Categories :

Albums

610 albums gesorteerd op Meest aanbevolen en gefilterd op Concertmuziek en € 10,00 tot € 20,00
HI-RES€ 15,99
CD€ 11,49

Concerten voor cello - Verschenen op 24 maart 2014 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4 étoiles de Classica - Exceptional sound - Hi-Res Audio
HI-RES€ 15,99
CD€ 11,49

Concerten voor cello - Verschenen op 24 maart 2014 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4 étoiles de Classica - Exceptional sound - Hi-Res Audio
HI-RES€ 15,99
CD€ 13,49

Concertmuziek - Verschenen op 21 oktober 2016 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4F de Télérama - Gramophone Award - 5 Sterne Fono Forum Klassik
HI-RES€ 24,99
CD€ 17,99

Concerten voor viool - Verschenen op 28 oktober 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Record of the Year - Gramophone Award - Choc de Classica - Choc Classica de l'année
"Not another complete recording of Mozart's violin concertos!", some might complain, and in absolute terms they wouldn’t necessarily be wrong. Except that this complete edition is signed by star violinist Isabelle Faust, accompanied by Il Giardino Armonico (who plays on instruments from Mozart’s time, including natural horns, nine-key bassoons, six-key flutes, two-key oboes), and – last but not least – the cadenzas are signed by Andreas Staier, since Mozart has left us no cadenzas for his violin concertos (unlike several piano concertos, as well as his Sinfonia concertante for violin and viola). Far from playing the star, Isabelle Faust prefers to blend in with the whole orchestra, a kind of primus inter pares attitude quite refreshing in this repertoire which, in fact, does not require so much emphasis of the part of soloist – the sound engineering and balance itself favours an overall sound rather than an opposition between solo violin and orchestra. This is a new and very original interpretation, whatever the abundant discography of these works may already be. In addition to the five concertos, Faust plays the three single movements for violin and orchestra – two Rondos and one Adagio – which are actually "spare" movements for one or the other of the concertos written on request for soloists of that time. One wonders what Mozart would have written had he had Isabelle Faust by his side! © SM/Qobuz
HI-RES€ 17,49
CD€ 12,49

Concerten voor viool - Verschenen op 23 september 2016 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Award - Gramophone Editor's Choice - Le Choix de France Musique
HI-RES€ 17,49
CD€ 12,49

Concerten voor klavier - Verschenen op 19 april 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Editor's Choice - Le Choix de France Musique
HI-RES€ 18,00
CD€ 11,99

Concertmuziek - Verschenen op 10 september 2018 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Exceptional sound - Hi-Res Audio
HI-RES€ 15,99
CD€ 13,49

Concerten voor klavier - Verschenen op 26 januari 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik - Preis der deutschen Schallplattenkritik
HI-RES€ 15,99
CD€ 13,49

Concerten voor viool - Verschenen op 7 september 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
CD€ 19,49

Concertmuziek - Verschenen op 10 november 2014 | Warner Classics

Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Editor's Choice - 4 étoiles de Classica
HI-RES€ 15,99
CD€ 11,49

Concerten voor cello - Verschenen op 30 maart 2016 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Choc de Classica - Exceptional sound
HI-RES€ 25,19
CD€ 17,99

Concerten voor viool - Verschenen op 15 maart 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
After the double album of the Violin and Harpsichord Sonatas with Kristian Bezuidenhout, here is the next instalment in a Bach recording adventure that began nine years ago with a set of the Sonatas and Partitas. Isabelle Faust, Bernhard Forck and his partners at the Akademie für Alte Musik Berlin have explored a multitude of other works by Bach: harpsichord concertos, trio sonatas for organ, instrumental movements from sacred cantatas etc. All are revealed here as direct or indirect relatives of the three monumental Concertos BWV 1041-43. This fascinating achievement is a timely reminder that the master of The Well-Tempered Clavier was also a virtuoso violinist! © harmonia mundi
HI-RES€ 18,99
CD€ 15,99

Concerten voor cello - Verschenen op 30 november 2018 | Sony Classical

Hi-Res Booklet Onderscheidingen 4F de Télérama - Diapason d'or / Arte - Le Choix de France Musique
Cellist Sol Gabetta and her almost-favourite pianist, Bertrand Chamayou, focus here on Schumann's all too rare repertoire for cello and piano. And once again, none of these pieces are intended a priori for cello, even though the original scores do propose the instrument as a possible alternative to the clarinet in Fantasy Pieces or the horn in Adagio and Allegro. It was only with Five Pieces in Folk Style that Schumann immediately thought of the cello! Here, Chamayou plays on a Viennese fortepiano by Streicher, dated from 1847 - three or four years after the composition of these three works. The Concerto for cello is accompanied by the Basel Chamber Orchestra, who also play on instruments from the romantic era, giving a more hushed yet incisive sound for the attacks. There’s more of an emphasis on the woodwind section as well, in contrast to the over-inflated string ensemble that so many modern orchestras offer up. © SM/Qobuz
HI-RES€ 23,09
CD€ 16,49

Concerten voor cello - Verschenen op 22 februari 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 5 Sterne Fono Forum Klassik
Cellist Ophélie Gaillard and Pulcinella Orchestra focus on Luigi Boccherini, Italian composer and first virtuoso cellist in history. Born in the Tuscany, Boccherini then went to the Court of Prussa and Spain. His musical education looks like a journey around Europe, as it used to be. Long eclipsed by the violin, star of the string instruments, the cello slowly fit in the eighteenth century repertoire thanks to composers who played the instrument themselves. The now famous Suites of Johan Sebastian Bach are the first master pieces composed for the cello. Then Luigi Boccherini strengthened its place in the musical creation, thus becoming to cello what Vivaldi was to the violin one generation earlier. With rhythms of dance from Andalusia and melodies dug along the streets of Madrid, Boccherini draws with notes his adopted country such as his contemporary Francisco Goya did with colours. This double album explores all the genres (concertos, sonatas, symphonies) and invites the gorgeous Sandrine Piau to perform Boccherini’s poignant Stabat Mater for string quintet and solo soprano. © Aparté/Little Tribeca
HI-RES€ 21,49
CD€ 14,99

Concerten voor klavier - Verschenen op 12 oktober 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - Choc de Classica
CD€ 13,49

Concerten voor cello - Verschenen op 18 januari 2019 | Warner Classics

Booklet Onderscheidingen Diapason d'or / Arte - Le Choix de France Musique - Choc de Classica
HI-RES€ 17,49
CD€ 12,49

Concertmuziek - Verschenen op 21 april 2017 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année
HI-RES€ 20,99
CD€ 13,99

Concertmuziek - Verschenen op 7 maart 2012 | ARTALINNA

Hi-Res Booklet Onderscheidingen Pianiste Maestro - 4 étoiles de Classica - Hi-Res Audio
HI-RES€ 17,49
CD€ 12,49

Concerten voor cello - Verschenen op 18 mei 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - 5 Sterne Fono Forum Klassik
After two albums which met with unanimous critical acclaim all over the world, the Resonanz Ensemble, based in Hamburg, is offering a recording dedicated to Carl Philipp Emanuel Bach: the Cello Concertos wq. 170 and Wq. 172, respectively from 1750 and 1753, and the Symphonie Wq. 173 of 1741. The listener will immediately note the radical difference in language between the two concertos, written after the death of Bach Senior, and the Symphony, written while he was still alive: the concertos keep their eyes firmly fixed on the nascent classical era, including the "Sturm und Drang" which still lay ahead (in this regard, the Concerto in A Minor which opens the album, full of force and melodic power, is an excellent example), whereas the Symphony takes the final throes of baroque as its point of departure. Cellist Jean-Guihen Queyras and the Resonanz Ensemble offer a crystal-clear reading, conducted by their new musical director in residence, violinist Riccardo Minasi: and coolly resist the vogue – which can be quite intrusive, or even dictatorial or exclusive – for period instruments, which seems to hold that any music before Mozart (and even sometimes Mozart too) may not be played on modern instruments. Queyras, Resonanz and Minasi are all able to make use of stylistic elements gleaned from the fashion for baroque. This is a very fine album, superbly played, which really brings out all the originality of Carl Philipp Emanuel Bach. © SM/Qobuz
HI-RES€ 17,49
CD€ 12,49

Concerten voor viool - Verschenen op 15 oktober 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - 4 étoiles de Classica
1720: in his famous pamphlet entitled ‘Fashionable Theatre’, the composer Marcello ironized the excesses of the new Venetian opera. This landmark pamphlet was published anonymously as Benedetto Marcello, under the fictional editorship of ‘Aldaviva Licante’ - undoubtedly an anagram of A. Vivaldi – ridiculing the operatic world of the time. It took on singers puffed up with pride, uneducated librettists, composers seeking dramatic effects, in short, everything that the musical world then thought about as original, unusual, new, experimental, shocking, weird, baroque, and, in a word, Italian! Vivaldi was one of Marcello’s favourite targets, continually lampooning the Red Priest and his virtuoso violin escapades. It is precisely these escapades that the violinist Amandine Beyer and the Gli Incogniti ensemble have chosen for their rich repertoire: detuned violin concertos (in the manner of Scordatura), violin ‘in tromba’, that is to say violin in a tone that betrays a scraped sound, not to mention more singular works in which Vivaldi leaves the soloist a freedom that gives real heart to the joy of improvisation. This is what really marks out Amandine Beyer, who performs in accordance with the habits of the composer, giving a clear, historical picture of her treatment of the ornaments. So, for the almost implausible Circus Maximus track, it is as if you were actually there, attending the Carnival of the year 1720! © SM/Qobuz