Albums

20602 albums gesorteerd op Best verkocht en gefilterd op Klassiek en 24 bits / 96 kHz - Stereo
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Klassiek - Verschenen op 7 juni 2019 | Decca Music Group Ltd.

Hi-Res Booklet
What a pleasure it is to return to Riccardo Chailly, at the head of the Filarmonica della Scala, with a collection on Rota (1911-1979) and more particularly his songs written for the great films of Fellini such as Amarcord, Huit et Demi, and La Dolce Vita! Before him, another Riccardo, Muti, had dedicated, in the 1990s, two albums with Sony Classical to the film scores of the Italian composer – with one collection on his non-cinematographic corpus. Whether Rota’s music was for cinema or the concert hall was of little importance as he rolled out, to the likes of Bernard Herrmann in the United States, a style that was true to himself where one feels his genius and prowess for evoking ambiance mixed with an incredible dexterity for the most diverse genres, as can be heard in Suite taken here from La Dolce Vita. The beginning (O Venezia, Venaga, Venusia) of the following Il Casanova di Federico Fellini, in which the chiming of the pendulum evokes the tragic destiny of the character and the harmonization of somber colors creates a sea-like atmosphere, remains without a doubt one of the most striking tracks on the album. This ambiance returns in the final part, this time all the more mind-blowing (The Dancing Doll). Often influences from the East, of Chostakovitch and Khachaturian (Il Duca di Württenberg), can be heard along with more meridian styles inherited from Italian symphonists from the end of the 19th century and the beginning of the 20th century. A passionate album not to be missed. © Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 31 mei 2019 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Qobuzism
Born in a small Norwegian village in 1987 (and is thus inevitably compared to her long-time compatriot Kirsten Flagstad), soprano Lise Davidsen was almost built to embody Wagnerian and Straussian heroines. For her first record under the label Decca, with whom she has signed an exclusive contract, she has chosen to present several facets of femininity in the vocal stylings of Elisabeth (Tannhäuser), Ariane (Ariane à Naxos) and… Pauline. Pauline being Richard Strauss’ beloved wife to whom he dedicated many Lieder from his opus 27 - the 1894 cycle offered to his wife as a wedding gift - until the last Vier letzte Lieder in 1948. Under the supple baton of Esa-Pekka Salonen, the Philharmonic Orchestra embraces the brassy voice of the Norwegian soprano with finesse and elegance. As you will see, this record, with its carefully devised programme, oscillates between youth and old age, in the presence of ghosts and death. You may wonder how one can express mortality at just 30 years old with such a powerful timbre, radiant health and a whole life ahead of you. The answer lies in Lise Davidsen’s voice, which upsurges as if it were a promise of immortality, the music of the last Strauss piece returning one last time to its past, to a Europe in ruins. Discovered in 1984, after the death of the singer and dedicatee Maria Jeritza, Malven (“The Mallows") is Richard Strauss’ true “last song”. Lighter in tone than the Vier letzte Lieder to which it might have belonged, it is presented here in an orchestration by Wolfgang Rihm. © François Hudry/Qobuz
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Piano solo - Verschenen op 24 mei 2019 | ECM New Series

Hi-Res Booklet
“Water equals time and provides beauty with its double.” Anna Gourari, a pianist with a completely individual naturalness and authority, chooses these words from Joseph Brodsky’s essay on Venice as epigraph to her third recording for ECM. Her programme is typically wide-ranging but tightly focussed, with exquisitely alive performances of slow movements by Bach framing a choice selection of pieces from our own time. A span of three centuries is thus traversed, with magical and moving ease. We find memories of Bach reappearing in the regularly repeating notes of diary entries for piano set down in 2002 by the senior Russian composer Rodion Shchedrin, in a work written for Gourari. And we find in the late Five Aphorisms by Alfred Schnittke strange and beautiful chords that seem to condense whole swathes of Bach’s harmony. This is the “Elusive Affinity” of which the album’s title speaks. The two Bach slow movements are from his transcriptions of concertos by Antonio Vivaldi and Alessandro Marcello, arrangements in which he retraced these orchestral concertos for his own fingers, bringing to them an intimate privacy that Gourari also conveys throughout this recording. Vivaldi and Marcello were both Venetians, and Venice provides, by elusive affinity, the recording’s imaginary location. Photographs by Luca d’Agostino, reproduced in the booklet, follow Gourari through a Venetian archway, beside an ancient wall, on the edge of the lagoon. Water circulates in the city, enveloping past and present, old and new. So in our awareness, as we listen, Bach’s images of a Venice he never visited swim with others from nearer at hand. These others remind us that Venice, the Mediterranean mirror-image of St. Petersburg, has long been important to Russian artists. Schnittke’s dark pieces sound like shadows cutting across sunlit paving, though there is wit in this music, too. Arvo Pärt, represented by a crucial but largely overlooked early example of his luminous style, evokes bell sounds common to both Venice and the Baltic. Also here are two haunting miniatures by Giya Kancheli and a sequence of memorials to friends by Wolfgang Rihm, where sombreness joins with light, in what is again a Venetian conjunction. © ECM Records
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Klassiek - Verschenen op 10 mei 2019 | deutsche harmonia mundi

Hi-Res Booklet
Founded in 2015 by Swiss conductor and trombonist Lorenzo Ghirlanda, the German-based Vox Orchester is made up of around twenty young professional musicians from ten different countries, who have all grown up learning instrumental techniques and modes of playing characteristics of baroque music. Lorenzo Ghirlanda’s credo is that listening – and playing – ancient music is like discovering “new music”, because the young musicians’ fervour safeguards them from any form of routine or preconception. And it is precisely in this spirit that the Vox Orchester’s musicians author this album dedicated to Purcell and Locke’s music written for Shakespeare’s plays. While his texts have long conquered the entire planet, English music has often remained confined within the island’s borders. Recorded in 2018 in the auditorium of Radiotelevisione svizzera in Lugano, this music is the work of two English composers, prior to Handel’s arrival in London. Ghirlanda and his musicians’ interpretation aims to highlight the international nature of baroque music at that time, and more precisely the Italian influence Monteverdi, and later Corelli, had on European productions. © François Hudry/Qobuz
€ 28,99
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Klassiek - Verschenen op 29 maart 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet
"Piano Book" is a compilation of post-Bach piano music’s greatest hits. Lang Lang puts together a retrospective anthology beginning with J.S. Bach’s Prelude in C major from the first book of the Well-Tempered Clavier. The piece, in fully written arpeggio, which every piano student has studied to practice fingering, articulations, and harmonic tiering is followed by Beethoven’s Lettre à Elise. Lang Lang then invites Mendelssohn (La Fileuse), Chopin (15th Prelude from Opus 28), and Mozart (Allegro from Sonata "Semplice" or Variations on "Ah, vous dirai-je Maman") The record also includes lesser-known repertoire from such composers as Badarzewska-Baranowska, Czerny, or Clementi and a few Chinese classic and traditional / popular songs from diverse parts of the world. Lang Lang has fun, especially when he plays French music. Performing Debussy’s Doctor Gradus ad Parnassum, he enjoys each afterbeat, plays with the basses, and even sings. © Qobuz
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Klassiek - Verschenen op 15 maart 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
After the double album of the Violin and Harpsichord Sonatas with Kristian Bezuidenhout, here is the next instalment in a Bach recording adventure that began nine years ago with a set of the Sonatas and Partitas. Isabelle Faust, Bernhard Forck and his partners at the Akademie für Alte Musik Berlin have explored a multitude of other works by Bach: harpsichord concertos, trio sonatas for organ, instrumental movements from sacred cantatas etc. All are revealed here as direct or indirect relatives of the three monumental Concertos BWV 1041-43. This fascinating achievement is a timely reminder that the master of The Well-Tempered Clavier was also a virtuoso violinist! © harmonia mundi
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Klassiek - Verschenen op 17 mei 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
€ 26,99
€ 19,49

Klassiek - Verschenen op 7 juni 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet
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Klassiek - Verschenen op 24 mei 2019 | deutsche harmonia mundi

Hi-Res Booklet
Without the help of blaring drums or castanets, culture-filled aesthete Paul van Nevel gives the opportunity to hear the music that Christopher Columbus heard during his travels and adventurous life. This has resulted in a rigorous selection of (many unknown) a capella works, by Italian and Spanish composers from the late 15th and early 16th centuries. Beginning with childhood memories of Christopher Columbus (a carnival song evoking an erotic joke about chimney sweeps), the album ends with pieces by Agricola most likely heard by the navigator at the end of his final voyage in 1506. This virtual musical journey begins in 15th century Venice and reaches the court of Ferdinand and Isabella in Madrid, Seville, Cordoba and Valladolid. This offers an exciting programme benefitting from the exceptional quality of singers of the Huelgas Ensemble, specialised in medieval and Renaissance polyphony and founded in 1971 by Paul van Nevel. © François Hudry/Qobuz
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€ 14,99

Klassiek - Verschenen op 10 mei 2019 | Deutsche Grammophon (DG)

Hi-Res
Caruso, Pavarotti, Mario Lanza and many others have all succumbed – with more or less success − to the charms and spells of southern popular songs, filled with sunlight, liveliness and joy of life. Dazzling Latvian mezzo soprano Elīna Garanča takes her shot at this tradition with her first “non-classical” album, released under the Yellow Label of Deutsche Grammophon. Exploring a predominantly masculine repertoire, she masterfully proves music has no barriers and that joy belongs to everyone. Living in the Canary Islands, Elīna Garanča has selected a few pearls, not necessarily the rarest, from the Spanish repertoire, as well as some works from Italy and Latin America, with bespoke arrangements often prepared by her husband and conductor Karel Mark Chichon, who leads the Philharmonic Orchestra of Gran Canaria for this performance. The result is a commingling of songs and extracts of zarzuelas and tangos, including Yo Soy Maria by inevitable and dear Astor Piazolla. The perfect opportunity to experience Elīna Garanča’s irresistible velvety voice and her God-given ability to sing anything with the same enthusiasm. The purity of her vocal line and ability to alter her tone to match the repertoire bestow a new dimension to these popular miniatures, and contribute to slimming, almost abolishing the boundary between opera and popular music. © François Hudry/Qobuz
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Klassiek - Verschenen op 17 mei 2019 | Decca Music Group Ltd.

Hi-Res
Hilary Hahn never stops pushing the boundaries of classical music. An accomplished virtuoso and talented chamber musician, the American violinist plays the entire violin repertoire from Bach all the way up to the present day, including the classical and romantic period. Most of all, she likes to excite interest around new works and already commissioned a series of small pieces from twenty-seven composers. Then she went a step further and asked the Spanish composer Antón García Abril to compose a sequence of 6 Partitas for solo violin inspired loosely by J.S. Bach’s Six Sonatas and Partitas. Already feeling very confident about García Abril’s work, the violinist was surprised to find that the music completely exceeded her expectations. She found this new body of work “inspiring” as the phrases resonated with her and the notes flowed naturally from her fingers, “His writing for violin is compelling” says Hilary Hahn, “Fluid, emotional, clever and expressively rich”. The polyphonic writing of the Spanish composer born in 1933 is indeed marvellous in these unaccompanied pieces. García Abril has turned his back resolutely on the typical avant-garde that emerged in the post-war years and the composer’s music is tonal and full of melody, using his own rhythms. Despite the suggestion from their title, the 6 Partitas are not dance suites but rather a succession of six independent states of mind, “Heart”, “Immensity”, “Love”, “Art”, “Reflexive”, “You”, (an acronym for Hilary herself). This is more than enough to fuel the imagination and the musical repertoire of violinists from all over the world who play their “Bach”, rather predictably, for the encore of each concert. © François Hudry/Qobuz
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Klassiek - Verschenen op 3 mei 2019 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Gramophone Record of the Month
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€ 9,99

Klassiek - Verschenen op 26 april 2019 | InFiné

Hi-Res
With this new artistic proposal, French pianist Vanessa Wagner (who started her recording career by performing Scriabin and Rachmaninoff for Lyrinx, albums which are unfortunately unavailable) positions herself in a contemporary, resolutely contemplative and often dreamy state. Closely tied to the label InFiné − the label that released Statea on which she went exchanged with Murcof, both players of a great disenchanted saga −, Vanessa Wagner makes no secret of her inclinations for melancholic atmospheres. Wagner performs mini-versions of Moondog, Émilie Levienaise-Farrouch, Bryce Dessner, as well as more substantial works, easily recognizable by minimalist fans: Philip Glass’ Etude No. 9, Michael Nyman’s The Heart Asks Pleasure First, and Gavin Bryars’ Ramble On Cortona. Vanessa Wagner’s piano sounds dark. Fortunately, the album ends on the sublime Baltā ainava (“White Scenery”), the first piece of a great fifty-minute four-part partition by Latvian composer Pēteris Vasks, titled The Seasons. A rude, mostly dark cycle, however it is introduced by this rather bright, quite hypnotic, very atmospheric and truly mind-blowing piece: one can feel the white snow and the black, humid sun peeking through the mist, shining on the large steppes of Eastern Europe. © Pierre-Yves Lascar/Qobuz
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Klassiek - Verschenen op 3 mei 2019 | BIS

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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€ 15,99

Klassiek - Verschenen op 3 mei 2019 | Sony Classical

Hi-Res Booklet
The brilliantly inventive Francesco Tristano Schlimé is having fun with these Tokyo Stories. The Luxembourgish pianist’s numerous references shine through with primed balance, as if rejuvenated by the artist’s mastery of multi-style collages. While very contrasting, each title flows naturally to the next. Although a minimalist, almost repetitive style is used to full effect, it never hampers the very clear desire to constantly renew rhythms, like in Insomnia, or Electric Mirror that becomes a beautiful tribute to Johann Sebastian Bach, one of Francesco Tristano Schlimé’s idols. The more fragmented style of Pakuchi, with its overlapping layers and light jazz rhythms, appears to veer towards territories of contemporary creation rarely explored by “electro” artists. Tokyo Stories rarely explores – to our great delight – the spacey and meditative atmospheres so popular to the overwhelming neo-classic-pop piano scene. Only momentum and impetus matter here. A stellar album that truly highlights Francesco Tristano Schlimé’s multifaceted musicality at the highest level. © Pierre-Yves Lascar/Qobuz
€ 15,99
€ 13,49

Duo´s - Verschenen op 29 maart 2019 | Erato

Hi-Res Booklet
On this record, Renaud Capuçon and David Fray decided to turn their back on the musicology-inspired understanding of baroque music. Enough of “the dictatorship of the historically informed.” They chose instead to play this music from the heart, just as the masters did in the previous century. Their choice is sincere in a field of numerous conflicts between schools of thoughts. Six sonatas for Violin and Harpsichord was composed by Bach when he was at the court of Coethen. It was especially admired by Carl Philipp Emanuel, the Cantor’s second son. As often happens, however, the autographed manuscript has disappeared and it is through series of copies that we know it today.  It was published for the first time in 1804, fifty years after Bach’s death. The six sonatas are written according to Corelli’s rules. They imagine a new type of dialogue in the chamber orchestra where keys are not in the background. The writing is precise, expressive, and rhythmical. © François Hudry/Qobuz
€ 16,99
€ 14,49

Klassiek - Verschenen op 24 mei 2019 | deutsche harmonia mundi

Hi-Res
Without the help of blaring drums or castanets, culture-filled aesthete Paul van Nevel gives the opportunity to hear the music that Christopher Columbus heard during his travels and adventurous life. This has resulted in a rigorous selection of (many unknown) a capella works, by Italian and Spanish composers from the late 15th and early 16th centuries. Beginning with childhood memories of Christopher Columbus (a carnival song evoking an erotic joke about chimney sweeps), the album ends with pieces by Agricola most likely heard by the navigator at the end of his final voyage in 1506. This virtual musical journey begins in 15th century Venice and reaches the court of Ferdinand and Isabella in Madrid, Seville, Cordoba and Valladolid. This offers an exciting programme benefitting from the exceptional quality of singers of the Huelgas Ensemble, specialised in medieval and Renaissance polyphony and founded in 1971 by Paul van Nevel. © François Hudry/Qobuz
€ 12,74€ 14,99
€ 8,49€ 9,99

Klassiek - Verschenen op 31 mei 2019 | Chandos

Hi-Res Booklet
Jean-Efflam Bavouzet’s first three volumes of Mozart concertos with the Manchester Camerata and Gábor Takács-Nagy have been received with widespread acclaim, and so it is with some excitement that we release the keenly anticipated fourth instalment in the series. Composed within just one month in early 1785, these two concertos by Mozart are among the most popular of all his piano concertos. No. 20, KV 466 was his first concerto in a minor key, and its dark and stormy nature contrasts with the light and sunny atmosphere of Concerto No. 21, KV 467. Like so many of his piano concertos, both works were composed for the Vienna concert season and were given their premiere performances with Mozart at the keyboard. The two concertos are interspersed on this recording with a vivid performance of the Overture to Don Giovanni, which shares traits with both concertos and further demonstrates the exemplary playing of Manchester Camerata. © Chandos
€ 21,99
€ 18,99

Operafragmenten - Verschenen op 7 juni 2019 | deutsche harmonia mundi

Hi-Res Booklet

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