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Kamermuziek - Verschenen op 1 maart 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 16 november 2018 | Rondeau

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 11 januari 2019 | Ondine

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Symfonieën - Verschenen op 5 april 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 24 mei 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
"Zwiegespräche" is a meeting of spirits. “We compose the same way,” said György Kurtág to Heinz Holliger on hearing this recording, which emphasises works for oboe by these two major composers. Both of them reference the entire history of music in their pieces, both incorporate dedications and messages to friends and colleagues in the fabric of their work, and both draw upon literature as an inspirational source. Both, moreover, love the miniature as an expressive form; short pieces by Kurtág and Holliger are interwoven. Holliger’s sequence Airs (2015/6) is inspired by seven texts by Swiss poet Philippe Jaccottet, whose voice is heard here. The release of "Zwiegespräche" is timely. Heinz Holliger turns 80 on May 21, his creativity as composer and his resourcefulness as instrumentalist undimmed. The album concludes with Holliger’s Sonate für Oboe solo, composed in 1956, and still played by its author with absolute authority. © ECM Records
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Operafragmenten - Verschenen op 23 november 2018 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
This new Vivaldi album marks a double anniversary, the thirty-year anniversary of the close collaboration between Cecilia Bartoli and the famous English label Decca, and the twenty-year anniversary of the very successful first Vivaldian opus. This time leaving behind Giovanni Antonini and his Il Giardino Armonico ensemble, Cecilia Bartoli has selected French musicians well versed in Vivaldi’s music, as if to demonstrate the universal nature of the Red Priest’s compositions. In fact, Jean-Christophe Spinosi and his Ensemble Matheus have distinguished themselves with Vivaldi’s instrumental music since their early days. They started off their collaboration with five concerts, dedicated of course to the Venetian composer, in Munich, Prague, Baden-Baden and Versailles. For their first recording together they selected ten opera titles, nine of which weren’t featured on the 1999 album. The plethora of Vivaldi operas provides an endless supply to recitalists who can easily put together, as is the case here, an extremely lively programme featuring the most beautiful gems of an extraordinarily expansive composer whose melodic liveliness has been a constantly fascinating topic. This release is also beautiful in itslef (accessible on your Qobuz account), as it features a photo book containing beautiful portraits of Cecila Bartoli taken by Roman photographer Viviane Purdom, who has devoted her life to masterfully shooting great classical musicians. Happy anniversary indeed! © François Hudry/Qobuz
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Klassiek - Verschenen op 8 maart 2019 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 24 mei 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
“Water equals time and provides beauty with its double.” Anna Gourari, a pianist with a completely individual naturalness and authority, chooses these words from Joseph Brodsky’s essay on Venice as epigraph to her third recording for ECM. Her programme is typically wide-ranging but tightly focussed, with exquisitely alive performances of slow movements by Bach framing a choice selection of pieces from our own time. A span of three centuries is thus traversed, with magical and moving ease. We find memories of Bach reappearing in the regularly repeating notes of diary entries for piano set down in 2002 by the senior Russian composer Rodion Shchedrin, in a work written for Gourari. And we find in the late Five Aphorisms by Alfred Schnittke strange and beautiful chords that seem to condense whole swathes of Bach’s harmony. This is the “Elusive Affinity” of which the album’s title speaks. The two Bach slow movements are from his transcriptions of concertos by Antonio Vivaldi and Alessandro Marcello, arrangements in which he retraced these orchestral concertos for his own fingers, bringing to them an intimate privacy that Gourari also conveys throughout this recording. Vivaldi and Marcello were both Venetians, and Venice provides, by elusive affinity, the recording’s imaginary location. Photographs by Luca d’Agostino, reproduced in the booklet, follow Gourari through a Venetian archway, beside an ancient wall, on the edge of the lagoon. Water circulates in the city, enveloping past and present, old and new. So in our awareness, as we listen, Bach’s images of a Venice he never visited swim with others from nearer at hand. These others remind us that Venice, the Mediterranean mirror-image of St. Petersburg, has long been important to Russian artists. Schnittke’s dark pieces sound like shadows cutting across sunlit paving, though there is wit in this music, too. Arvo Pärt, represented by a crucial but largely overlooked early example of his luminous style, evokes bell sounds common to both Venice and the Baltic. Also here are two haunting miniatures by Giya Kancheli and a sequence of memorials to friends by Wolfgang Rihm, where sombreness joins with light, in what is again a Venetian conjunction. © ECM Records
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Klassiek - Verschenen op 9 november 2018 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen 5 Sterne Fono Forum Klassik
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Concertmuziek - Verschenen op 12 april 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
Over the past five years, pianist Anna Vinnitskaya has made three Alpha recordings dedicated to Shostakovitch, Brahms et Rachmaninov. Evgeni Koroliov is a great master of the piano, a great Bach specialist, whose recordings of Bach are an acclaimed benchmark. His piano duo with his wife, Ljupka Hadzi-Georgieva, has made its mark over the past few years in all the major international concert venues. Also a highly reputed teacher, Koroliov was Anna Vinnitskaya’s professor at Hamburg. ‘Though I no longer study with him, I still meet and talk with him several times a week,’ she confides. ‘That helps me further in my development, not just as a pianist but as a human being.’ These three Slavonic pianists, who for some time have been aiming to record the Bach concertos as a team, decided to invite a German ensemble that is itself highly expert in Bach interpretation, the Potsdam Chamber Orchestra; they recorded this double album in a legendary venue where some of the greatest artists have recorded: the Jesus-Christus-Kirche in Berlin. © Alpha Classics
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Piano solo - Verschenen op 23 november 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik - 5 étoiles de Classica
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Symfonieën - Verschenen op 3 mei 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Record of the Month - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 10 mei 2019 | Deutsche Grammophon (DG)

Hi-Res Onderscheidingen 5 Sterne Fono Forum Klassik
Caruso, Pavarotti, Mario Lanza and many others have all succumbed – with more or less success − to the charms and spells of southern popular songs, filled with sunlight, liveliness and joy of life. Dazzling Latvian mezzo soprano Elīna Garanča takes her shot at this tradition with her first “non-classical” album, released under the Yellow Label of Deutsche Grammophon. Exploring a predominantly masculine repertoire, she masterfully proves music has no barriers and that joy belongs to everyone.Living in the Canary Islands, Elīna Garanča has selected a few pearls, not necessarily the rarest, from the Spanish repertoire, as well as some works from Italy and Latin America, with bespoke arrangements often prepared by her husband and conductor Karel Mark Chichon, who leads the Philharmonic Orchestra of Gran Canaria for this performance. The result is a commingling of songs and extracts of zarzuelas and tangos, including Yo Soy Maria by inevitable and dear Astor Piazolla.The perfect opportunity to experience Elīna Garanča’s irresistible velvety voice and her God-given ability to sing anything with the same enthusiasm. The purity of her vocal line and ability to alter her tone to match the repertoire bestow a new dimension to these popular miniatures, and contribute to slimming, almost abolishing the boundary between opera and popular music. © François Hudry/Qobuz
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Concerten voor blaasinstrumenten - Verschenen op 17 mei 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 5 april 2019 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 7 juni 2019 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
Andrea Lucchesini’s career continues discreetly in the shadow of more mediatized Italian pianists. The star pupil, like Nelson Goerner, of the great Maria Tipo, Lucchesini has invested a lot of his time into concerts and recording. After becoming known for his interpretations of Luciano Berio’s music, in particular his concerto Echoing Curves directed by the composer himself, he has recorded the integrity of Beethoven’s sonatas for the label Stradivarius.Over the last few years, Lucchesini has concentrated on Schubert, “my great love”, he calls him. These two very different composers on the cusp of romanticism fascinate Andrea Lucchesini who presents here his first volume dedicated to the late works of Schubert. These works were written at a time when the composer of Lieder returned to composing sonatas amidst greats like Beethoven who also coincidentally lived in the same town.For Lucchesini, Schubert remains an enigma. The man left behind almost no written documents, he never stayed put in one precise residence and no one could understand his shyness, agitation, nor his latent homosexuality. “Rediscovering his final works”, says Andrea Lucchenini, “showed me the difference between the artist who entertained his friends and the composer who worked in solitude without any prospect of being published nor played.” Such solitude that longs to break free can be heard clearly in this album, particularly in the interpretation of Andantino of Sonata D. 959 through which troubling phantoms move. © François Hudry/Qobuz
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Piano solo - Verschenen op 15 maart 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Concerten voor klavier - Verschenen op 1 maart 2019 | Myrios Classics

Hi-Res Booklet Onderscheidingen 4F de Télérama - 5 Sterne Fono Forum Klassik
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Concerten voor viool - Verschenen op 15 maart 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
After the double album of the Violin and Harpsichord Sonatas with Kristian Bezuidenhout, here is the next instalment in a Bach recording adventure that began nine years ago with a set of the Sonatas and Partitas. Isabelle Faust, Bernhard Forck and his partners at the Akademie für Alte Musik Berlin have explored a multitude of other works by Bach: harpsichord concertos, trio sonatas for organ, instrumental movements from sacred cantatas etc. All are revealed here as direct or indirect relatives of the three monumental Concertos BWV 1041-43. This fascinating achievement is a timely reminder that the master of The Well-Tempered Clavier was also a virtuoso violinist! © harmonia mundi