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Klassiek - Verschenen op 5 april 2019 | audite Musikproduktion

Hi-Res Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 17 mei 2019 | TICO Classics

Onderscheidingen 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 16 november 2018 | harmonia mundi

Hi-Res Booklet
The famous Ballet Royal de la Nuit, danced on by Louis XIV when he was fifteen years old, was performed at the Louvre in 1653 over seven evenings. It was a complete success: Mazarin, back from exile after the Fronde, wanted to make an impact with this ballet he had conducted himself: the goal was to impose respect for the aristocracy, impress Parisians, and spread the royal message through the ambassadors. Without a doubt, the Ballet Royal de la Nuit was one of the most striking spectacles of Louis XIV’s reign, on many levels: politically, institutionally, aesthetically, and musically. For the first time, a score had been built around four parts and a final ballet with everything working towards the same objective: staging a sunrise. The King himself danced, as well as his brother and several Dukes. Characters, scenes, decors and costumes perfectly encapsulate the Great Century. Each verse alternates between whimsical, serious, comic, burlesque, mythological, and Romanesque. As previously mentioned the objective is to impose a royal figure above all others, whilst creating a never seen proximity between the monarch and his subjects. With each part, ladies of the court, hunters, gods, bandits, cripples, soldiers, Egyptians, etc. coexist freely. The show highlights everything that goes on at night, when the good people are asleep. The message is clear: ”The Sun that follows me is the young Louis!”, and yet, after 1653, the Ballet Royal de la Nuit was never performed again. On top of this, the ballets partition – authored by several composers as it was a collective work – was lost with the exception of the first violin part, copied by Philidor a few decades later. However, the vocal music was retrieved, as well as the score. The work had to be pieced back together, a colossal task: this is a “pastiche” in the historic meaning of the word, but fantastically convincing. The excellent accompanying booklet for this wonderful recording by Sébastien Daucé and his Correspondances Ensemble cites all the sources that were used for the reconstitution. © SM/Qobuz
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Klassiek - Verschenen op 19 juli 2019 | harmonia mundi

Booklet
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Kamermuziek - Verschenen op 3 mei 2019 | audite Musikproduktion

Hi-Res Booklet
After forays to Spain and France, the Cheng2 Duo ventures to Russia for their third audite album. The "Süddeutsche Zeitung" described Bryan and Silvie Cheng's last CD, dedicated to Spanish music, as an "event of austere and severe, but also dreamy beauty", and praised the siblings' interpretation for "finding the correct idiom which manages to raise the temperature". Their new double album centres on the three great sonatas for cello and piano by Dmitri Shostakovich, Sergei Rachmaninov and Sergei Prokofiev. The Cheng2 Duo contrasts these with a series of shorter pieces by Anton Arensky, Piotr Ilyich Tchaikovsky and Alexander Glazunov. This comprehensive programme represents a short history of Russian cello music which began with the foundation of the great music conservatoires in Saint Petersburg and Moscow in the middle of the nineteenth century. Cellist Bryan Cheng is hailed internationally for his "absolutely astonishing" (La Presse, Montréal) command of the cello, and "abundant facility, innate musicality, and sense of joy" (New York Concert Review). He made his solo debut at age 10 with the Orchestre de chambre I Musici de Montréal, his Carnegie Hall recital debut at 14, and most recently, his Elbphilharmonie solo debut with the Deutsche Kammerphilharmonie Bremen and conductor Joshua Weilerstein in 2018. Lauded for her "extraordinarily varied palette" (WholeNote Magazine) and "purely magical" playing (New York Concert Review), pianist Silvie Cheng illuminates musical works with her exquisite touch at the keyboard. Since her Carnegie Hall solo debut in 2011, she has performed as both soloist and collaborative pianist across the globe. As guest soloist with orchestra, Silvie most recently made her debut with the New Amsterdam Symphony Orchestra in 2018 and will debut with Symphony Nova Scotia in the 2019-20 season. © Audite
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Klassiek - Verschenen op 31 mei 2019 | Queen Elisabeth Competition

Hi-Res Booklet
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Klassiek - Verschenen op 1 augustus 2019 | Ameritz Music Ltd

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Klassiek - Verschenen op 22 juli 2019 | Ameritz Music Ltd

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Klassiek - Verschenen op 26 augustus 1993 | iM Maggini Quartet - Coull String Quartet - R.B

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Klassiek - Verschenen op 15 juni 2019 | Gerung-Arts&Music

Klassiek - Verschenen op 15 maart 2019 | Bechstein Classic

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Klassiek - Verschenen op 6 april 2019 | iM Patrick Kaloust ASLANIAN

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Vocale muziek (wereldlijk en religieus) - Verschenen op 18 oktober 1993 | iM Jose Luis Ocejo

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Klassiek - Verschenen op 18 juli 2019 | Ameritz Music Ltd

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Klassiek - Verschenen op 1 december 2018 | Musikproduktion Dabringhaus und Grimm

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Klassiek - Verschenen op 15 juli 2019 | Ameritz Music Ltd

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Klassiek - Verschenen op 4 juli 2019 | Ameritz Music Ltd

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Klassiek - Verschenen op 3 mei 2019 | Costa Records

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Klassiek - Verschenen op 1 januari 1992 | iM R.B - Jose Manuel Azcue - David Hoyland

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Vocale muziek (wereldlijk en religieus) - Verschenen op 1 januari 1991 | iM David van Asch - R.B

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