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Santtu-Matias Rouvali Sibelius : Symphony No. 1 & En saga

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Symfonische muziek - Verschenen op 18 januari 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique

Alpha begins a complete cycle of the symphonies by Sibelius alongside some of his symphonic poems with Gothenburg Symphony and its new chief conductor Santtu-Matias Rouvali. In the great tradition of Finnish conductors, Santtu-Matias Rouvali is known for his extremely physical and organic interpretations: ‘Music unmistakeably flows from him’, commented The Sunday Times. This was evident when, at a very young age, he stepped in to conduct a concert with the Finnish Radio Symphony Orchestra which began the journey to his first tenure as Chief Conductor with the Tampere Philharmonic; a meteoric rise to a career working at the highest musical level internationally; and a third post as Principal Guest Conductor of the Philharmonia Orchestra in London. When Bachtrack asked him how he shapes the orchestral sound, he replied: ‘I sing it, I move my hands the way I want it (…) the conductor should be able to show tempo somewhere in the body (…) I was also a drum kit player, so my feet and hands can do different things at the same time. When you read the score, you sing it in your head (…) I think it’s the sense of inside groove that you get from playing percussion which is very important in Sibelius’s music.’ In the Gothenburg Symphony he finds a prestigious cohort of musicians with an impressive discography, and joins a line of their illustrious musical directors, notably Neeme Järvi, the orchestra’s principal conductor from 1982 to 2004, but also Gustavo Dudamel, who is honorary conductor. © Outhere Music

Willi Boskovsky Strauss: Bal à Vienne au temps des Strauss (Rec. 1932-1961)

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Strauss: Bal à Vienne au temps des Strauss (Rec. 1932-1961)

Willi Boskovsky

Symfonische muziek - Verschenen op 27 december 2018 | Les Indispensables de Diapason

Onderscheidingen Diapason d'or

Andrew Davis Holst: Orchestral Works, Vol. 4

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Holst: Orchestral Works, Vol. 4

Andrew Davis

Symfonische muziek - Verschenen op 5 oktober 2018 | Chandos

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique

Sir Andrew Davis returns to his exploration of Holst’s orchestral works with the brilliant BBC Philharmonic, a series initiated almost ten years ago by the late Richard Hickox, then taken over by another expert in British repertoire. This selection of orchestral works by Holst provides a remarkable overview of his career, ranging from such early works as A Winder Idyll – composed in 1897 when he was still studying at the Royal College of Music – to the Scherzo of a symphony on which he was working towards the end of his life. None of the music recorded here was published in his lifetime, and the Scherzo – rarely heard though it is – is the only work to have entered the repertoire. A Moorside Suite, originally written for brass band, is featured here in the composer's rarely heard arrangement for strings. The young British cellist Guy Johnston is the soloist in Invocation, one of Holst’s most significant works, calling for a subtle balance of virtuosity and expressive qualities. © Chandos

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Berlioz, Brahms, Chausson & Others: Works for Orchestra

Pierre Monteux

Symfonische muziek - Verschenen op 5 oktober 2018 | ICA Classics

Booklet Onderscheidingen Diapason d'or

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Iván Fischer Gustav Mahler : Symphony no.5

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Gustav Mahler : Symphony no.5

Iván Fischer

Symfonieën - Verschenen op 10 september 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or - Exceptional sound - Hi-Res Audio

Iván Fischer Gustav Mahler : Symphony n° 1

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Gustav Mahler : Symphony n° 1

Iván Fischer

Symfonische muziek - Verschenen op 10 september 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or - Hi-Res Audio

Iván Fischer Johannes Brahms : Symphony no. 2 in D, op. 73 - Overtures

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Johannes Brahms : Symphony no. 2 in D, op. 73 - Overtures

Iván Fischer

Symfonische muziek - Verschenen op 10 september 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or

Eduard van Beinum Brahms : Symphonies Nos. 1 & 3

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Brahms : Symphonies Nos. 1 & 3

Eduard van Beinum

Symfonieën - Verschenen op 6 juli 2018 | Decca

Onderscheidingen Diapason d'or

Leonard Bernstein Schumann, Beethoven, Dvorak, Mendelssohn, Ravel...

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Schumann, Beethoven, Dvorak, Mendelssohn, Ravel...

Leonard Bernstein

Symfonische muziek - Verschenen op 25 juni 2018 | Les Indispensables de Diapason

Onderscheidingen Diapason d'or

Ernest Ansermet Ernest Ansermet and The Ballets Russes

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Ernest Ansermet and The Ballets Russes

Ernest Ansermet

Balletten - Verschenen op 11 mei 2018 | Decca

Onderscheidingen Diapason d'or

Various Interprets Rachmaninov. La Discothèque idéale de Diapason, XII

€ 19,99

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Rachmaninov. La Discothèque idéale de Diapason, XII

Various Interprets

Symfonische muziek - Verschenen op 27 april 2018 | La discothèque idéale de Diapason

Onderscheidingen Diapason d'or

Kirill Kondrashin Mahler : Symphony No. 6 in A Minor

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Mahler : Symphony No. 6 in A Minor

Kirill Kondrashin

Symfonieën - Verschenen op 13 april 2018 | SWR Classic

Booklet Onderscheidingen Diapason d'or

What utter happiness to find probably one of the greatest performances (ranking alongside Barbirolli, Bernstein, Tennstedt) of the complex Sixth by Mahler, which came out a few years ago on Hännsler: the performance by Kirill Kondrashin at the head of the Baden-Baden Südwestfunk. In 1981, Kirill Kondrashin had been regularly directing the Amsterdam Concertgebouw for several years, tackling material from the most varied repertoires, and several times performed the works of Gustav Mahler, of which he was one of the USSR's most ardent partisans, having made the first-ever complete recording of the symphonies with the Moscow Symphonic Orchestra (Melodiya). Benefiting from some of the most captivating orchestras of the West, he never gave up on his fluid, rapid visions, his strident polyphonies, or his implacable rhythms. For Kirill Kondrashin, Mahler wasn't the post-romantic composer that he is often taken for: he didn't look for song at any cost, or even any particular lyrical virtues. The formal balances accompany a drive for minute precision in the most up-to-date sonic alloys. As a vision, it is sometimes abstract: it fits into the more experimental branch of Haydn's descendants. And it gives us cause to regret not having a "Western" version of a 9th Symphony conducted by Kondrashin! © Pierre-Yves Lascar

François-Xavier Roth Ravel: Ma Mère l'Oye, Tombeau de Couperin, Shéhérazade

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Ravel: Ma Mère l'Oye, Tombeau de Couperin, Shéhérazade

François-Xavier Roth

Symfonische muziek - Verschenen op 13 april 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 5 Sterne Fono Forum Klassik

Recording Ravel's music on period instruments is the kind of thing that might raise a smile... until you realise just how much the production of instruments has changed in less than a hundred years: it's the return of catgut strings, skin drum heads, the French basson (and not the German system bassoon which is used across all the world's orchestras today), shaper tips, trumpets and trombones of French manufacture. At the head of his orchestra Les Siècles, François-Xavier Roth gives a new, orthodox, historically-informed version of Ma Mère l’oye (complete ballet), the Tombeau de Couperin and Shéhérazade, the long-neglected "ouverture de féérie" [Fairy Overture] which is pure Ravel. This return to the roots is clearly easier and more straightforwardly authentic for this period of music history, because, unlike earlier works, we possess recordings which date back to the 1920s, and even earlier, which can tell us about the style, the colours, the phrasing and the tempo. But it isn't enough just to have all this historical information to hand to make something interesting. What makes this record thrilling is that all the musicians in the Siècles are excellent, and François-Xavier Roth is a talented artist himself, who knows this music inside out. At which point, his complete recording of Stravinsky's Firebird has already struck us with its quality. This rediscovery of Ravel resounds with clarity and finesse; it is a feast of well-defined timbres which cuts against the "beautiful sound" which prevails in orchestras around the world today. © François Hudry/Qobuz