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Klassiek - Verschijnt op 16 augustus 2019 | Alpha

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Klassiek - Verschenen op 21 juni 2019 | Reference Recordings

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Kamermuziek - Verschenen op 21 juni 2019 | Metier

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Kamermuziek - Verschenen op 21 juni 2019 | Paladino Music

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Kamermuziek - Verschenen op 7 juni 2019 | Reference Recordings

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Sacred Oratorios - Verschenen op 1 juni 2019 | Passacaille

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Klassiek - Verschenen op 17 mei 2019 | Reference Recordings

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Klassiek - Verschenen op 3 mei 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or
‘The senses reign, and Reason now is dead’ (Petrarch). Giovanni Antonini, flautist and founder of the legendary Italian ensemble Il Giardino Armonico, enjoys musical voyages, the discursiveness of music. He begins with an anonymous 16th century pavane, La Morte della Ragione ("The Death of Reason"), which he believes refers to In Praise of Folly, in which its author Erasmus distinguishes between two forms of madness: ‘a sweet illusion of the spirit', and a negative form, ‘one that the vengeful Furies conjure up from hell...’. This succession of ‘musical pictures’ leads us to the threshold of the baroque era, starting out with the Puzzle Canon by John Dunstable (1390- ca.1453), whose manuscript is an enigma, via the ‘bizarre’ style of Alexander Agricola (1446- ca.1506) and his obsessive, ostinato rhythm – almost an anticipation of minimalist music… to the improvisatory freedom of the Galliard Battaglia de Scheidt (1587-1654), a battle piece involving a great many diminutions or ‘divisions’, a common technique of improvisation in the Renaissance... This grand instrumental musical fresco of time and space is a kind of self-portrait of Giovanni Antonini and his longstanding musical colleagues. To accompany this recording, a richly-illustrated booklet presents a free-ranging iconographical tour combining pictures and contemporary photos. © Alpha Classics
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Kamermuziek - Verschenen op 3 mei 2019 | Glossa

Hi-Res Booklet Onderscheidingen Diapason d'or
Popular madrigals and chansons of the 16th century served as models for richly embellished “alla bastarda” versions on the viola da gamba. In this recording, the vocal originals are presented together with the extremely virtuoso instrumental versions which represent the first and hardly surpassed apex of solo literature for viola da gamba. For 25 years, Paolo Pandolfo has been one of the leading viola da gambists of his generation, researching and promoting the repertoire of his instruments in all directions. The thorough knowledge of all aspects of the viola da gamba repertoire becomes clear in his extensive discography. Not only has he recorded the most important works of the viol literature, but also very personal musical statements in which he combined the youthful experiences as a double bass player and guitarist with compositions and improvisations that are just as influenced by jazz as they are by the historical repertoire. With the “bastarda” diminutions, he now proffers an early milestone of the solo viol literature in which the exuberant virtuosity serves to present enchantingly beautiful music. On this very special project, with instruments built ad hoc, he is joined by some of the finest continuo players of the early music scene (Boysen, Granata, Chemin, Pedrini) and the exquisite vocal ensemble La Pedrina, together producing what definitely will be considered as a key recording of repertoire for the viola da gamba. © Glossa
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Elektronische muziek of Musique Concrète - Verschenen op 25 november 2018 | 2L

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Klassiek - Verschenen op 25 november 2018 | 2L

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Klassiek - Verschenen op 2 november 2018 | Alba

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Elektronische muziek of Musique Concrète - Verschenen op 18 augustus 2018 | 2L

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Soundtrack - Verschenen op 6 juli 2018 | Reference Recordings

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Elektronische muziek of Musique Concrète - Verschenen op 11 april 2018 | 2L

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Klassiek - Verschenen op 6 april 2018 | T 3 records

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Koormuziek - Verschenen op 22 november 2017 | 2L

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Elektronische muziek of Musique Concrète - Verschenen op 7 november 2017 | 2L

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Klassiek - Verschenen op 3 november 2017 | Dacapo SACD

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Klassiek - Verschenen op 25 oktober 2017 | 2L

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Genre

Klassiek in het magazine