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Liederen (Duitsland) - Verschenen op 16 november 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Record of the Month
Very different from Schubert’s Lieder, which are chants according to German “popular” tradition (usually strophic) with a musical accompaniment subservient to the singing (taking nothing away from their incredible genius!), Schumann’s are, to use Christian Gerhaher’s words, “lyrical dramaturgy”; miniature operas in which the piano and vocals are equal in content. This doesn’t explain why Schumann’s Lieder are so rarely performed in concert, with the exception of some well-worn cycles (normally Myrten, Dichterliebe and Frauenliebe und –leben). Gerhaher and his pianist Gerold Huber pick works from the genre’s ample repertoire that have almost never been performed in concert. Only three cycles date back to the “Liederyear” of 1840 (incidentally the year of his marriage to Clara Wieck), while the others are from the composer’s last years, beyond 1850, and are full of nostalgia… This is far from the dishevelled romanticism of his early years, the mood is dark and the discourse broken up into small brushstrokes. The contrast from one era to the other is striking. Gerhaher and Huber perform these surprising marvels brilliantly. © SM/Qobuz
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Liederen - Verschenen op 25 februari 2013 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Le Choix de France Musique - 4 étoiles de Classica - Hi-Res Audio
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Liederen (Frankrijk) - Verschenen op 20 oktober 2015 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice
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Liederen (Frankrijk) - Verschenen op 11 januari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
As the first of a series of publications that aim to celebrate forty years of the "Arts Flo" founded by William Christie in 1979, this new album, recorded at the Philharmonie de Paris in 2016, is made up of "serious songs and “drinking songs" from France in the 17th century. Following the filming of Monteverdi's L'incoronazione di Poppea, performed at the Salzburg Festival 2018, and the ambitious complete recording of Carlo Gesualdo’s Madrigaux conducted by Paul Agnew, who is little by little taking over as the ensemble’s conductor, new editions are returning towards harmonia mundi, the "historic" publisher of the Arts Florissants and their founder. This recording is a perfect “Map of Tendre” of the loved-up 17th century, with its lovelorn shepherds, pretty shepherdesses (jolies bergères, in fact!) who aren't always too chaste, and helpful birds. Having only just moved on from Renaissance polyphony, French composers, very much influenced by their Italian colleagues, produced airs de cour (courtly airs) which would become the first constitutive elements of French opera. This album brings together the composers who best represent this musical trend. It gives us Marc-Antoine Charpentier as well as Michel Lambert, who wrote serious melodies, and Sébastien Le Camus, who would quickly become one of the musical favourites of the Parisian salon scene. These men dominated the musical productions which then circulated in either printed or manuscript form, or in periodicals such as Le Mercure galant. What a happy time it was for France, when love, sincere love, always won out over adversity and jealousy. © François Hudry/Qobuz
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Liederen (Engeland) - Verschenen op 22 februari 2019 | Warner Classics

Onderscheidingen 5 de Diapason
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Liederen (Duitsland) - Verschenen op 13 mei 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Award - Gramophone Editor's Choice - Choc de Classica
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Liederen - Verschenen op 21 april 2009 | harmonia mundi

Onderscheidingen 5 de Diapason - 4F de Télérama - 4 étoiles de Classica
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Liederen - Verschenen op 4 januari 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica - Hi-Res Audio
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Liederen (Duitsland) - Verschenen op 14 maart 2014 | Berlin Classics

Onderscheidingen 5 de Diapason - 4 étoiles de Classica
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Liederen (Duitsland) - Verschenen op 5 oktober 2018 | Challenge Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Liederen (Frankrijk) - Verschenen op 7 juli 2017 | deutsche harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Liederen (Duitsland) - Verschenen op 21 november 2014 | Challenge Classics

Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Liederen (Duitsland) - Verschenen op 3 maart 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Liederen - Verschenen op 15 juni 2012 | Sony Classical

Onderscheidingen 5 de Diapason
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Liederen (Noord-Europa) - Verschenen op 7 april 2017 | CPO

Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Liederen - Verschenen op 30 juni 2009 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Liederen (Duitsland) - Verschenen op 9 november 2018 | Orfeo

Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Liederen (Frankrijk) - Verschenen op 1 januari 2008 | Timpani

Onderscheidingen 5 de Diapason - 4F de Télérama
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Liederen (Duitsland) - Verschenen op 20 november 2015 | Challenge Classics

Onderscheidingen 5 de Diapason - 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Liederen - Verschenen op 7 december 2018 | BIS

Hi-Res Booklet Onderscheidingen 5 de Diapason
Bernstein, Copland, Ives, Mahler, Strauss, Pärt, Duruflé, Messiaen, Martin, Liszt and Richard Rodgers: those are the composers honoured here by Anne Sofie von Otter, accompanied on the organ (which makes the album truly original, in addition to the eclectic repertoire) by Bengt Forsberg. A few fellow musicians join forces for a few pieces here and there; we find the violin, cello, harp, viola and even an electric guitar for Bernstein's Mass aria. A touching detail is that the organ used is that of St. James Church in Stockholm, the same church where a very young Anne Sofie first started singing, initially as a member of the choir, then quickly as a soloist, notably with St. John Passion. It was also in this church that she first performed as a soloist more than thirty-five years ago with none other than Bengt Forsberg. The programme alternates between English, German and French, with a touch of Latin for incursions into the sacred world. It ends with an almost improvised version of "Climb Ev'ry Mountain" from the musical The Sound of Music; indeed, Von Otter has been enjoying crossing the barriers between periods and genres for several years now. © SM/Qobuz