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Klassiek - Verschenen op 1 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
After having released his complete recording of Mozart’s Sonatas and collaborated with the singer Mark Padmore (Beethoven, Schubert, Schumann), Kristian Bezuidenhout continues to expand his discography with Joseph Haydn this time. Under the record label Harmonia Mundi, the South-African pianist emphasizes the whimsical and fanciful elements of a selection of Haydn’s works that were influenced by Carl Philipp Emanuel Bach, a composer from whom he learnt a lot and described with a certain fondness. Here, the Sonata in C major (Hob. XVI:48) is halfway between the Variations on a Theme and a totally unbridled fantasy, whereas the Sonata in C minor (Hob.XVI:20) unlocks the full dramatic potential of keyboard music. The later works on this album are contrasted with earlier ones such as the charming and spirited Sonata in G major (XVI:6) which is followed by two sequences of variations. This repertoire showcases Haydn’s inexhaustible creative energy as well as his ability to reinvent himself with each of his works. The performer relishes the performance here, playing on a Paul McNulty fortepiano modelled on an Anton Walter Viennese piano from 1805. © François Hudry/Qobuz
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Piano solo - Verschenen op 17 mei 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
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Symfonieën - Verschenen op 10 mei 2019 | Berlin Philharmonic Orchestra

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Klassiek - Verschenen op 8 februari 2019 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
Contrary heroes: Mazeppa and Sardanapalo performed by Karabits and the Weimar Staatskapelle. Sardanapalo, who prefers wine and concubines to politics and warfare, and Mazeppa, who dies with glory, having endured pain and humiliation: dramatic literary models, impressively set to music by Franz Liszt. Written at the same time, these works represent Liszt's ideas striving to unite literature and music, on the one hand modernising Italian opera and on the other advancing towards the symphonic poem in his orchestral writing. The Sardanapalo manuscript comprises the first act. For 170 years the material lay dormant in the Goethe and Schiller archive in Weimar: it was only in 2017 that David Trippett deciphered, edited and orchestrated the manuscript at the University of Cambridge. © Audite
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Klassiek - Verschenen op 25 januari 2019 | Rubicon Classics

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
With the shadow of the Second World War hanging over a fractured Europe, revolutionary musical change was taking place, nowhere more so than in Paris in 1945. At first glance, combining Boulez, Dutilleux and Messiaen in a single programme may seem an uneasy balance, given the tensions between them, in-light of their divergent compositional paths. Nevertheless a great deal of mutual respect and admiration existed between them as they each established themselves as major creative forces. Boulez remained very attached to his former teacher Messiaen, and in his role as a conductor has done much to champion the latter’s music. Dutilleux also revered Messiaen as both a good friend and a musician, and has also praised much of Boulez’s work. It is in this context that this album seeks to illuminate their intriguing development across the second half of the century, by placing major works from each composer alongside shorter sketches. © Rubicon