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Klassiek - Verschenen op 15 maart 2019 | Decca (UMO) (Classics)

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Klassiek - Verschenen op 29 maart 2019 | Sony Classical

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Klassiek - Verschenen op 3 april 2019 | Lawo Classics

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Klassiek - Verschenen op 5 april 2019 | Sony Classical

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Klassiek - Verschenen op 5 april 2019 | Sony Classical

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Kamermuziek - Verschenen op 12 april 2019 | NoMadMusic

Hi-Res Booklet Onderscheidingen 4F de Télérama
A is for “Amadeus,” and a recording which marks a return to the source for Quatuor Zaïde, who dedicate their fourth collection to the genius Austrian composer. Z is for Zaïde, a “Singspiel” by Mozart in the style of Die Zauberflöte, which historical transcription for string quartet is a world premiere! Paired with the Quartet in G Major, No. 14, K. 387, this miniature version of one of the most famous operas repeatedly casts each instrument of the quartet in a multitude of lyric roles, celebrating the eternal dialogue between singing and playing. © Nomadmusic
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Kamermuziek - Verschenen op 12 april 2019 | Naxos

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Duo´s - Verschenen op 26 april 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Kamermuziek - Verschenen op 3 mei 2019 | Odradek Records

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Klassiek - Verschenen op 10 mei 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Concerten voor klavier - Verschenen op 31 mei 2019 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica
Jean-Efflam Bavouzet’s first three volumes of Mozart concertos with the Manchester Camerata and Gábor Takács-Nagy have been received with widespread acclaim, and so it is with some excitement that we release the keenly anticipated fourth instalment in the series. Composed within just one month in early 1785, these two concertos by Mozart are among the most popular of all his piano concertos. No. 20, KV 466 was his first concerto in a minor key, and its dark and stormy nature contrasts with the light and sunny atmosphere of Concerto No. 21, KV 467. Like so many of his piano concertos, both works were composed for the Vienna concert season and were given their premiere performances with Mozart at the keyboard. The two concertos are interspersed on this recording with a vivid performance of the Overture to Don Giovanni, which shares traits with both concertos and further demonstrates the exemplary playing of Manchester Camerata. © Chandos
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Kamermuziek - Verschenen op 7 juni 2019 | Genuin

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Cheerfulness and depth, youthful urgency and ageless serenity: all this is found not only in Mozart’s most famous works. We also encounter these astonishing contrasts at every turn in the enchanting duos presented by renowned violinist Annette Unger and her piano partner Robert Umansky. The program features sonatas and variation cycles from “middle-period” Mozart to the years of maturity. The interpretation offered by the two Dresden musicians impresses with its vividness and transparency together with a great love for the details of these musical gems. © Genuin
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Klassiek - Verschenen op 21 juni 2019 | Sony Classical

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Klassiek - Verschenen op 21 juni 2019 | Mezzoforte

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Klassiek - Verschenen op 19 juli 2019 | CAvi-music

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The Armida Quartet is holding an unusual kind of rehearsal, skimming through three Mozart string quartets with musicologist and Henle’s publishing director Wolf-Dieter Seiffert. The focus this time is not on sound quality, musical character, or developing an extended formal overview – all qualities for which the Armida Quartet is well-known – but on achieving a good match between philological accuracy and practical music-making. Seiffert is working on a new edition of the Mozart string quartets for his publishing house in Munich, and has sought out direct contact with the members of the Berlin string quartet to clarify doubts regarding dynamics, ties and tempi (see the interview with Mr. Seiffert in the booklet). When a case is truly difficult, the most technically feasible or desirable alternative helps him decide which variant will ultimately figure in the new Urtext edition. © CAvi-Music
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Klassiek - Verschenen op 26 juli 2019 | Decca (UMO) (Classics)

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Klassiek - Verschenen op 2 augustus 2019 | Deutsche Grammophon (DG)

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Yannick Nézet-Séguin’s saga on Mozart for Deutsche Grammophon continues: after The Clemency of Titus in 2018, it’s now time for The Magic Flute to pass under the Quebecois’ baton at the Festspielhaus in Baden-Baden. His direction breathes life into all the magic that is required for such a fairy-tale, Mozart’s final opera, and the Chamber Orchestra of Europe successfully communicates the opera’s majesty and depth, as heard in the radiant “Priest’s March”. When it comes to the singers, Christiane Karg is captivating in the role of Pamina, and Klaus Florian Vogt – who’s tonality is explosive here – embodies an innocent Tamino that is consistently dazzling. Rolando Villazón, Yannick Nézet-Séguin’s faithful companion in this Mozartian adventure (he has been present since the beginning of the recording of Don Giovanni), takes on the role of the bird catcher Papageno, written for a baritone voice; the former tenor is convincingly at one with the character’s personality. What’s more, despite their unequal distribution, the singers seem to be at home with this extraordinary singspiel. The orchestra whets our appetite with their clear love for playing together and invites us to dive once more into the discography of such a luxurious and dramatic work that is both humorous and spectacular. Nézet-Séguin’s orchestration is tight and the variation in the writing is that of a phenomenal musician. One thinks of Strauss’ Rosenkaalier for the sensual intermingling of voices in the final trio. The Magic Flute is almost masonic as the development of its spiritual storyline is akin to an initiation. Its enchanting atmosphere is typical to the German composer, much like the later Oberon by Weber. © Elsa Siffert/Qobuz
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Klassiek - Verschenen op 2 augustus 2019 | MUNCHNER PHILHARMONIKER GBR

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Concertmuziek - Verschenen op 9 augustus 2019 | NOVA Record

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Klassiek - Verschenen op 9 augustus 2019 | Sony Classical

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