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6118 albums gesorteerd op Best verkocht en gefilterd op Klassiek en 24 bits / 44.1 kHz - Stereo
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Symfonieën - Verschenen op 10 mei 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diapason d'or / Arte - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 1 januari 2014 | Deutsche Grammophon (DG)

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Piano solo - Verschenen op 11 september 2015 | Sony Classical

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
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Klassiek - Verschenen op 14 juni 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Symfonieën - Verschenen op 25 oktober 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Opera - Verschenen op 1 januari 2014 | Decca Music Group Ltd.

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Symfonische muziek - Verschenen op 26 november 2010 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or
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Symfonische muziek - Verschenen op 18 januari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Choc de Classica
A new aesthetic calls for new forms: such is the challenge the composer set for himself in the two works presented here. In Les Nuits d’été, Berlioz pioneered, well before Mahler and Ravel, a song cycle for voice and orchestra. In Harold in Italy, scored for large orchestra and solo viola, he experimented with the symphonic genre. These period-instrument performances by Les Siècles, led by François-Xavier Roth, with violist Tabea Zimmermann, also feature Stéphane Degout in the vocal cycle, heard here in the composer’s own version for baritone. File under: out of the ordinary. © harmonia mundi
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Symfonieën - Verschenen op 2 oktober 2015 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 15 november 2019 | Erato - Warner Classics

Hi-Res Booklet
Christina Pluhar has long been interested in the vocal music of the 17th century, in particular that of composer Luigi Rossi born around 1597 in the beautiful province of Puglia. He was the titular composer to the Medicis in Florence before taking a job with Cardinal Barberini in Rome. In France, Cardinal Mazarin commissioned him to produce the first Italian opera written specifically for the French court. In a manner of speaking, Rossi is at the root of the productions that another Italian, Lully, would later write for Louis XIV.In 2005, Christina Pluhar had recorded the Lyra d'Orfeo, taken from Rossi's desk drawer, with her ensemble L'Arpeggiata, with the voice of Veronique Gens in all its splendour. But a legal problem arose which prevented its production as a record for nearly 15 years. With the lawsuit ongoing, Christina Pluhar completed her project with Arpa Davidica, a new original compilation of works by Luigi Rossi, which she and her assistants discovered in various libraries.Pluhar has selected a series of virtuoso, theatrical pieces geared closely to the lyrics, as Rossi would set to music the most beautiful poems of his day. Taking on the best voices of the moment, Cécile Scheen, Giuseppina Bridelli, Philippe Jaroussky, Jakub Józef Orliński and Valer Sabadus, Christina Pluhar has pulled out all the stops to bring enchanting and incredibly musically-rich material back to life. The few indications relating to the instrumental accompaniment left on the manuscripts leave the performers almost total freedom. They can imagine all sorts of instrumental combinations to link complicated melismas with the virtuosity of the vocal lines that the composer intended. The interpretation also works as a complete recreation. © François Hudry/Qobuz
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Wereldlijke vocale muziek - Verschenen op 22 november 2019 | Warner Classics

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diapason d'or / Arte
After his spectacular recording of Berlioz’s magnum opus, the opera Les Troyens, which was awarded internationally, the Berlioz enthusiast John Nelson has delivered a new version of La Damnation de Faust which also appears to be on track for dizzying success. For this recording made in concert by Daniel Zalay and his team of sound engineers in the Erasme Auditorium of the Palais de la musique et des congrès de Strasbourg (Strasbourg Convention Centre) on the 25th and 26th of April 2019, John Nelson reunited with the Strasbourg Philharmonic Orchestra, whose typically French style and German discipline he likes so much. The army of instrumentalists would have pleased Berlioz, with its eight double basses and six harps among others. John Nelson knows his way round this music like no one else, he knows to inject it with a particular energy all while respecting the musical colour so well defined by the composer. He is surrounded by the cast of dreams, with Faust masterfully portrayed by the tenor Michael Spyres who sings the French perfectly and knows how to embody the character by playing on the quality of his tonality. Joyce DiDonato is an opulent Marguerite, full of fire and totally engaged. Nicolas Courjal plays a very expressive Mephisto; his sombre tone underlines the darkness and bitter irony of the character he plays. The children’s choir Les Petits Chanteurs de Strasbourg and the powerful Gulbenkian Choir perfectly round off this ideal casting. A new milestone in the recording of Berlioz’s main works under John Nelson’s direction for the label Erato, this accomplished record precedes Roméo et Juliette which the same artists will undertake in 2020. © François Hudry/Qobuz
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Klassiek - Verschenen op 15 maart 2019 | Sony Classical

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Piano solo - Verschenen op 28 mei 2015 | InFiné

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Duo´s - Verschenen op 25 augustus 2009 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Award
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Klassiek - Verschenen op 8 april 2016 | Evidence

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles Classica
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Concertmuziek - Verschenen op 13 september 2019 | Alpha

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Symfonische muziek - Verschenen op 7 februari 2011 | Warner Classics International

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Hi-Res Audio
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Klassiek - Verschenen op 9 september 2016 | ECM New Series

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Exceptional Sound Recording - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 20 september 2019 | Warner Classics

Hi-Res Booklet
Though the celebrations in France were rather patchy in terms of official concerts, apart from the Festival Berlioz de La Côte-Saint-André, the anniversary of 150 years since the death of Hector Berlioz was marked with great pomp in London, where fervent Berliozian John Nelson, conducted the Requiem on the very day of the event, 8 March 2019, in the gigantic St Paul's Cathedral, at the heart of the "City" of the UK capital.With three hundred musicians and chorists, this was one of the high points of the Berlioz calendar and a real London 'happening'. To save French honour, a colossal concert was recorded and filmed by a team who came from Paris, under the artistic direction of Daniel Zalay. One can imagine the difficulty involved in recording such a sprawling team, spread out throughout the vast edifice that was built after the great fire of 1666. Miraculously spared by the German bombs of 1940, it has a powerful symbolism for Londoners.The English love for Berlioz reflects the love that the composer felt for Shakespeare, which can be seen throughout his works. "There is no city in the world, I am convinced" – he wrote – "where so much music is consumed as in London". He regularly read the London press and closely followed the reactions to performances of his works. This 2019 anniversary concert was inundated by Londoners and the venue was sold out well before the day of the performance itself. John Nelson commands his gigantic team with a masterly hand, in perfect time, and with a perfect familiarity with a composer that he loves above all others, as once did Sir Colin Davis. The Philharmonia Orchestra responds to his slightest indication. The tenor's brief part is magnified by the voice of Michael Spyres, who projects across the assembly from the pulpit. An immense musical and commemorative event, the memory of which will long be kept alive by this album. © François Hudry/Qobuz
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Klassiek - Verschenen op 23 augustus 2019 | Bru Zane

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama