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Klassiek - Verschenen op 16 november 2018 | Alpha

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
”Is it Schubert? Chopin? Or Brahms?” boldly asks the accompanying booklet for this recording of Dussek’s works. One may wonder whether there aren’t some Beethoven influences – and there are! – and even some Weber, but in fact, history runs backwards as the Concerto for 2 Pianos, Op.63 presented here dates back to 1806, the Rondo Concertant is from 1809 and the Quintet from 1799, prior (or at best at the same time) to the time when Weber conceived his great works. Indeed, many tendancies are evocative of a young Chopin and his Concertos. In many regards, Dussek was a visionary: his orchestration is particularly audacious – this is in fact more of a concert symphony than a traditional concerto – and his harmonic mood swings are especially bold and delightful … The Quintet itself is also unique: it was put together for the same unusual orchestra as Schubert’s Trout Quintet, meaning a violin, alto, cello, double bass, and piano. With its exquisitely free flowing writing, the work contains many surprises for the listener to discover on their own. The album ends with Notturno concertant for horn, violin, and piano. The two fortepianos are played by Alexei Lubimov and Olga Pashchenko, one is a copy of a Walter instrument and the other is a Longman/Clementi. © SM/Qobuz
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Klassiek - Verschenen op 1 maart 2019 | Alpha

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
Ernest Chausson is a most unusual figure in French music, positioned at the crossroads where the romanticism of Berlioz and Franck meet the language of Wagner and the symbolism of the young Debussy. His Poème de l’amour et de la mer is a unique score for the period and certainly his greatest work; simultaneously a profane, naturistic cantata, a monologue, and a song cycle, it was composed between 1882 and 1892. Véronique Gens is recording this cycle for the first time, although she has already issued Le temps des lilas with Susan Manoff at the piano ("Néère"), about which Ernst Van Bek wrote in Classiquenews: « it mesmerises with the nuancing of its colours, the allusive precision of every sung word ». Véronique Gens’ talent is equally on display in this recording too, with the Orchestre National de Lille – an orchestra she already knows well – under Alexandre Bloch, its new chief conductor, whose appointment and first concerts and recordings have already caused a sensation… The Symphony in B-flat major completes this programme: a summit of French symphonic writing, for some a milestone as important as the Symphony in D of Chausson’s teacher César Franck! © Outhere Music
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Klassiek - Verschenen op 8 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
With both of their lives cut short before they reached forty years of age, one from tuberculosis and the other from syphilis, the piano sonatas that Weber and Schubert left behind have either long been forgotten or are unheard of among pianists and the public. Luckily, this has been rectified for Schubert’s works thanks to pioneering pianists such as Artur Schnabel and Wilhelm Kempff, but more must be done for the works of Carl Maria von Weber who is still primarily known for his opera Der Freischütz (The Marksman). It takes an exceptional musician to bring forgotten music back to life and that is exactly what Paul Lewis does in this new album after having previously released fantastic interpretations of Beethoven and Schubert under the same French record label, Harmonia Mundi. Weber was around at the same time as Beethoven and was one of the first piano virtuosos from the beginning of the 19th century. His dazzling technique can be heard in this Sonata No.2 in A flat major which is both a virtuosic and a classic work that opened the door to romanticism for many other composers thereafter. The Sonata in B major, D 575 is actually from the same year that Schubert celebrated his twentieth birthday and sought independence from his parents to become a prolific composer, despite all the risks that came with a career as an independent artist at that time. This captures the beginning of romanticism and is an original and exciting pairing between two composers who appreciated each other’s work, but whose styles were diametrically opposed: the bright lights and panache for Weber and the melancholy soul for Schubert. © François Hudry/Qobuz
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Kamermuziek - Verschenen op 5 april 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
This recording is Anima’s very first to be completely devoted to instrumental ensemble music. A group of musicians headed by violinist Jakob Lehmann breathes new life into two 19th-century masterpieces. Schubert's Octet in F is a crown jewel from the repertoire, taking its cue from Beethoven’s celebrated Septet yet at the same time paving the way toward the "Grosse Sinfonie". Roughly 20 years after its iconic recording of the complete Schubert symphonies, Anima brings its signature approach to the composer’s chamber music to explore it with the insights and “language skills” developed back then and from thereon. In contrast to Schubert, Franz Berwald has been largely forgotten – undeservedly, as this gifted Swede left behind an oeuvre that is both surprisingly modern and delightfully original. Performed on period instruments, using authoritative sources and contemporary playing techniques, these brilliant pages of large ensemble music are now ready to be rediscovered and enjoyed once again. © Alpha Classics
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Kamermuziek - Verschenen op 7 juni 2019 | Orfeo

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 14,99
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Klassiek - Verschenen op 1 februari 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 14,99
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Klassiek - Verschenen op 9 november 2018 | Ondine

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
With a career spanning two thirds of the 20th century, Estonian composer Heino Eller (1887-1970) can be rightfully considered as one of the founders of the country's national musical style. His style remains resolutely tonal while taking on board the influences of French impressionism, German expressionism, and of course Edvard Grieg and Jean Sibelius, but also a certain "nationalism" in the choice of themes. At the outset of his career in the 1920s, his country had been liberated from the grip of the Russian Empire before falling back into the hands of the USSR in 1940. In those twenty years, a feeling of a distinct Estonian culture developed. His Violin Concerto got off to a bumpy start: written in 1934, revised three years later, it had to wait until 1965 for its world première – conducted by a young Neeme Järvi, its recording was organised by a young Arvo Pärt, a follower of Eller – but only in an abridged form. This recording gives us the score in full. The Symphonic Legend of 1923, substantially revised in 1936, was a kind of calling card for the composer: it contains all the possible influences he could have fit into it, from Ravel to Debussy, Sibelius and even Hollywood. This is the first ever release on CD. The 1948 Second Symphony was never finished, likely due to the pressure of the USSR and the infamous Zhdanov, whose decrees silenced many artists. The movement which has survived to this day, troubling and violent at times, doesn't really represent a smiling Socialist Realism, and – worse still – seems to evoke a Baltic national consciousness, which couldn't have pleased the dictatorship's policemen… © SM/Qobuz
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Klassiek - Verschenen op 1 februari 2019 | AMBIENTE Audio

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 14,99
CD€ 9,99

Klassiek - Verschenen op 5 april 2019 | Carus

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 14,99
CD€ 9,99

Kamermuziek - Verschenen op 5 april 2019 | BIS

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 16,49
CD€ 10,99

Kamermuziek - Verschenen op 15 maart 2019 | Fuga Libera

Hi-Res Booklet Onderscheidingen 4F de Télérama - 5 Sterne Fono Forum Klassik
This fruitful “encounter” between Leonard Bernstein and Maurice Ravel juxtaposes Bernstein’s intensity and rhythmic vitality with the melancholy refinement of Ravel’s colours, while also highlighting the composers’ commonalities, such as a shared tonal language and masterful incorporation of jazz idioms. Our purpose, however, is not only to appreciate an artistic cross-exchange but also to build upon it. This is what Trio Zadig and Benjamin Attahir seek in Asfar, a new work that springs from the creative nexus of these 20th-century giants and continues the conversation. © Outhere Music
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Klassiek - Verschenen op 5 april 2019 | deutsche harmonia mundi

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Wereldlijke vocale muziek - Verschenen op 24 mei 2019 | deutsche harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
Without the help of blaring drums or castanets, culture-filled aesthete Paul van Nevel gives the opportunity to hear the music that Christopher Columbus heard during his travels and adventurous life. This has resulted in a rigorous selection of (many unknown) a capella works, by Italian and Spanish composers from the late 15th and early 16th centuries. Beginning with childhood memories of Christopher Columbus (a carnival song evoking an erotic joke about chimney sweeps), the album ends with pieces by Agricola most likely heard by the navigator at the end of his final voyage in 1506. This virtual musical journey begins in 15th century Venice and reaches the court of Ferdinand and Isabella in Madrid, Seville, Cordoba and Valladolid. This offers an exciting programme benefitting from the exceptional quality of singers of the Huelgas Ensemble, specialised in medieval and Renaissance polyphony and founded in 1971 by Paul van Nevel. © François Hudry/Qobuz
HI-RES€ 15,99
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Klassiek - Verschenen op 3 mei 2019 | CAvi-music

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
We’re absolutely delighted to present a solo performance by one of Germany’s most fascinating pianists, Herbert Schuch, who after producing two albums with his wife Gülru Ensari for CAvi-Music, returns to the Cologne label to work on his own ambitious projects. Recorded in Studio 2 of the Bayerischer Rundfunk in December 2017, here’s at last his newest solo project, following his 2014 Naive album (Invocation − the relationship with the French firm was terminated when Naive’s art director joined Belgian label Outhere, and the group Believe took over Naive) and his seven albums produced for Oehms Classics before 2013.Herbert Schuch had seldom explored Beethoven until this album, in which he opposes Beethoven’s Eleven Bagatelles, Op. 119 to György Ligeti’s Musica Ricercata eleven miniatures, topping it off with the Bonn Master’s Op. 126. Unlike the Bagatelles’ last opus, Op. 119 isn’t necessarily designed as a cycle, meaning it makes perfect sense to weave together these Beethovenian thoughts with those of the greatest piano composer of the second half of the 20th century. With these powerful piano harmonics, supported by a brilliant sound recording that would lend itself marvellously to Olivier Messiaen’s music or the tenants of spectral music, the various characters explored by Ligeti in his Musica Ricercata directly impact Beethoven’s accents − the Bonn Master not necessarily being the most expansive of the two in this case.A slightly unsettling, yet undeniably intentional proposition. None should pass on the chance to experience the newest album of one of the piano scene’s smartest musicians, particularly as Musica Ricercata recordings remain a rarity. The Op. 126’s sculptural nature is most impressive. © Pierre-Yves Lascar/Qobuz
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CD€ 14,49

Klassiek - Verschenen op 10 mei 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 16,99
CD€ 14,49

Klassiek - Verschenen op 5 april 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 15,99
CD€ 11,49

Klassiek - Verschenen op 23 november 2018 | Rubicon Classics

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
HI-RES€ 16,16€ 23,09(30%)
CD€ 11,54€ 16,49(30%)

Concerten voor cello - Verschenen op 22 februari 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 5 Sterne Fono Forum Klassik
Cellist Ophélie Gaillard and Pulcinella Orchestra focus on Luigi Boccherini, Italian composer and first virtuoso cellist in history. Born in the Tuscany, Boccherini then went to the Court of Prussa and Spain. His musical education looks like a journey around Europe, as it used to be. Long eclipsed by the violin, star of the string instruments, the cello slowly fit in the eighteenth century repertoire thanks to composers who played the instrument themselves. The now famous Suites of Johan Sebastian Bach are the first master pieces composed for the cello. Then Luigi Boccherini strengthened its place in the musical creation, thus becoming to cello what Vivaldi was to the violin one generation earlier. With rhythms of dance from Andalusia and melodies dug along the streets of Madrid, Boccherini draws with notes his adopted country such as his contemporary Francisco Goya did with colours. This double album explores all the genres (concertos, sonatas, symphonies) and invites the gorgeous Sandrine Piau to perform Boccherini’s poignant Stabat Mater for string quintet and solo soprano. © Aparté/Little Tribeca
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Klassiek - Verschenen op 8 maart 2019 | PentaTone

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
On her first Pentatone album, pianist Tamara Stefanovich presents a highly personal selection of solo works by Bach, Bartók, Ives and Messiaen. Influences shows how these extraordinarily original and idiosyncratic composers let themselves be inspired by the exterior world, thereby demonstrating how authenticity comes from looking outside as well as inside. The repertoire spans from Bach’s embrace of Italian musical elements in his Aria variata alla maniera italiana, Bartók’s incorporation of folk elements in his Improvisations on Hungarian Peasant Songs, and Messiaen’s use of Hindu rhythms in Cantéyodjayâ to the collage of marching bands, sounds of trains and machinery, church hymns, ragtime and blues in Ives’ First Piano Sonata. In all cases, the exterior influences lead to deeply original and personal sonic galaxies. In that respect, the pieces presented here underline how identity results from a constant dialogue with our surroundings, ever changing and enriching our perceptions of ourselves and the world. © Pentatone
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Kamermuziek - Verschenen op 19 april 2019 | PentaTone

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
The Calder Quartet invites you on a journey from early to late Beethoven, passing through an exciting contemporary piece by Swedish composer Anders Hillborg along the way. Beethoven’s Op. 131 string quartet, that concludes this album, is already a great adventure in its own right, with its seven movements full of fugal writing, harmonic explorations, variations and passages filled with operatic drama. Hearing this late masterpiece together with the much more classical, but equally lively, Op. 18 no. 3 quartet opens our ears to the exceptional richness of Beethoven’s musical universe. Hillborg’s Kongsgaard Variations reveals unexpected sonic relationships to Beethoven’s variation technique, underlining the modernity of the older composer. This all leads to a program that is lively, layered and ravishingly beautiful. Hailed as one of the most exciting classical music groups of the United States, the Calder Quartet now presents the first fruit of its exclusive collaboration with Pentatone. © Pentatone