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Symfonische muziek - Verschenen op 8 februari 2019 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice
Without question the figurehead of classical Brazilian music will always be Villa-Lobos. But of course, that’s not counting his friend and unfaltering mentor, Alberto Nepomuceno, the man who founded the country’s national music school. With the encouragement of Edvard Grieg, from the 1890s Nepomuceno began to explore traditional popular music in Brazil and tentatively began to incorporate it into his compositions. As time went by, he did so more and more boldly and Villa-Lobos then picked up where he left off, building on the foundations he had laid. None other than Richard Strauss conducted the opening of his O Garatuja (which is featured on this album) at the Rio Opera during his first tour of South America, just a few days before the composer’s untimely death. His Série Brasileira from 1897 paved the way for many of the Brazilian styles that later emerged, such as for Milhaud who took themes directly from music on the streets at the time and incorporated a wide variety of percussion instruments into his music. This is an impeccable orchestral composition and a testament to the excellent teaching Nepomuceno received during his long period in Europe – in Germany he conducted the Berlin Philharmonic playing two of his works, in Austria he had a famous encounter with Mahler, in France he became friends with Debussy, Saint-Saëns and Indy and he also went to Norway, Switzerland and Belgium. Here, his music is performed by a very impressive orchestra based in Belo Horizonte called the Philharmonic Orchestra of Minas Gerais. © SM/Qobuz
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Concerten voor viool - Verschenen op 10 mei 2019 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
Brahms’ string concertos are indissolubly linked with the musicians for whom the works were written. He wrote his Violin Concerto for Joseph Joachim, and in it he combined what a contemporary critic termed ‘the great and serious’ with songful lyricism, melodic beauty, and a fiery Hungarian finale. To mend a breach with the violinist, Brahms later composed a concerto with the unusual combination of violin and cello, the latter played at the premiere by Joachim’s colleague Robert Hausmann. Neither instrument predominates in a work of reconciliation that embodies both drama and reflection. © Naxos
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Kamermuziek - Verschenen op 23 november 2018 | Indésens

Hi-Res Booklet Onderscheidingen Choc de Classica
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Elektronische muziek of Musique Concrète - Verschenen op 8 februari 2019 | YELLOWELECTRIC

Hi-Res Onderscheidingen Pitchfork: Best New Music
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Klassiek - Verschenen op 16 november 2018 | Deutsche Grammophon (DG)

Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 22 maart 2019 | Wergo

Booklet Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 12 april 2019 | Naxos

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Klassiek - Verschenen op 23 november 2018 | Musigram

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Klassiek - Verschenen op 15 februari 2019 | Warner Classics

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Klassiek - Verschenen op 14 december 2018 | Indésens

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Klassiek - Verschenen op 11 januari 2019 | Naxos

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Klassiek - Verschenen op 23 mei 2019 | Armasi

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Klassiek - Verschenen op 20 februari 2019 | Urban

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Klassiek - Verschenen op 16 februari 2019 | Armasi

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Klassiek - Verschenen op 12 april 2019 | Warner Classics

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Klassiek - Verschenen op 16 november 2018 | Warner Classics

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Klassiek - Verschenen op 20 april 2019 | Armasi

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Klassiek - Verschenen op 14 december 2018 | Arts & Crafts Productions Inc.

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Klassiek - Verschenen op 7 december 2018 | Naxos

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Klassiek - Verschenen op 14 juni 2019 | Naxos

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