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Duo´s - Verschenen op 9 november 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
At a time when Mozart was writing his first sonatas for violin and clavier, in 1778, it was the done thing to write piano sonatas with violin accompaniment in which the violin part is fairly unobtrusive. The purpose of this was not to put off the target audience for the scores: educated amateurs. But Mozart paid no heed to this convention and took off into a new world with real duets, in which the two instruments found themselves on an even footing. At the same time, he avoided the corrective exaggeration which would appear in some scores which resembled violin concertos with a little piano support. Here we have a perfect balance between the two players: Isabelle Faust on the violin and Alexander Melnikov at the clavier. The latter of the two plays on a copy of a Viennese fortepiano made in 1795 by Anton Walter. The sound balance is utterly perfect, which is a relief, as all too often these sonatas either favour the keyboard part when played on the piano or the violinist tries to force it. We have here two sonatas written in Paris shortly after the death of Mozart's mother (who accompanied him on the journey), and then another from 1787 written in the wake of Leopold Mozart's death. Despite this the composer seems to be putting on a brave face, flashing a smile tinged with a tender nostalgia on the Sonata in E Minor K. 304. © SM/Qobuz
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Klassiek - Verschenen op 16 november 2018 | Deutsche Grammophon (DG)

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After winning the First Prize at the 2015 International Chopin Piano Competition, Korean pianist Seong-Jin Cho (born in 1994) embarked on a bright global career that has already taken him absolutely everywhere! Following his first three albums, with two devoted to Chopin (obviously…), a third to Debussy (slightly more unusual), he now dives into Mozart, in particular the Concerto in D minor that has already earned him a Third Prize at the 2011 International Tchaikovsky Competition. In fact, the pianist explains how Mozart was his favourite as a child, and proves it with great finesse in this recording. In accompanied Yannick Nézet-Séguin – a master at accompaniment for opera and concerts – Cho has found an excellent partner. It is worth noting the pianist has opted for the cadences composed by Beethoven. His album also features two Mozart sonatas, both in major keys strongly contrasting with the dark and theatrical concerto. Once again the pianist puts emphasis on clarity and the sung line, rather than sheer virtuosity – however, virtuosity is still apparent despite Mozart’s sonatas not exactly being monsters of fingering mechanics. The album ends withFantasia No. 3 in D minor, one of his most famous pieces even though it is only a fragment of a movement (it was either unfinished or the ending was lost). The ten concluding measures were added by an editor. © SM/Qobuz
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Concerten voor viool - Verschenen op 16 november 2018 | LSO Live

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Opera - Verschenen op 16 november 2018 | PentaTone

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Klassiek - Verschenen op 16 november 2018 | Sony Classical

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Klassiek - Verschenen op 16 november 2018 | Paraty

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Klassiek - Verschenen op 30 november 2018 | MUNCHNER PHILHARMONIKER GBR

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Klassiek - Verschenen op 12 december 2018 | UNIVERSAL MUSIC LLC

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Klassiek - Verschenen op 21 december 2018 | CONTINUO RECORDS

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Klassiek - Verschenen op 4 januari 2019 | Genuin

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Kwartetten - Verschenen op 11 januari 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Kamermuziek - Verschenen op 18 januari 2019 | Paladino Music

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Klassiek - Verschenen op 20 januari 2019 | Everest

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Klassiek - Verschenen op 20 januari 2019 | Everest

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Klassiek - Verschenen op 20 januari 2019 | Everest

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Klassiek - Verschenen op 25 januari 2019 | Sony Classical

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Klassiek - Verschenen op 1 februari 2019 | Universal Music Italia srL.

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Klassiek - Verschenen op 1 februari 2019 | Sony Classical

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