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Klassiek - Verschijnt op 5 juni 2020 | Warner Classics

Hi-Res Booklet
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Klassiek - Verschijnt op 3 april 2020 | Archiphon

Hi-Res Booklet
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Klassiek - Verschenen op 28 februari 2020 | harmonia mundi

Hi-Res Booklet
After the widespread acclaim for their previous recordings of C. P. E Bach and Haydn, the musicians of the Resonanz Ensemble of Hamburg pursue their explorations on modern instruments. Here they tackle Mozart’s last three symphonies, which, it is generally agreed, ‘require no introduction’. And yet Riccardo Minasi does much more than introduce them: he reintroduces them to us. The rhetorical, if not theatrical, dimension of the celebrated trilogy comes into full focus here and the result is irresistible. © harmonia mundi
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Klassiek - Verschenen op 28 februari 2020 | Chandos

Hi-Res Booklet
Jean-Efflam Bavouzet’s acclaimed series of piano concertos by Mozart reaches its fifth instalment. Concertos Nos. 5, 6, 8, and 9 are complemented by the overtures to Il sogno di Scipione, Lucio Silla, La finta giardiniera, Il re pastore, and Zaide. That all of these works were composed by Mozart between the ages of fifteen and twenty-five serves as a vivid reminder of his unique talents as a child prodigy: these are not childhood efforts but mature works. The Fifth Concerto was actually Mozart’s first, as Nos 1 – 4 are arrangements of works by other composers. As in the previous volumes, Bavouzet is partnered by Manchester Camerata and Gábor Takács-Nagy, all recorded in The Stoller Hall in Manchester. © Chandos
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Klassiek - Verschenen op 21 februari 2020 | Sony Classical

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Duo´s - Verschenen op 7 februari 2020 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
Using period instruments, Isabelle Faust and Alexander Melnikov breathe new life into these ‘sonatas for keyboard with violin accompaniment’, a tradition Mozart renewed from within, blazing the trail for Beethoven, Schubert and Schumann. The first volume was widely praised: ‘The greater similarity of tone between Faust’s sparkling violin and Melnikov’s glittering fortepiano (within an airier acoustic) results in a sound more akin to the jingling of small bells. It’s delicious’ (Gramophone). ‘In a world full of star violinists, all with technical facility and individual style, it’s rare to find one that everyone agrees is just – brilliant. Isabelle Faust is that violinist’ (The Strad). © harmonia mundi
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Klassiek - Verschenen op 7 februari 2020 | BIS

Hi-Res Booklet
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Symfonieën - Verschenen op 15 november 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
If we take a closer look at the first symphonic attempts by the young Mozart, we can see that they are motivated by a lot more than mere curiosity, musicologist Henning Bey, the author of the texts that accompany this new recording, points out. He shows how the young boy, without the presence of his bedridden father, managed to set down on paper his first symphony after a few efforts for the clavier and violin. The manuscript still bears the traces of the young composer's experimentations and difficulties with ink and an ill-cut quill. The lesson of this first orchestral outing is that "form develops from content". Mozart came to composition when his father taught him to write minuets. And it was also with dance that he would finish his oeuvre, writing the 5 Contredanses, K. 609, just a few days before his death, for the imperial balls in the Redoute. They are presented here by way of closing the circle, interspersed between each of the five youthful symphonies which make up the substance of this album. The excellent performance from Gottfried von der Goltz and the musicians of the Freiburger Barockorchester whom he directs with his violin, have a mature take on this childish music, written before Mozart the traveller starts taking in everything he sees and hears to elaborate his own unique language. What's troubling about it is the assuredness of the writing from a child of nine years old, who seems already to know exactly where he will go and what he will become. © François Hudry/Qobuz
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Klassiek - Verschenen op 1 november 2019 | Sony Classical

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Kwartetten - Verschenen op 11 oktober 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
After a first album devoted to Mozart quartets (awarded a ‘Choc de Classica’ and a ‘Diapason Découverte’), a second to French music (Debussy, Ravel and Chausson) and a third to two quartets by Schubert, Nos. 10 and 14 (the mythical "Death and the Maiden"), the group founded by Nicolas Van Kuijk returns to its first love by recording more Mozart. This recording is the second part of an eventual triptych that will contain the six string quartets dedicated to Haydn: No. 14 in G major, K.387, the first of them, was composed in 1782, when Mozart had just arrived on the Viennese musical scene; No. 15 in D minor K421, the second, is the only one in the minor mode and was completed in 1783 while his wife Constanze was in labour – she related that the rising intervals of the second movement recalled her cries from the room next door as he composed. © Alpha Classics/Outhere
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Kamermuziek - Verschenen op 20 september 2019 | Skarbo

Hi-Res Booklet
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Klassiek - Verschenen op 6 september 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Opera - Verschenen op 30 augustus 2019 | harmonia mundi

Hi-Res Booklets Onderscheidingen Choc de Classica
A challenge. This is a disorienting, provocative, and terribly refreshing album. Before launching headlong into the "Da Ponte-Mozart Trilogy", Raphaël Pichon undertakes a spirited exploration of the themes, throwing all these pieces together into a three-part "pasticcio", with the help of Mozart's earlier works and those of his contemporaries. To do this, Pichon and his arrangers use concert arias, nocturnes, canons, unfinished operas with characters and situations that evoke those of the trilogy. They have thrown together a delicious miniature trilogy "like a sort of musical apéritif." The result is all the more pleasing because it allows us to follow the evolution of Mozart's thought, at the same time as underlining the continuity of his literary choices and situations that he would set to music throughout his short life. Add that to some lively conducting and soloists who have great fun prefiguring the coming masterpieces. The result is a real gourmet feast. © François Hudry/Qobuz
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Klassiek - Verschenen op 23 augustus 2019 | Canary Classics

Hi-Res Booklet
Although often overshadowed by her brother Gil, with whom she has made several recordings, Orli Shaham is pursuing a magnificent career on the piano. Shaham is continuing to keep it in the family with this new album, which takes on two of Mozart's concertos, which she has chosen to record with her husband, David Robertson conducting. Robertson is the conductor of the Saint Louis Chamber Orchestra.Orli Shaham's particular affinity for Mozart was already demonstrated in the recording of sonatas for violin and piano, which she made with her brother: it is confirmed here in this music's rounded, sensual sound and its expressive musicality. It soars into a luminous hedonism in the Piano Concerto No. 17 in G Major, K. 453, with a splendid Andante which is marked by an irresistible melancholy. In Shaham's hands, the torments of the Piano Concerto No. 24 in C minor, K. 491 are softened: they belong to the 18th Century, and do not announce the romanticism imagined by the many performers who see (often correctly) this work as containing a miraculous expressive force which bursts the bounds of its era. © François Hudry/Qobuz
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Klassiek - Verschenen op 19 juli 2019 | CAvi-music

Hi-Res Booklet
The Armida Quartet is holding an unusual kind of rehearsal, skimming through three Mozart string quartets with musicologist and Henle’s publishing director Wolf-Dieter Seiffert. The focus this time is not on sound quality, musical character, or developing an extended formal overview – all qualities for which the Armida Quartet is well-known – but on achieving a good match between philological accuracy and practical music-making. Seiffert is working on a new edition of the Mozart string quartets for his publishing house in Munich, and has sought out direct contact with the members of the Berlin string quartet to clarify doubts regarding dynamics, ties and tempi (see the interview with Mr. Seiffert in the booklet). When a case is truly difficult, the most technically feasible or desirable alternative helps him decide which variant will ultimately figure in the new Urtext edition. © CAvi-Music
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Klassiek - Verschenen op 21 juni 2019 | Sony Classical

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Klassiek - Verschenen op 10 mei 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 12 april 2019 | NoMadMusic

Hi-Res Booklet Onderscheidingen 4F de Télérama
A is for “Amadeus,” and a recording which marks a return to the source for Quatuor Zaïde, who dedicate their fourth collection to the genius Austrian composer. Z is for Zaïde, a “Singspiel” by Mozart in the style of Die Zauberflöte, which historical transcription for string quartet is a world premiere! Paired with the Quartet in G Major, No. 14, K. 387, this miniature version of one of the most famous operas repeatedly casts each instrument of the quartet in a multitude of lyric roles, celebrating the eternal dialogue between singing and playing. © Nomadmusic
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Kamermuziek - Verschenen op 8 maart 2019 | Foghorn Classics

Hi-Res Booklet
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Klassiek - Verschenen op 30 november 2018 | MUNCHNER PHILHARMONIKER GBR

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