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Opera - Verschenen op 1 januari 2013 | Bru Zane

Hi-Res Booklet Onderscheidingen Diapason d'or - Diapason découverte - Grand Prix de l'Académie Charles Cros - Choc de Classica - Hi-Res Audio
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Wereldlijke vocale muziek - Verschenen op 8 april 2014 | Phi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Hi-Res Audio
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Wereldlijke vocale muziek - Verschenen op 9 september 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Award - 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Religieuze vocale muziek - Verschenen op 26 augustus 2013 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica - Qobuzism - Hi-Res Audio
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Kwartetten - Verschenen op 17 oktober 2014 | CAvi-music

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Le Choix de France Musique - 4 étoiles de Classica
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Opera - Verschenen op 1 januari 2013 | Bru Zane

Hi-Res Booklet Onderscheidingen Diapason d'or - Révérence de l'Avant-Scène Opéra - 4 étoiles de Classica - Hi-Res Audio
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Concerten voor cello - Verschenen op 18 mei 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - 5 Sterne Fono Forum Klassik
After two albums which met with unanimous critical acclaim all over the world, the Resonanz Ensemble, based in Hamburg, is offering a recording dedicated to Carl Philipp Emanuel Bach: the Cello Concertos wq. 170 and Wq. 172, respectively from 1750 and 1753, and the Symphonie Wq. 173 of 1741. The listener will immediately note the radical difference in language between the two concertos, written after the death of Bach Senior, and the Symphony, written while he was still alive: the concertos keep their eyes firmly fixed on the nascent classical era, including the "Sturm und Drang" which still lay ahead (in this regard, the Concerto in A Minor which opens the album, full of force and melodic power, is an excellent example), whereas the Symphony takes the final throes of baroque as its point of departure. Cellist Jean-Guihen Queyras and the Resonanz Ensemble offer a crystal-clear reading, conducted by their new musical director in residence, violinist Riccardo Minasi: and coolly resist the vogue – which can be quite intrusive, or even dictatorial or exclusive – for period instruments, which seems to hold that any music before Mozart (and even sometimes Mozart too) may not be played on modern instruments. Queyras, Resonanz and Minasi are all able to make use of stylistic elements gleaned from the fashion for baroque. This is a very fine album, superbly played, which really brings out all the originality of Carl Philipp Emanuel Bach. © SM/Qobuz
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Klassiek - Verschenen op 10 februari 2017 | Ricercar

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice
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Religieuze vocale muziek - Verschenen op 29 april 2016 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - 4 étoiles de Classica
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Klassiek - Verschenen op 8 mei 2013 | Paraty Productions

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles de Classica - Hi-Res Audio
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Klassiek - Verschenen op 17 juni 2013 | Vogue

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica - Hi-Res Audio
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Klassiek - Verschenen op 28 april 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
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Klassiek - Verschenen op 1 januari 2011 | Universal Music Division Decca Records France

Hi-Res Booklet Onderscheidingen 4F de Télérama - Exceptional sound - Hi-Res Audio
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Religieuze vocale muziek - Verschenen op 23 oktober 2012 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - 5 de Diapason - Hi-Res Audio
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Symfonische muziek - Verschenen op 17 maart 2016 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
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Piano solo - Verschenen op 1 oktober 2015 | CAvi-music

Hi-Res Booklet Onderscheidingen 4F de Télérama - 4 étoiles de Classica - 5 Sterne Fono Forum Klassik
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Volledige opera's - Verschenen op 9 februari 2018 | Cypres

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
Nineteen musicians in the pit, three on stage; resolutely tonal music in a straight line of succession running from Stravinsky, Prokofiev, Martinů, Weill; French lyrics more declaimed than sung - by, happily, Francophone singer-actors led by Stéphane Degout, Vincent Le Texier, Yann Beuron and Chloé Briot: this is the framework that Philippe Boesmans chose for his latest opera Pinocchio, recorded live at La Monnaie in Brussels. The script is the work of Joël Pommerat, and it aims for an hour and fifteen of the quasi-melodrama based on the style which was in vogue in the 19th century in which to showcase the baffling musical richness of Collodi's work: and with immense success, it must be said. Pommerat is not necessarily looking to write a purely lyrical Pinocchio, but rather to develop an opera within an opera, using Brecht's favoured method of defamiliarisation, a sort of play-within-a-play, where "real" events alternate with narrative description of what's happening or about to happen. This is, without a shadow of a doubt, a major work for the contemporary scene, a worthy 21st-century successor to the Magic Flute and its fantasy world, immersive, and full of illusions, prisms and invitations to new readings: in short, a masterpiece. And it can hardly come as a surprise that the subject hasn't drawn the attention of more composers since it first appeared in 1881, as only cinema and television have really taken it seriously (and Disneyesque animations, heaping on the sugar), with the exception of Jonathan Dove's unique 2007 work, The Adventures of Pinocchio © SM/Qobuz
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Volledige opera's - Verschenen op 2 september 2016 | Ediciones Singulares

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Choc de Classica
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Volledige opera's - Verschenen op 5 april 2019 | Glossa

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
With Les Indes galantes by Jean-Philippe Rameau, György Vashegyi – along with his Orfeo Orchestra and Purcell Choir – makes a further dazzling addition to their Glossa series of French dramatic masterpieces from the Baroque, and in the company of a luxurious line-up of vocal soloists. The version of this “ballet heroïque” – supplied with an anti-colonial, anti-clerical manifesto by librettist Louis Fuzelier – selected by Vashegyi is the 1761 revision, a mere decade or so before the irruption onto the Parisian musical scene of the likes of Gluck and Grétry. Rameau’s score had undergone frequent adjustments and improvements since its première a quarter of a century earlier, and the performing edition for this recording, prepared for the Rameau Opera Omnia by Sylvie Bouissou (who also provides a booklet essay here), offers a vision of this work which is more theatrical, fluid and concise than hitherto. Just in themselves, the names of Chantal Santon-Jeffery, Katherine Watson, Véronique Gens, Reinoud Van Mechelen, Jean-Sébastien Bou and Thomas Dolié (sharing out the dozen solo roles) augur well for a glorious exploration of the prologue and three entrées ahead. Recently, they have also, in conjunction with the Centre de Musique Baroque de Versailles, been working on questions of tempo and how to perform Rameau’s sequences as the composer intended. Vashegyi brings a consummate understanding of Rameau’s galante style to the proceedings, following two previous Ramellian Glossa outings (Naïs and Les Fêtes de Polymnie). © Glossa
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Klassiek - Verschenen op 15 mei 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - Exceptional sound