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Missen, passies, requiems - Verschenen op 10 maart 2017 | SDG

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Award - Gramophone Record of the Month - 5 Sterne Fono Forum Klassik
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Missen, passies, requiems - Verschenen op 7 oktober 2013 | harmonia mundi

Hi-Res Booklet Onderscheidingen Choc de Classica - Choc Classica de l'année - Hi-Res Audio
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Missen, passies, requiems - Verschenen op 18 maart 2016 | Musique en Wallonie

Booklet Onderscheidingen Diapason d'or - Gramophone Award - Gramophone Editor's Choice
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Missen, passies, requiems - Verschenen op 6 november 2014 | Lauda

Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
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Missen, passies, requiems - Verschenen op 6 november 2015 | SDG

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica
For his new recording of this monument to Bach, John Eliot Gardiner is limited to a light chamber orchestra (obviously the English Baroque Soloists, founded here 37 years ago by Gardiner!), a choir of reasonable size (the Monteverdi Choir, same remark...), and a meticulous - but above all, calm - conducting of the articulations, phrases and lines, almost like a kind of chamber opera. The tempos are rather upbeat, like baroque music back in its heyday - the perfect balance between respecting history and the quest for beauty of sound. Gardiner has nothing dogmatic - making this new recording a particularly welcome perspective among the ample discography(yet unsatisfactory) of this Mass en si. © SM / Qobuz
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Missen, passies, requiems - Verschenen op 27 maart 2015 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Missen, passies, requiems - Verschenen op 24 maart 2015 | Phi

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Missen, passies, requiems - Verschenen op 16 maart 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
Mass by Bernstein, first performed in 1971, defies classification. It is not really a mass in the strict sense, but more of a kind of deconstruction of a traditional mass; after all, the full title is MASS: A Theatre Piece for Singers, Players, and Dancers and the theme resembles a divine service which turns sour before finally discovering universal peace. At the outset, the world seems to be at one, but then "street musicians" begin questioning the need for, or even the very existence of, a god. Cacophony reigns until the cataclysmic elevation of the host, when finally peace breaks out, when the Celebrant brings everyone together around the holy spirit, before intoning a final "go in peace". Bernstein's score brings together all the myriad elements of 20th century music: jazz, blues, rock, Broadway, expressionism, dodecaphonism, modernism with a hint of Britten, street music, fanfares, classical song mixed with rock and jazz voices and Gospel recitations: a veritable Tower of Babel which is hard even to list in a single breath. But Yannick Nézet-Séguin can be trusted to knit all these disparate elements together. Note also that this is a live concert recording, with a breathtaking spatial distribution. Putting history aside, the FBI – never one to miss out on a chance to look ridiculous – decided that Mass was pacifist, anti-establishment propaganda and begged Nixon to boycott its opening night. After all, the work had been commissioned by Jackie Kennedy for the inauguration of the Washington Kennedy Center for the Arts, when America was in the middle of its Vietnamese quagmire...© SM/Qobuz
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Missen, passies, requiems - Verschenen op 25 maart 2014 | Ramée

Hi-Res Booklet Onderscheidingen Choc de Classica - Hi-Res Audio
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Missen, passies, requiems - Verschenen op 24 maart 2017 | Ricercar

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Missen, passies, requiems - Verschenen op 15 augustus 2007 | harmonia mundi

Onderscheidingen Diapason d'or - 4F de Télérama
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Missen, passies, requiems - Verschenen op 8 september 2014 | Paradizo

Hi-Res Booklet Onderscheidingen 4F de Télérama - Choc de Classica
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Missen, passies, requiems - Verschenen op 17 maart 2017 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
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Missen, passies, requiems - Verschenen op 1 maart 2019 | Aparté

Hi-Res Booklet Onderscheidingen 4F de Télérama
Fauré's Requiem, “funeral lullaby” written for enjoyment as the composer put it, has a unique place in history. It's soft, simple and modest poetry conveys moments of gentle contemplation and moving expressiveness which are entrusted to both the choir and the two soloists. With his Ensemble Aedes and the orchestra Les Siècles, Mathieu Romano is committed to render a Requiem faithful to its first performance. We hear thus the score in its original 1893 orchestration, where the organ plays a great role, and where Latin is pronounced in the French way as it used to be. The clearest articulation of the Ensemble Aedes then perfectly fits Éluard’s Figure humaine set to music by Francis Poulenc. We have never heard these sublime poems sung with such intelligibility before! Finally, the three Songs by Debussy elegantly close the album. Here again, the quality and clarity of the voices are stunning. Artistic director and founder of Ensemble Aedes has established himself as a magician of voices in a cappella scores. And voices ideally melt with the strings of Les Siècles under his baton. A 100% French cast in a 100% French music disc for a triple rediscovery. Essential! © Aparté
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Missen, passies, requiems - Verschenen op 25 maart 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4 étoiles de Classica
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Missen, passies, requiems - Verschenen op 30 november 2018 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen 5 de Diapason
Messa per Rossini is a Requiem Mass resulting from the assembly of thirteen parts written by thirteen different composers. Shortly after Rossini's death in 1868, Verdi addressed Ricordi: "To honour the memory of Rossini I would wish the most distinguished Italian composers to compose a Requiem Mass to be performed on the anniversary of his death. I would like no foreign hand, no hand alien to art, no matter how powerful, to lend his assistance. In that case, I would withdraw at once from the association. If I were in the good graces of the Holy Father, I would beg him to allow, at least this once, women to take part in the performance of this music, but since I am not, it would be best to find a person more suitable than I to achieve this end." The composition was completed in the summer of 1869, but the hearing was cancelled... due to sinister political disputes. Verdi resumed his own contribution, the Libera me conclusive, in a revised form for his own Requiem; the comparison of the two movements, the original for Rossini and the definitive for Verdi's Requiem, is a fascinating exploration of the Verdian laboratory and evolution. The other twelve composers have hardly passed the test of posterity, but it is extremely interesting to see what was then being done in the Italian sacred domain. The Mass for Rossini, which had fallen into oblivion, was only rediscovered in the 1970s and (re)created in 1988. Here we find Riccardo Chailly at the helm with the La Scala of Milan orchestra and choir as well as four leading Italian soloists. © SM/Qobuz
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Missen, passies, requiems - Verschenen op 1 oktober 1990 | Warner Classics International

Onderscheidingen The Qobuz Ideal Discography
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Missen, passies, requiems - Verschenen op 31 juli 2007 | harmonia mundi

Onderscheidingen The Qobuz Ideal Discography
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Missen, passies, requiems - Verschenen op 5 oktober 2018 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason
With this surround-sound recording of Berlioz’s Requiem, Edward Gardner and the Bergen Philharmonic Orchestra tackle the infinite and the immeasurable. All the grandiose, striking beauty of the Requiem’s large-scale ceremonial is encapsulated by first-class vocal and orchestral forces, fully utilising the spatial possibilities of Grieghallen in Bergen. The matching of space and sonority was one of Berlioz’s lasting obsessions, one experience in St Paul’s Cathedral in London throwing Berlioz into a delirium of emotion from which he took days to recover. His Grande Messe des morts, notorious for its requirement of four brass bands in addition to a large orchestra and chorus, taken here from live concerts, has often been seen as one of the most emotionally powerful works of its kind. Setting a solemn and austere, even ascetic text, the music is not that of an orthodox believer but of a visionary, inspired by the dramatic implications of death and judgement. © Chandos
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Missen, passies, requiems - Verschenen op 5 april 2019 | Rondeau

Hi-Res Booklet Onderscheidingen 5 de Diapason