenen op 27 oktober 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik - 5 Sterne Fono Forum Jazz
The third album from Lucas Debargue with Sony Classical, this is a very original programme - the previous album offered a mixture of Bach, Beethoven and Medtner - which combines two Schubert sonatas (D.874, 1823, and D.664, 1819, respectively) and the ambitious Piano Sonata No. 2 (1910-11) from Szymanowksi, with post-Regerian momentum. Lucas Debargue, who sent shockwaves at the last Tchaikovsky competition, opens his new work with Sonata in A Minor, and gives it some truly tragic, wintry tones,  in the style of certain Russian pianists (Richter, Sofronitzky, etc.): a black and white keyboard, lit up by a recording effort that in no way dulls the harmonics. The cheeriest Sonata in A Major - which was a favourite of Wilhelm Kempff - has a similarly staid character, rather reserved. To be honest, this album seems to owe more than a little to Sviatoslav Richter. If Schubert was one of Richter's "obsessions", the Piano Sonata No. 2 from Szymanowksi was also at the heart of the Russian pianist's repertoire, who performed it several times in concert (e.g. at Parnassus, the concert for the centenary of Szymanowksi's birth on 26 November 1982 in Warsaw). A convulsive, tortured work, it is made up of two amply developed movements, which are very dark, dense and complex, including a theme and variations, crowned by a tremendous fugue. © TG/Qobuz
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Klassiek - Verschenen op 6 februari 2015 | Sony Classical

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Liederen (Duitsland) - Verschenen op 15 juni 2015 | INA Mémoire vive

Onderscheidingen Diapason d'or - 4 étoiles du Monde de la Musique - Timbre de platine - 10 de Classica-Répertoire - The Qobuz Ideal Discography