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Klassiek - Verschenen op 16 november 2018 | Deutsche Grammophon (DG)

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After winning the First Prize at the 2015 International Chopin Piano Competition, Korean pianist Seong-Jin Cho (born in 1994) embarked on a bright global career that has already taken him absolutely everywhere! Following his first three albums, with two devoted to Chopin (obviously…), a third to Debussy (slightly more unusual), he now dives into Mozart, in particular the Concerto in D minor that has already earned him a Third Prize at the 2011 International Tchaikovsky Competition. In fact, the pianist explains how Mozart was his favourite as a child, and proves it with great finesse in this recording. In accompanied Yannick Nézet-Séguin – a master at accompaniment for opera and concerts – Cho has found an excellent partner. It is worth noting the pianist has opted for the cadences composed by Beethoven. His album also features two Mozart sonatas, both in major keys strongly contrasting with the dark and theatrical concerto. Once again the pianist puts emphasis on clarity and the sung line, rather than sheer virtuosity – however, virtuosity is still apparent despite Mozart’s sonatas not exactly being monsters of fingering mechanics. The album ends withFantasia No. 3 in D minor, one of his most famous pieces even though it is only a fragment of a movement (it was either unfinished or the ending was lost). The ten concluding measures were added by an editor. © SM/Qobuz
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Opera - Verschenen op 16 november 2018 | PentaTone

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Klassiek - Verschenen op 16 november 2018 | Sony Classical

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Klassiek - Verschenen op 16 november 2018 | Paraty

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Klassiek - Verschenen op 12 december 2018 | UNIVERSAL MUSIC LLC

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Klassiek - Verschenen op 21 december 2018 | CONTINUO RECORDS

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Kwartetten - Verschenen op 11 januari 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Klassiek - Verschenen op 20 januari 2019 | Everest

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Klassiek - Verschenen op 20 januari 2019 | Everest

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Piano solo - Verschenen op 8 februari 2019 | Nonesuch

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 8 februari 2019 | Sony Classical

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Competition between composers was fierce and ruthless in the princely courts of 18th century Europe, and Mozart was just one of many. This new album from Russian soprano Olga Peretyatko serves as the perfect reminder of this, dedicated to Mozart’s famous arias (The Abduction from the Seraglio, The Marriage of Figaro, Don Giovanni and The Clemency of Titus) but also including works by Traetta, Martín y Soler and Paisiello, which are equally as masterful. The three excerpts from Tommaso Traetta’s Antigone which derived from Neapolitan opera and was composed for the court of Catherine II of Russia, are a testament to the passion that motivated composers from this period. His melodic phrases are full of tenderness and affliction and they certainly did not go unnoticed by the young Mozart. Paisiello and Martín y Soler were also both very successful in their time and completely eclipsed Mozart’s opera The Marriage of Figaro, which only really gained popularity in Prague and was the reason why he was asked by the Czech capital to compose Don Giovanni. Even if Mozart’s contemporaries were tough on him, his unique genius has been recognised overtime and his extraordinary legacy has overshadowed all those of other great composers from his time. This album provides an enthralling replica of his music, featuring top-class performer Olga Peretyatko alongside the Basel Symphony Orchestra conducted by Ivor Bolton. © François Hudry/Qobuz
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Klassiek - Verschenen op 1 maart 2019 | Sony Classical

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Klassiek - Verschenen op 1 maart 2019 | Sony Classical

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Klassiek - Verschenen op 1 maart 2019 | Sony Classical

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Klassiek - Verschenen op 8 maart 2019 | Ondine

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Klassiek - Verschenen op 15 maart 2019 | Universal Music GmbH

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Kamermuziek - Verschenen op 15 maart 2019 | Genuin

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Kamermuziek - Verschenen op 15 maart 2019 | Gramola Records

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