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Kamermuziek - Verschenen op 5 oktober 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Volledige opera's - Verschenen op 7 juni 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
While Mozart was largely overlooked in the French capital, Antonio Salieri took on the reigns of the Académie Royale de Musique (Paris Opera), a fruitful collaboration that was completely broken up by the French Revolution. After the success of his work Les Danaïdes, composed for Paris in 1784, Salieri worked tirelessly with Beaumarchais, spurred on by the success and scandal of his Figaro, on a new project which would become Tarare. Beaumarchais moved himself shamelessly toward stardom, skillfully self-promoting and attending rehearsals so as to assure that the orchestra played pianissimo to emphasize the primacy of his verse during performances. Beaumarchais found that the music was too overwhelming to “embellish the lyrics”.Created one year after Mozart’s The Marriage of Figaro (which was relatively well-received in Vienna before triumphing in Prague), Tarare was an immense success in Paris maintaining the status of the composer’s repertoire despite the political turmoil of the time before disappearing from view around 1826, thereon ceasing to be played. Beaumarchais’ words were immediately adapted into Italian by Lorenzo Da Ponte to be performed and met with equal success in Vienna. Tarare is half lyrical tragedy, half comic opera with a hint of orientalism.After resuscitating Les Danaïdes and Les Horaces, Christophe Rousset finished off his series of recordings dedicated to Salieri’s French operas for the Parisian public. Tarare is very much of its time, that of the Lumières, and used the power of art to challenge despotism in all its forms. Thanks to Christophe Rousset’s excellent delivery and lively direction, this recording enables one to judge the merits of the composition and the chasm that separates an honest and talented musician from a solitary and impassioned one like Mozart. © François Hudry/Qobuz
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Kwartetten - Verschenen op 11 januari 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Piano solo - Verschenen op 22 februari 2019 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
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Klassiek - Verschenen op 26 april 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
London in the 1730s. Musical life was flourishing around the figure of Handel. The Saxon composer also served as director; at the height of his fame, he surrounded himself with the finest London musicians, and was joined by many foreign composers to occupy the long breaks between the acts of his lyric works. Their musical interludes accompanied lavish dinners, during which Mr Handel escaped from the pit to indulge his gourmet tendencies. Quite a programme! © harmonia mundi
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Piano solo - Verschenen op 5 oktober 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
A century after his death on 25 March 1918, many harmonia mundi artists are eager to pay tribute to Claude Debussy, the magician of melody and timbre, the great 'colourist' and father of modern music. After Rachmaninoff's Preludes, Nikolai Lugansky wanted to present a finely nuanced portrait of this composer so fond of travelling! Whether it ranges over time (Hommage à Haydn) or the most vividly imagined open spaces, this freely composed programme is concerned above all with light and colour, in works we can never tire of. © harmonia mundi
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Symfonieën - Verschenen op 10 mei 2019 | Berlin Philharmonic Orchestra

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Klassiek - Verschenen op 8 maart 2019 | Mirare

Hi-Res Booklet Onderscheidingen 4F de Télérama
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Kamermuziek - Verschenen op 12 april 2019 | NoMadMusic

Hi-Res Booklet Onderscheidingen 4F de Télérama
A is for “Amadeus,” and a recording which marks a return to the source for Quatuor Zaïde, who dedicate their fourth collection to the genius Austrian composer. Z is for Zaïde, a “Singspiel” by Mozart in the style of Die Zauberflöte, which historical transcription for string quartet is a world premiere! Paired with the Quartet in G Major, No. 14, K. 387, this miniature version of one of the most famous operas repeatedly casts each instrument of the quartet in a multitude of lyric roles, celebrating the eternal dialogue between singing and playing. © Nomadmusic
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Kamermuziek - Verschenen op 29 maart 2019 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
Frescobaldi brilliantly combines improvisation and architecture. These qualities resonate with the discography of harpsichordist Christophe Rousset, whose choice of repertoire and interpretation are adventurous and serious at the same time. Frescobaldi’s counterpoint goes along with the finest art of singing, inherited from the Italian madrigal, and the flexibility of his language highlights the virtuosity of his compositions. Christophe Rousset recorded toccate and partite on a beautiful and original harpsichord of the late 16th century. Its sound faithfully testifies for the significant place of this First Book of harpsichord pieces in the nascent modernity of Frescobaldi. If the modal harmonies are still old-fashioned, the free beat and subtle melodies make it an indisputable baroque master, admired from Italy to France and Germany: Bach is said to have had a copy of his Fiori musicali! This new disc by Christophe Rousset reveals the first treasures composed specifically for the harpsichord. Its repertoire was served from the beginning by musicians whose expressive boldness recalls in a musical way Caravaggio’s chiaroscuro. © Aparté
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Klassiek - Verschenen op 26 april 2019 | Audax Records

Hi-Res Booklet Onderscheidingen 4F de Télérama
Ensemble Diderot continues to explore the development and dissemination of the trio sonata in baroque Europe with this exciting new release. Entirely dedicated to works from the era after Lully’s death, this album celebrates the newly found freedom at the time when composers started to combine French style with transalpine ardour. Johannes Pramsohler and his musicians bring their usual precision, passion and energy to this programme packed with new discoveries. © Audax
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Klassiek - Verschenen op 26 april 2019 | Audax Records

Hi-Res Booklet Onderscheidingen 4F de Télérama
Five years after their celebrated Dresden Album, Johannes Pramsohler and his colleagues of Ensemble Diderot continue their journey exploring the trio sonata in baroque Europe with a programme dedicated to works from Purcell’s London. Through a combination of well-known works and world premieres they show how English composers used the new Italian form as a vehicle for their creative output and how easily foreign composers picked up the English idiom to create chamber music that could hardly be more profound and expressive. © Audax
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Trio´s - Verschenen op 3 mei 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
Rachmaninoff's output of chamber music is small but all the more precious for that. Two absolute gems bear witness to the fact: these ‘elegiac trios’, which were produced by a young composer still indisputably under the influence of Tchaikovsky. But Rachmaninoff’s personality is already fully present, reaching heights of emotion and expressiveness. The pieces by Suk and Grieg add a further touch of character to the picture, which is painted with an exceptionally rich palette: the artistry of the phenomenal Trio Wanderer! © harmonia mundi
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Klassiek - Verschenen op 8 februari 2019 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
Contrary heroes: Mazeppa and Sardanapalo performed by Karabits and the Weimar Staatskapelle. Sardanapalo, who prefers wine and concubines to politics and warfare, and Mazeppa, who dies with glory, having endured pain and humiliation: dramatic literary models, impressively set to music by Franz Liszt. Written at the same time, these works represent Liszt's ideas striving to unite literature and music, on the one hand modernising Italian opera and on the other advancing towards the symphonic poem in his orchestral writing. The Sardanapalo manuscript comprises the first act. For 170 years the material lay dormant in the Goethe and Schiller archive in Weimar: it was only in 2017 that David Trippett deciphered, edited and orchestrated the manuscript at the University of Cambridge. © Audite
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Duo´s - Verschenen op 26 april 2019 | Mirare

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 8 februari 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
With both of their lives cut short before they reached forty years of age, one from tuberculosis and the other from syphilis, the piano sonatas that Weber and Schubert left behind have either long been forgotten or are unheard of among pianists and the public. Luckily, this has been rectified for Schubert’s works thanks to pioneering pianists such as Artur Schnabel and Wilhelm Kempff, but more must be done for the works of Carl Maria von Weber who is still primarily known for his opera Der Freischütz (The Marksman). It takes an exceptional musician to bring forgotten music back to life and that is exactly what Paul Lewis does in this new album after having previously released fantastic interpretations of Beethoven and Schubert under the same French record label, Harmonia Mundi. Weber was around at the same time as Beethoven and was one of the first piano virtuosos from the beginning of the 19th century. His dazzling technique can be heard in this Sonata No.2 in A flat major which is both a virtuosic and a classic work that opened the door to romanticism for many other composers thereafter. The Sonata in B major, D 575 is actually from the same year that Schubert celebrated his twentieth birthday and sought independence from his parents to become a prolific composer, despite all the risks that came with a career as an independent artist at that time. This captures the beginning of romanticism and is an original and exciting pairing between two composers who appreciated each other’s work, but whose styles were diametrically opposed: the bright lights and panache for Weber and the melancholy soul for Schubert. © François Hudry/Qobuz
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Kamermuziek - Verschenen op 5 april 2019 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 7 juni 2019 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
Andrea Lucchesini’s career continues discreetly in the shadow of more mediatized Italian pianists. The star pupil, like Nelson Goerner, of the great Maria Tipo, Lucchesini has invested a lot of his time into concerts and recording. After becoming known for his interpretations of Luciano Berio’s music, in particular his concerto Echoing Curves directed by the composer himself, he has recorded the integrity of Beethoven’s sonatas for the label Stradivarius.Over the last few years, Lucchesini has concentrated on Schubert, “my great love”, he calls him. These two very different composers on the cusp of romanticism fascinate Andrea Lucchesini who presents here his first volume dedicated to the late works of Schubert. These works were written at a time when the composer of Lieder returned to composing sonatas amidst greats like Beethoven who also coincidentally lived in the same town.For Lucchesini, Schubert remains an enigma. The man left behind almost no written documents, he never stayed put in one precise residence and no one could understand his shyness, agitation, nor his latent homosexuality. “Rediscovering his final works”, says Andrea Lucchenini, “showed me the difference between the artist who entertained his friends and the composer who worked in solitude without any prospect of being published nor played.” Such solitude that longs to break free can be heard clearly in this album, particularly in the interpretation of Andantino of Sonata D. 959 through which troubling phantoms move. © François Hudry/Qobuz
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Piano solo - Verschenen op 19 oktober 2018 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 23 november 2018 | Rubicon Classics

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik