Albums

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Symfonische muziek - Verschenen op 7 december 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
The originality of this recording (which presents works that are, in fact, rather common) comes from the orchestra Les Siècles playing on periodic instruments, in this case from the period in which Debussy wrote these masterpieces. This is particularly relevant for woodwinds and brass, whose mechanisms and sounds around 1900 were very different - more incisive perhaps, and undoubtedly more differentiated - which for music like Debussy's offers a real plus in the orchestral balance. Moreover, the number of strings remains reasonable, this way the woodwind is never swallowed up as it often is with large international orchestras. The listener will be able to hear this music as Debussy heard it, or at least how he would have liked to have heard it because in his time orchestras and conductors did not always have a clear understanding of his style or the infinite colours on his palette. © SM/Qobuz
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Symfonische muziek - Verschenen op 2 november 2018 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 étoiles de Classica
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Symfonische muziek - Verschenen op 26 oktober 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonieën - Verschenen op 26 oktober 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
With Symphony No.6 in A Minor "Tragic" written in 1904 (the title, for once, is not a publisher's gimmick, but was indeed given by Mahler in the programme for the first performance in Vienna in 1906), Mahler almost returns to the classical symphony format; we find more voices in the score (a technique that he had already used in No. 5) and a four-movement structure (whereas No. 5 was articulated in five movements thrown into three "parts", with the absence of a programme or philosophical content). Admittedly, the orchestra remains huge, with four woodwinds, eight horns, and six trumpets, not to mention an impressive arsenal of percussion instruments including alpine bells, hammer and xylophone, which he never used elsewhere; in this respect, Mahler contributed to putting an end to the late romantic trend of gigantic works for titanic orchestras. It must be said that the last movement, which lasts at least half an hour, is of a truly tragic expression with its indelible darkness. This frightened the critics, who found the work somewhat bloated. It is therefore up to the conductor to make the score as transparent as possible, the contrapuntal lines readable and the orchestral colours perceptible through the orchestral immensity. Equipped with his MusicAeterna, Teorod Currentzis embarks on the adventure. © SM/Qobuz
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Symfonieën - Verschenen op 6 juli 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Grammy Awards
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Symfonische muziek - Verschenen op 6 april 2018 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Symfonieën - Verschenen op 6 april 2018 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Exceptional sound
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Symfonische muziek - Verschenen op 23 maart 2018 | Onyx Classics

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 16 maart 2018 | CAvi-music

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 9 maart 2018 | Decca Music Group Ltd.

Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 17 november 2017 | MUNCHNER PHILHARMONIKER GBR

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice
The Munich Philharmonic and Sergiu Celibidache share an exceptional legacy. He started his work as principal conductor in 1979 and remained in this position for as long as 17 years. Sergiu Celibidache played an integral part in making the Munich Philharmonic what it is today: an orchestra of worldwide renown. Today the Munich Philharmonic is critically acclaimed internationally with hopelessly sold out concerts in Munich and the world. On their recently launched label MPHIL, the Munich Philharmonic is opening up its vast archives, giving listeners the opportunity to enjoy one of the richest collections of recordings by legendary artists. Because of the Celibidache era and its part in forming the core essence of the orchestra, this first MPHIL physical archive release consists of two recordings under the baton of Maestro Celibidache. The chosen repertoire on the album is Gustav Mahler’s Kindertotenlieder, recorded 30 June 1983 at the Herkulessaal der Residenz, Munich and Richard Strauss’ Tod und Verklärung, recorded on 17 February 1979 also at the Herkulessaal der Residenz, Munich. For a long time, Tod und Verklärung was the most popular of Richard Strauss’s early tone poems. It contains a wide range of memorable motifs subtly differentiated with the result that its music recurs whenever there is mention of death or transfiguration in Strauss’ later output. Together with the innocent tone and positively artificial naïveté of the poems that attracted Gustav Mahler as a composer and prompted him to compose the Kindertotenlieder, this thoughtfully curated pairing creates an altogether intimate character while revealing an astonishing wealth of colours. Mahler’s Kindertotenlieder feature German mezzo-soprano Brigitte Fassbaender, who holds the prestigious title “Kammersängerin” from the Bavarian State Opera and the Vienna State Opera.
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Symfonische muziek - Verschenen op 10 november 2017 | Alpha

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
Haydn2032, the ambitious project of recording the complete symphonies of Haydn, has been placed from the start under the artistic direction of Giovanni Antonini, with two ensembles, Il Giardino Armonico, which made the first four volumes, and the Kammerochester Basel, to which this fifth volume and the next two are assigned. Another characteristic of the edition is that each time Haydn is set in perspective with another composer; here it is Joseph Martin Kraus (1756-92): ‘Kraus was the first man of genius that I met. Why did he have to die? It is an irreparable loss for our art. The Symphony in C minor he wrote in Vienna specially for me is a work which will be considered a masterpiece in every century’, said Haydn in 1797. Though he long remained forgotten after his death, Kraus made an active contribution to the movement of poetic renewal called ‘Sturm und Drang’ or ‘Geniezeit’ (time of genius) because such artists as the young Goethe broke free of all tradition to follow their hearts alone. When Haydn called Kraus homme de génie, in French, he probably had this context in mind. The two composers had met in Vienna in 1783. © Alpha Classics
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Symfonische muziek - Verschenen op 3 november 2017 | Chandos

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Qobuzism - 5 étoiles de Classica
Aside from Elgar’s fascinating and obligatory Falstaff composed in 1913 (a Symphonic Study according to the partition, but in reality a symphonic poem in the grand tradition of Strauss— about whom Elgar probably thought when he wrote his masterpiece, and the rather present solo cello cannot help but remind us of Strauss’ Don Quixote, composed sixteen years earlier), the album distinguishes itself by a few melodies with orchestra from the same Elgar, a repertoire unfortunately too often neglected and yet of breathtaking beauty (we hear, in a pinch, the Sea Pictures performed from time to time, but that’s all folks). And when you know that it’s the now very famous baritone Roderick Williams on the mic, we can only applaud the initiative of Andrew Davis and the BBC Philharmonic to feature these splendors once again. Elgar proves to us here that, far from just being a great master of large symphonic-vocal soundscapes in the form of oratorio (we obviously think about The Dream of Gerontius, The Apostles and The Music Makers), he handles the miniature with genius. Roderick Williams, one of the most beautiful voices of today’s British scene, grasps these rarities with a joy that is as rare as these pieces. The album closes on a hilarious wink, the Smoking Cantata, a cantata with a ginormous orchestration but that lasts… only 49 seconds, and whose text is limited to: “Kindly, Kindly, kindly do not smoke in the hall or staircase”. It’s the best British humor! Qobuz technical commentary on sound quality The sound quality for this wonderful orchestration is refined; the level ratios are well-judged; and the distances between the consoles are just right, in this airy piece of mixing that renders the lines exceptionally clear. Clear and enveloping reverberation never hides the discourse: the result is a rare evenness between the different families within the orchestra. The tutti certainly aren’t lacking any liveliness, thanks to the remarkably assured dynamic, and when the percussion gets going we discover a beautifully-proportioned hall, which gives the sound room to develop without constraints. Without falling into the very (too?) popular trap of ultra-proximity, and because the acoustics allow it, Chandos has produced a mix which really respects the score, the performance, and the sound scene... what a relief! © SM/Qobuz
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Symfonische muziek - Verschenen op 19 mei 2017 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 4 étoiles de Classica
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Symfonieën - Verschenen op 5 mei 2017 | Channel Classics Records

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 4 étoiles de Classica
€ 31,49
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Symfonieën - Verschenen op 21 april 2017 | BSO Classics

Hi-Res Onderscheidingen Gramophone Editor's Choice
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Balletten - Verschenen op 17 maart 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Award - Gramophone Editor's Choice - 4 étoiles de Classica
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Symfonieën - Verschenen op 20 januari 2017 | Sony Classical

Onderscheidingen Gramophone Editor's Choice - 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
€ 89,91

Symfonische muziek - Verschenen op 13 januari 2017 | SWR Classic

Booklet Onderscheidingen Gramophone Editor's Choice - 4 étoiles de Classica
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Symfonische muziek - Verschenen op 4 november 2016 | Toccata Classics

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice