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Moderne jazz - Verschenen op 5 april 2019 | Blue Note Records

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When trumpet player Terence Blanchard calls you the Art Blakey, Elvin Jones and Tony Williams of your generation, crowds will inevitably gather. Four albums later (The Source in 2006, Reverance in 2010, Conviction in 2013 and We Are the Drum in 2015), Kendrick Scott had not yet made a name for himself like the three aforementioned artists. However, many considered the Texan graduate of Berklee College, Boston as one of the most exciting drummers of his generation. This is confirmed with A Wall Becomes a Bridge, his second record for Blue Note. This time, Oracle, his four-piece group is composed of Taylor Eigsti on keys, Mike Moreno on guitar, John Ellis on saxophone and bass clarinet, Joe Sanders on bass, and even a DJ, Jahi Sundance. A supplementary touch of soul’n’groove mixed with exquisite post-bop highlights in particular the harmony between these two styles. Once again, Kendrick Scott has had the foresight not to be tempted to direct his sole attention to his instrument of preference. Much like “We Are the Drum”, this 2019 work is not the great work of a drummer. But simply a great work of music. © Clotilde Maréchal/Qobuz
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Moderne jazz - Verschenen op 26 april 2019 | Sekito

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No point in checking if Alfa Mist has read all of Roland Barthes, the guru of structuralism... Behind his keyboards, the Brit designed his album Structuralism with a more modest objective: “I have been affected by my environment. My upbringing has shaped me in a way where I do not know how to communicate. Structuralism is about, “I am who I am” because of the structure of society I grew up into. Now I need to learn how to communicate.” What Alfa Mist communicates very well with his second album is an innate sense of soft groove and a vital need for exchange. Yet another proof of the strength of today's British jazz scene, which flourishes in soul, funk and hip hop, the latter being the first chapter of the young musician's saga. After spending his days making beats for grime and rap prods, the Londoner discovers jazz through samples and decorates both J Dilla's albums and those of Miles Davis and even Hans Zimmer-composed soundtracks, one of his great idols. Above all, Alfa Mist is self-taught and immersed in the world of piano and keyboards. With Structuralism, he draws, with the help of a Fender Rhodes and a classical piano, the contours of a melancholic and voluptuous soul jazz. An atmospheric groove under influenced by Herbie Hancock/Robert Glasper, which he sculpts with his collaborators Johnny Woodham the trumpeter, drummers Peter Adam Hill and Jamie Houghton, guitarist Jamie Leeming, bassists Kaya Thomas-Dyke and James Rudi Creswick, violinists Katie Neaves, Simmy Singh and Lucy Nolan and cellist Peggy Nolan, not forgetting Jordan Rakai on the song Door. All in all, this pastel-tinted score (no slapped bass or double drums for Alfa Mist!) confirms the talents of a musician that’s certainly one to watch. © Marc Zisman/Qobuz
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Moderne jazz - Verschenen op 29 maart 2019 | Ilona Records

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Moderne jazz - Verschenen op 5 april 2019 | 22a Music

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Moderne jazz - Verschenen op 26 april 2019 | Whirlwind Recordings

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Moderne jazz - Verschenen op 29 maart 2019 | Peninsula Music

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Moderne jazz - Verschenen op 26 april 2019 | O-tone

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Moderne jazz - Verschenen op 3 mei 2019 | jazz family

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Moderne jazz - Verschenen op 12 april 2019 | Signature - Radio France

Onderscheidingen 4F de Télérama
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Moderne jazz - Verschenen op 29 maart 2019 | Dood

Onderscheidingen Indispensable JAZZ NEWS
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Moderne jazz - Verschenen op 9 mei 2019 | RevOla

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Moderne jazz - Verschenen op 26 april 2019 | O-tone

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Moderne jazz - Verschenen op 5 april 2019 | SFJAZZ Records

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Moderne jazz - Verschenen op 29 maart 2019 | Nusica.org

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Moderne jazz - Verschenen op 22 maart 2019 | Astigmatic Records

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Moderne jazz - Verschenen op 19 maart 2019 | RevOla

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Moderne jazz - Verschenen op 22 maart 2019 | Resonance Records

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Moderne jazz - Verschenen op 17 april 2019 | SW Records

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Moderne jazz - Verschenen op 19 maart 2019 | RevOla

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Moderne jazz - Verschenen op 18 april 2019 | Red Bus Classics

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Moderne jazz in het magazine