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HI-RES€ 15,99
CD€ 13,49

Klassiek - Verschenen op 6 november 2015 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica - Choc Classica de l'année
The Weber Sisters is rooted in Mozart’s life story and includes music inspired by Aloysia, Konstanze and Josepha Weber, three soprano sisters whom Mozart first met in the German city of Mannheim in 1777, when he was 21. Though he initially fell in love with Aloysia, who went on to become a celebrated diva, it was Konstanze who became his wife; she outlived him by nearly 50 years and did much to sustain and build his reputation after his death. The programme comprises songs, operatic and concert arias and orchestral numbers, and Sabine Devieilhe’s interpretations are typified by beauty of tone, a penetrating sense of drama and a scrupulous respect for the score and the text. Three of the highlights are: the concert aria ‘Popoli di Tessaglia’ – written for Aloysia – which rises to spectacular heights (specifically, the G two-and-a-half octaves above middle C); the sublime ‘Et incarnatus est’ from the C minor Mass – premiered in Salzburg by Konstanze, and ‘Der Hölle Rache’, written for Josepha as the second fireworks-filled aria of the Queen of the Night in Die Zauberflöte, a role that has brought triumphs for Sabine Devieilhe at the opera houses of Lyon and Paris. Her colleagues on this album are the Ensemble Pygmalion, the keyboard player Arnaud de Pasquale and the conductor Raphaël Pichon.
HI-RES€ 25,99€ 31,99(19%)
CD€ 22,49€ 27,99(20%)

Klassiek - Verschenen op 30 september 2016 | Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année - Exceptional Sound Recording
HI-RES€ 24,99
CD€ 17,99

Concerten voor viool - Verschenen op 28 oktober 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Record of the Year - Gramophone Award - Choc de Classica - Choc Classica de l'année
"Not another complete recording of Mozart's violin concertos!", some might complain, and in absolute terms they wouldn’t necessarily be wrong. Except that this complete edition is signed by star violinist Isabelle Faust, accompanied by Il Giardino Armonico (who plays on instruments from Mozart’s time, including natural horns, nine-key bassoons, six-key flutes, two-key oboes), and – last but not least – the cadenzas are signed by Andreas Staier, since Mozart has left us no cadenzas for his violin concertos (unlike several piano concertos, as well as his Sinfonia concertante for violin and viola). Far from playing the star, Isabelle Faust prefers to blend in with the whole orchestra, a kind of primus inter pares attitude quite refreshing in this repertoire which, in fact, does not require so much emphasis of the part of soloist – the sound engineering and balance itself favours an overall sound rather than an opposition between solo violin and orchestra. This is a new and very original interpretation, whatever the abundant discography of these works may already be. In addition to the five concertos, Faust plays the three single movements for violin and orchestra – two Rondos and one Adagio – which are actually "spare" movements for one or the other of the concertos written on request for soloists of that time. One wonders what Mozart would have written had he had Isabelle Faust by his side! © SM/Qobuz