Albums

€ 21,49
€ 14,99

Soundtrack - Verschenen op 7 juni 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or
What a pleasure it is to return to Riccardo Chailly, at the head of the Filarmonica della Scala, with a collection on Rota (1911-1979) and more particularly his songs written for the great films of Fellini such as Amarcord, Huit et Demi, and La Dolce Vita! Before him, another Riccardo, Muti, had dedicated, in the 1990s, two albums with Sony Classical to the film scores of the Italian composer – with one collection on his non-cinematographic corpus. Whether Rota’s music was for cinema or the concert hall was of little importance as he rolled out, to the likes of Bernard Herrmann in the United States, a style that was true to himself where one feels his genius and prowess for evoking ambiance mixed with an incredible dexterity for the most diverse genres, as can be heard in Suite taken here from La Dolce Vita. The beginning (O Venezia, Venaga, Venusia) of the following Il Casanova di Federico Fellini, in which the chiming of the pendulum evokes the tragic destiny of the character and the harmonization of somber colors creates a sea-like atmosphere, remains without a doubt one of the most striking tracks on the album. This ambiance returns in the final part, this time all the more mind-blowing (The Dancing Doll). Often influences from the East, of Chostakovitch and Khachaturian (Il Duca di Württenberg), can be heard along with more meridian styles inherited from Italian symphonists from the end of the 19th century and the beginning of the 20th century. A passionate album not to be missed. © Pierre-Yves Lascar/Qobuz
€ 21,49
€ 14,99

Liederen (Duitsland) - Verschenen op 31 mei 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or - Gramophone Editor's Choice - Qobuzism
Born in a small Norwegian village in 1987 (and is thus inevitably compared to her long-time compatriot Kirsten Flagstad), soprano Lise Davidsen was almost built to embody Wagnerian and Straussian heroines. For her first record under the label Decca, with whom she has signed an exclusive contract, she has chosen to present several facets of femininity in the vocal stylings of Elisabeth (Tannhäuser), Ariane (Ariane à Naxos) and… Pauline. Pauline being Richard Strauss’ beloved wife to whom he dedicated many Lieder from his opus 27 - the 1894 cycle offered to his wife as a wedding gift - until the last Vier letzte Lieder in 1948.Under the supple baton of Esa-Pekka Salonen, the Philharmonic Orchestra embraces the brassy voice of the Norwegian soprano with finesse and elegance. As you will see, this record, with its carefully devised programme, oscillates between youth and old age, in the presence of ghosts and death. You may wonder how one can express mortality at just 30 years old with such a powerful timbre, radiant health and a whole life ahead of you. The answer lies in Lise Davidsen’s voice, which upsurges as if it were a promise of immortality, the music of the last Strauss piece returning one last time to its past, to a Europe in ruins.Discovered in 1984, after the death of the singer and dedicatee Maria Jeritza, Malven (“The Mallows") is Richard Strauss’ true “last song”. Lighter in tone than the Vier letzte Lieder to which it might have belonged, it is presented here in an orchestration by Wolfgang Rihm. © François Hudry/Qobuz
€ 16,49
€ 10,99

Liederen (Frankrijk) - Verschenen op 24 mei 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or
Sandrine Piau invites us for a stroll through the heart of romantic French melody with the musicians of the Concert de la Loge playing on period instruments. Known at the beginning of her career as a prominent performer of Baroque song, Sandrine Piau admits that she was nourished by 19th and 20th-century French music from an early age, at a time when she dreamed of becoming a harpist. Palazzetto Bru Zane are therefore going back to their roots, co-producing this album with the Alpha Classics label. Most of the tracks on this album are real discoveries, like these exquisite mini-works by Massenet, Pierné, Dubois, Godard or Guilmant. And what a wonderful idea to have also slipped the real gem that is Aux étoiles between these melodies, the short night-time instrumental that Henri Duparc wrote in 1910. Almost blind, the composer had dictated the orchestration to the very young Ernest Ansermet, who created it shortly afterwards, conducting the Montreux Kursaal Orchestra. A departure from the usual piano accompaniment, these melodies take on an additional grace and elegance in their orchestral setting, under the subtle and diaphanous direction of Julien Chauvin. © François Hudry/Qobuz
€ 21,49
€ 14,99

Symfonieën - Verschenen op 3 mei 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Record of the Month
€ 15,99
€ 11,49

Duo´s - Verschenen op 12 april 2019 | La Musica

Hi-Res Booklet Onderscheidingen Diapason d'or
€ 21,99
€ 18,99

Symfonieën - Verschenen op 5 april 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
€ 15,99
€ 11,49

Kamermuziek - Verschenen op 22 maart 2019 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica
Vlado Perlemuter and Jean Hubeau’s pupil, Michel Dalberto has established himself during a forty year career as a master. And as an ardent defender of French music he launched on Aparté a series dedicated to Debussy, Fauré, Franck and Ravel. “With these recordings of works of four major French composers of the late nineteenth and early twentieth century, I wish to prove myself worthy of the teachers who used to provide a specific idea of French music made of severity and sensuality, a mixture of rigour and freedom.” After a first opus devoted to Debussy and a second to Fauré (both rewarded with international awards), Michel Dalberto chose the Salle Philharmonique in Liège to record the third part of this collection – that is to say in César Franck’s home town. © Aparté
€ 23,99
€ 15,99

Kamermuziek - Verschenen op 15 maart 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica
Two years after releasing her CD dedicated to Book I of J.S. Bach’s Well-Tempered Clavier, Céline Frisch now presents the second volume of this musical landmark. Bach compiled Book II in 1744, twenty-two years after Book I. It took until 1801 for both volumes to be printed: from then until the present day they have inspired countless composers. After a series of recordings with the Ensemble Zimmermann she helped to found, Céline Frisch returns to the harpsichord recital, for a programme of this, her very favourite music. Through these preludes and fugues, she reminds us that far from being technical exercises, the Well- Tempered Clavier is a work of pure pleasure and constant renewed discovery. As Robert Schumann declared: ‘You should frequently play the fugues of the great masters, particularly those of J.S. Bach. Make the Well-Tempered Clavier your daily bread.’ © Alpha Classics
€ 15,99
€ 13,49

Kwartetten - Verschenen op 15 maart 2019 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or
€ 16,49
€ 10,99

Religieuze vocale muziek - Verschenen op 15 maart 2019 | Ricercar

Hi-Res Booklet Onderscheidingen Diapason d'or
€ 28,99
€ 20,99

Symfonische muziek - Verschenen op 22 februari 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique
€ 16,49
€ 10,99

Liederen - Verschenen op 8 februari 2019 | Supraphon a.s.

Hi-Res Booklet Onderscheidingen Diapason d'or
€ 16,49
€ 10,99

Symfonische muziek - Verschenen op 18 januari 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Gramophone Editor's Choice - Le Choix de France Musique - Choc de Classica
Alpha begins a complete cycle of the symphonies by Sibelius alongside some of his symphonic poems with Gothenburg Symphony and its new chief conductor Santtu-Matias Rouvali. In the great tradition of Finnish conductors, Santtu-Matias Rouvali is known for his extremely physical and organic interpretations: ‘Music unmistakeably flows from him’, commented The Sunday Times. This was evident when, at a very young age, he stepped in to conduct a concert with the Finnish Radio Symphony Orchestra which began the journey to his first tenure as Chief Conductor with the Tampere Philharmonic; a meteoric rise to a career working at the highest musical level internationally; and a third post as Principal Guest Conductor of the Philharmonia Orchestra in London. When Bachtrack asked him how he shapes the orchestral sound, he replied: ‘I sing it, I move my hands the way I want it (…) the conductor should be able to show tempo somewhere in the body (…) I was also a drum kit player, so my feet and hands can do different things at the same time. When you read the score, you sing it in your head (…) I think it’s the sense of inside groove that you get from playing percussion which is very important in Sibelius’s music.’ In the Gothenburg Symphony he finds a prestigious cohort of musicians with an impressive discography, and joins a line of their illustrious musical directors, notably Neeme Järvi, the orchestra’s principal conductor from 1982 to 2004, but also Gustavo Dudamel, who is honorary conductor. © Outhere Music
€ 29,99
€ 19,99

Symfonische muziek - Verschenen op 4 januari 2019 | BIS

Hi-Res Booklet Onderscheidingen Diapason d'or
It's hardly common to become a global star at the age of 96; and even less so to record Beethoven's nine symphonies at that age – especially if these recordings rejuvenate our whole approach to a corpus that seemed to have no secrets left. And as the most familiar landscape can suddenly take on a new appearance when viewed from a new angle, so can music. The Swede Herbert Blomstedt, son of a strict pastor and cut from the same cloth as his countryman Ingmar Bergman, is possessed of a freshness and physical appearance that belie his age: the greatest concession he has made has been to cut down from 100 concerts a year to 70, conducting the greatest orchestras in the world. After his recent refreshing reinterpretation of Beethoven and Mozart's last two symphonies, recorded in concert in 2017, we find him here dealing with the works of the great Swedish composer Wilhelm Stenhammar, recorded at concerts given in Gothenburg in 2013 and 2014. Bowled over by hearing his friend Sibelius's Second Symphony, Stenhammar tried to renew his own style, writing a "second symphony" of his own, and as soon as it was done, in May 1915, he wrote to the Finnish composer. Written for the Gothenburg Symphony Orchestra, which plays it in this recording, it is structured classically around four movements. The first is built on a folk music theme; the second is a kind of great nocturnal procession that precedes a Scherzo written as a stylised dance whose central Trio is played on wind instruments whose quality Stenhammar looked to underline. As for the Finale (which, how to put it, gave some critics a headache...), it is to this day one of the most masterful pages of symphonic music written in Sweden. First performed in 1914, the Serenade in F major, written after a trip to Florence, was quickly withdrawn by the composer, who made a new version in five movements which was performed in 1919 and enjoyed lasting success at home. Just like Mendelssohn's "Italian" Symphony, Tchaikovski’s Souvenir de Florence and Italian Capriccio , or indeed Strauss's Aus Italien the work highlights the magic attraction that Italy exercises on Northern composers. It is an illuminating and idealised description of a dreamy Arcadia, largely inspired by antiquity. © François Hudry/Qobuz
€ 15,99
€ 11,49

Kwartetten - Verschenen op 30 november 2018 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Exceptional sound
€ 15,99
€ 11,49

Symfonieën - Verschenen op 9 november 2018 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - Exceptional sound - 5 Sterne Fono Forum Klassik
€ 15,99
€ 13,49

Kamermuziek - Verschenen op 19 oktober 2018 | Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - 5 étoiles de Classica
Staying true to himself, harpsichordist Jean Rondeau stirs up another musical storm. In his interpretation of around fifteen Sonatas by Scarlatti, he unleashes a kind of rawness, a poetic rawness, as if he had invented the sonatas on the spot. But no, no, they are indeed Scarlatti’s sonatas! On the other hand, Domenico's letter to Queen Marie-Barbara de Bragança, found in the accompanying booklet, is factually apocryphal. She was his pupil as early as 1720 and continued to be until her royal marriage to the Spanish court; it seems that it was for her that he wrote his approximately five hundred and fifty-five sonatas, that is to say that he had found a student worthy of his genius. The farce on the ninth track is also apocryphal, which Rondeau uses as an interlude between the two “parts” of his programme. It is a funny little improvisation of jumbled notes and clusters - enough to clean the ears between the two Scarlattis. The instrument used here is quite amazing; it is a harpsichord “based on German models”, built in 2006 by Jonte Knif & Arno Pelto. It offers an extremely rich sound with a rather unusual tone, showing that it takes more than just pressing the keys of a harpsichord to get the desired sound. With his very personal technique, Rondeau makes his harpsichord wonderfully unique, giving the baroque music an incredibly modern feel. © SM/Qobuz
€ 29,99
€ 19,99

Kamermuziek - Verschenen op 19 oktober 2018 | Metronome

Hi-Res Onderscheidingen Diapason d'or
François Couperin was the most illustrious member of a dynasty of musicians comparable to that of the Bach family. There is every reason to believe that his name "Couperin the Great", first found in writing in 1780, had already been bestowed upon him during his lifetime to distinguish him from the other musicians in his family. In addition to his duties as the King's organist at Versailles, Couperin taught the harpsichord to many students from the royal family and the ranks of the nobility and, at the turn of the century, he was as active a composer as he was a performer. His work for harpsichord represents the most prominent part of his musical production with his pedagogical work L'Art de toucher le clavecin, or “The Art of Playing the Harpsichord” in English. The work was published in 1716 and deals with ornamentation, fingering, the general position of the body, – particularly focusing on the wrists - the touch, the character of the instrument, and so on. Also from this fruitful period we find his twenty-seven "orders" - a term he used to refer to a group of pieces with similar tonalities, halfway between a suite and an anthology. The work is divided into four volumes, published between 1713 and 1730. He develops a world of poetic fantasy that takes on the form of simple dance movements, portraits, "character pieces", pastoral paintings or theatrical miniatures. Here the Swedish harpsichordist Carole Cerasi offers us the complete works, spread over ten albums including L'Art de toucher le clavecin and the four Books, which she distributes over six different harpsichords.The Fourth Book was published in 1730, when the composer was sixty-two years old and his health was deteriorating. He stated in his preface, "as my health is getting worse from day to day, my friends have advised me to stop working and I have not written any major works since". It is composed of eight orders, but it should be noted that these sequences become shorter and shorter, with only four or five movements in some of them – miniscule if we compare them, for example, to the First Order from Book One which had about twenty! To bid farewell to the life and music of the great Couperin, Carole Cerasi selected a French instrument by Antoine Vater from 1738 - around the same time as the publication of his final Book, which covers the eighth, ninth and tenth (last) volumes of this complete work. © SM/Qobuz
€ 16,49
€ 10,99

Opera - Verschenen op 19 oktober 2018 | Supraphon a.s.

Hi-Res Onderscheidingen Diapason d'or
€ 21,49
€ 14,99

Concerten voor klavier - Verschenen op 12 oktober 2018 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Diapason d'or - Le Choix de France Musique - Choc de Classica

Genre

Klassiek in het magazine