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14936 albums gesorteerd op Best verkocht en gefilterd op Klassiek en Sinds 1 jaar
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Piano solo - Verschenen op 14 juni 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Concerten voor viool - Verschenen op 15 maart 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
After the double album of the Violin and Harpsichord Sonatas with Kristian Bezuidenhout, here is the next instalment in a Bach recording adventure that began nine years ago with a set of the Sonatas and Partitas. Isabelle Faust, Bernhard Forck and his partners at the Akademie für Alte Musik Berlin have explored a multitude of other works by Bach: harpsichord concertos, trio sonatas for organ, instrumental movements from sacred cantatas etc. All are revealed here as direct or indirect relatives of the three monumental Concertos BWV 1041-43. This fascinating achievement is a timely reminder that the master of The Well-Tempered Clavier was also a virtuoso violinist! © harmonia mundi
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Klassiek - Verschenen op 29 maart 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet
"Piano Book" is a compilation of post-Bach piano music’s greatest hits. Lang Lang puts together a retrospective anthology beginning with J.S. Bach’s Prelude in C major from the first book of the Well-Tempered Clavier. The piece, in fully written arpeggio, which every piano student has studied to practice fingering, articulations, and harmonic tiering is followed by Beethoven’s Lettre à Elise. Lang Lang then invites Mendelssohn (La Fileuse), Chopin (15th Prelude from Opus 28), and Mozart (Allegro from Sonata "Semplice" or Variations on "Ah, vous dirai-je Maman") The record also includes lesser-known repertoire from such composers as Badarzewska-Baranowska, Czerny, or Clementi and a few Chinese classic and traditional / popular songs from diverse parts of the world.Lang Lang has fun, especially when he plays French music. Performing Debussy’s Doctor Gradus ad Parnassum, he enjoys each afterbeat, plays with the basses, and even sings. © Qobuz
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Klassiek - Verschenen op 15 maart 2019 | Decca (UMO) (Classics)

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After Elements in 2016, Ludovico Einaudi is continuing his exploration of nature with Seven Days Walking, the first opus in a collection of seven albums to be published throughout 2019. His long walks in the Piedmont mountains during the winter of 2017 were the inspiration for these melancholic and hypnotic melodies. The repetitive nature of walking the same routes again and again in this region which he knows like the back of his hand is reflected musically in his most minimalist composition to date. The harshness and chill of the landscape is translated by the stripped-back orchestration (his piano, a violin and a cello), as well as an understated style (especially in A Sense of Simmetry). The serious tone of the music also highlights Einaudi’s activism in favour of the conservation of nature in the face of environmental degradation. In 2016, he shot a video clip on a floating platform in the Arctic Ocean to support Greenpeace’s Save the Arctic campaign.Recorded in Germany at the end of 2018, Seven Days Walking goes from a delicate and carefree softness (Low Mist, Golden Butterflies) to overwhelming bouts of tension, intensified by masterful crescendos (Gravity, as well as the impressive The Path of the Fossils). Both haunting and elegant, this album once again showcases Einaudi’s talent for musical alchemy as this contemplative journey is a perfect blend of simple, entrancing popular tunes and an orchestral labyrinth more complex than it seems. © Nicolas Magenham/Qobuz
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Kamermuziek - Verschenen op 7 juni 2019 | BIS

Hi-Res Booklet
In 1985 the Russian violinist Vladimir Spivakov published his own arrangement of the Goldberg Variations for a string trio at the time of the tricentennial anniversary of the birth of Johann Sebastian Bach. Dedicated to the memory of the Canadian pianist Glenn Gould who recently died, this deft transcription has since made a tour of the world and many recordings have flourished. When it came to recording their Goldberg, the Zimmermann trio (Frank Peter Zimmermann on violin, Antoin Tamestit on viola and Christian Poltéra on cello) decided to propose their own version of the string trio which was, according to the musicians, “neither an arrangement nor a transcription, but essentially a unveiling of Bach’s score”. The result is splendid as much is the exceptional capture of the three Stradivarius instruments used in this recording by the engineers of BIS. There is a pleasant “grainy” sound in the air between the notes and the perfectly balanced reverberations. A total success thanks to the addition of high-quality instruments, instrumentalists and technique. © François Hudry/Qobuz
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Soundtrack - Verschenen op 7 juni 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or
What a pleasure it is to return to Riccardo Chailly, at the head of the Filarmonica della Scala, with a collection on Rota (1911-1979) and more particularly his songs written for the great films of Fellini such as Amarcord, Huit et Demi, and La Dolce Vita! Before him, another Riccardo, Muti, had dedicated, in the 1990s, two albums with Sony Classical to the film scores of the Italian composer – with one collection on his non-cinematographic corpus. Whether Rota’s music was for cinema or the concert hall was of little importance as he rolled out, to the likes of Bernard Herrmann in the United States, a style that was true to himself where one feels his genius and prowess for evoking ambiance mixed with an incredible dexterity for the most diverse genres, as can be heard in Suite taken here from La Dolce Vita. The beginning (O Venezia, Venaga, Venusia) of the following Il Casanova di Federico Fellini, in which the chiming of the pendulum evokes the tragic destiny of the character and the harmonization of somber colors creates a sea-like atmosphere, remains without a doubt one of the most striking tracks on the album. This ambiance returns in the final part, this time all the more mind-blowing (The Dancing Doll). Often influences from the East, of Chostakovitch and Khachaturian (Il Duca di Württenberg), can be heard along with more meridian styles inherited from Italian symphonists from the end of the 19th century and the beginning of the 20th century. A passionate album not to be missed. © Pierre-Yves Lascar/Qobuz
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Liederen (Duitsland) - Verschenen op 31 mei 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Qobuzism
Born in a small Norwegian village in 1987 (and is thus inevitably compared to her long-time compatriot Kirsten Flagstad), soprano Lise Davidsen was almost built to embody Wagnerian and Straussian heroines. For her first record under the label Decca, with whom she has signed an exclusive contract, she has chosen to present several facets of femininity in the vocal stylings of Elisabeth (Tannhäuser), Ariane (Ariane à Naxos) and… Pauline. Pauline being Richard Strauss’ beloved wife to whom he dedicated many Lieder from his opus 27 - the 1894 cycle offered to his wife as a wedding gift - until the last Vier letzte Lieder in 1948.Under the supple baton of Esa-Pekka Salonen, the Philharmonic Orchestra embraces the brassy voice of the Norwegian soprano with finesse and elegance. As you will see, this record, with its carefully devised programme, oscillates between youth and old age, in the presence of ghosts and death. You may wonder how one can express mortality at just 30 years old with such a powerful timbre, radiant health and a whole life ahead of you. The answer lies in Lise Davidsen’s voice, which upsurges as if it were a promise of immortality, the music of the last Strauss piece returning one last time to its past, to a Europe in ruins.Discovered in 1984, after the death of the singer and dedicatee Maria Jeritza, Malven (“The Mallows") is Richard Strauss’ true “last song”. Lighter in tone than the Vier letzte Lieder to which it might have belonged, it is presented here in an orchestration by Wolfgang Rihm. © François Hudry/Qobuz
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Klassiek - Verschenen op 15 maart 2019 | Sony Classical

Hi-Res Booklet
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Klassiek - Verschenen op 14 juni 2019 | Ricercar

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
After having explored the remaining cantatas of Johann Sebastian Bach’s ancestors, Vox Luminis and Lionel Meunier have undertaken here a recording, accompanied by instrumentals, of these sacred vocal compositions. They are pieces that connect us to the principles of the “spiritual concert” (Geistliches Konzert) and that, through their multi-parted structure, belong to the origins of the sacred genre of the cantata. It was through Johann Sebastian himself that we owe the knowledge of his musical ancestors. Around the age of fifty, he felt the need to collate and retrace his family tree, most likely originating from Hungary where the miller Vitus Bach always brought a cittern with him on his way to grinding wheat. The works of the Bach family presented here represent the first of the sacred German cantatas along with those of Bruhns, Buxtehude and Pachelbel. We can hear here the predecessors’ works that led to one of the first similar works by Johann Sebastian, his cantata “Christ lag in Todesbanden BWV 4”, was considered for a long time as one of the first compositions of its genre. In addition to its striking likeness to the form of cantata eponymous to Pachelbel, this composition contains numerous elements which can notably be traced back to the works of his ancestors. © François Hudry/Qobuz
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Viool solo - Verschenen op 19 april 2019 | Channel Classics Records

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Klassiek - Verschenen op 25 januari 2019 | Decca (UMO) (Classics)

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Op het album Nocturne: The Piano Album (2019) zijn nieuwe piano-composities van Vangelis te vinden, aangevuld met vertolkingen eerdere stukken van de Griekse componist. Zo is op het plaat een nieuwe versie te vinden van "Love Theme, Blade Runner" uit de film Blade Runner en de titeltrack van
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Concertmuziek - Verschenen op 12 april 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
Over the past five years, pianist Anna Vinnitskaya has made three Alpha recordings dedicated to Shostakovitch, Brahms et Rachmaninov. Evgeni Koroliov is a great master of the piano, a great Bach specialist, whose recordings of Bach are an acclaimed benchmark. His piano duo with his wife, Ljupka Hadzi-Georgieva, has made its mark over the past few years in all the major international concert venues. Also a highly reputed teacher, Koroliov was Anna Vinnitskaya’s professor at Hamburg. ‘Though I no longer study with him, I still meet and talk with him several times a week,’ she confides. ‘That helps me further in my development, not just as a pianist but as a human being.’ These three Slavonic pianists, who for some time have been aiming to record the Bach concertos as a team, decided to invite a German ensemble that is itself highly expert in Bach interpretation, the Potsdam Chamber Orchestra; they recorded this double album in a legendary venue where some of the greatest artists have recorded: the Jesus-Christus-Kirche in Berlin. © Alpha Classics
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Piano solo - Verschenen op 21 september 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet
Music has been described as a way of saving that which has been lost: a simple but strong idea, and one which has influenced Hélène Grimaud's artistic expression.Her new album Memory deals with music's power to bring back to life the images of the past in the present, its ability to vividly and piercingly evoke a specific time and a place. It explores the essence of memory through a series of refined miniatures for piano. The choice of repertoire covers a vast, diverse range, from the reveries of Chopin and Debussy to the timeless, folky melodies of Valentin Silvestrov.  © Universal
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Klassiek - Verschenen op 31 mei 2019 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
Jean-Efflam Bavouzet’s first three volumes of Mozart concertos with the Manchester Camerata and Gábor Takács-Nagy have been received with widespread acclaim, and so it is with some excitement that we release the keenly anticipated fourth instalment in the series. Composed within just one month in early 1785, these two concertos by Mozart are among the most popular of all his piano concertos. No. 20, KV 466 was his first concerto in a minor key, and its dark and stormy nature contrasts with the light and sunny atmosphere of Concerto No. 21, KV 467. Like so many of his piano concertos, both works were composed for the Vienna concert season and were given their premiere performances with Mozart at the keyboard. The two concertos are interspersed on this recording with a vivid performance of the Overture to Don Giovanni, which shares traits with both concertos and further demonstrates the exemplary playing of Manchester Camerata. © Chandos
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Klassiek - Verschenen op 16 november 2018 | Warner Classics

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Klassiek - Verschenen op 7 juni 2019 | Warner Classics

Booklet
Thirty years after his premature death, the American harpsichordist and organist Scott Ross is still present in the hearts of music lovers. His name remains attached to the marathon of 555 sonatas of Domenico Scarlatti he recorded on harpsichord for Disques Erato. It is out of this achievement that Scott Ross took on the task of recording the integrity of Johann Sebastian Bach’s works on keys (harpsichord and organ), but the great grim-reaper thought otherwise. This new homage-publication takes existing recordings and completes them with hitherto unseen material from French, Swiss and Canadian radios, including concerts and recordings on both harpsichord and organ. This disparate ensemble finds its coherence through the remastering of a wide range of sources by Christophe Hénault from Studio Art & Son. The happiness of experiencing the intense, fantastic and colourful joy of Scott Ross again will satisfy numerous admirers who will find him in solo, but also in duet with his old teacher Huguette Grémy-Chauliac and the Mosaïques ensemble under the direction of Christophe Coin. © François Hudry/Qobuz
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Duo´s - Verschenen op 29 maart 2019 | Erato

Hi-Res Booklet
On this record, Renaud Capuçon and David Fray decided to turn their back on the musicology-inspired understanding of baroque music. Enough of “the dictatorship of the historically informed.” They chose instead to play this music from the heart, just as the masters did in the previous century. Their choice is sincere in a field of numerous conflicts between schools of thoughts. Six sonatas for Violin and Harpsichord was composed by Bach when he was at the court of Coethen. It was especially admired by Carl Philipp Emanuel, the Cantor’s second son. As often happens, however, the autographed manuscript has disappeared and it is through series of copies that we know it today.  It was published for the first time in 1804, fifty years after Bach’s death. The six sonatas are written according to Corelli’s rules. They imagine a new type of dialogue in the chamber orchestra where keys are not in the background. The writing is precise, expressive, and rhythmical. © François Hudry/Qobuz
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Piano solo - Verschenen op 25 januari 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschenen op 23 november 2018 | Alpha

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice