Albums

568 albums gesorteerd op Date: from newest to oldest en gefilterd op Klassiek, Sinds 1 jaar en 24 bits / 48 kHz - Stereo
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Vocale muziek (wereldlijk en religieus) - Verschenen op 16 april 2019 | The Sound Corporation

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Klassiek - Verschenen op 15 april 2019 | iM Irving Lavalley

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Opera - Verschenen op 12 april 2019 | Oehms Classics

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Klassiek - Verschenen op 12 april 2019 | Profil

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Klassiek - Verschenen op 12 april 2019 | Colin Currie Records

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
The third album on Colin Currie’s label celebrates the percussionist’s artistic relationship with the American cultural icon Steve Reich. Programmed and performed at the composer’s request and under his supervision, this album is essential for any Reich fan, capturing a group of truly world-class performers at the peak of their powers. For this recording, Colin conducts and performs with the Colin Currie Group and their long-standing collaborators Synergy Vocals. Steve Reich himself joined Colin on stage to perform Clapping Music. © PIAS
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Klassiek - Verschenen op 12 april 2019 | Naxos

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Klassiek - Verschenen op 12 april 2019 | Klarthe

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Klassiek - Verschenen op 12 april 2019 | Naxos

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Klassiek - Verschenen op 12 april 2019 | Sony Classical

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Klassiek - Verschenen op 12 april 2019 | Profil

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Klassiek - Verschenen op 12 april 2019 | Maria Karakusheva

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Klassiek - Verschenen op 12 april 2019 | Glencoe Music

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Klassiek - Verschenen op 12 april 2019 | Naxos

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Klassiek - Verschenen op 9 april 2019 | Mikael Sapin

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Klassiek - Verschenen op 6 april 2019 | Michael Frankenberger Records

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Volledige opera's - Verschenen op 5 april 2019 | Glossa

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
With Les Indes galantes by Jean-Philippe Rameau, György Vashegyi – along with his Orfeo Orchestra and Purcell Choir – makes a further dazzling addition to their Glossa series of French dramatic masterpieces from the Baroque, and in the company of a luxurious line-up of vocal soloists. The version of this “ballet heroïque” – supplied with an anti-colonial, anti-clerical manifesto by librettist Louis Fuzelier – selected by Vashegyi is the 1761 revision, a mere decade or so before the irruption onto the Parisian musical scene of the likes of Gluck and Grétry. Rameau’s score had undergone frequent adjustments and improvements since its première a quarter of a century earlier, and the performing edition for this recording, prepared for the Rameau Opera Omnia by Sylvie Bouissou (who also provides a booklet essay here), offers a vision of this work which is more theatrical, fluid and concise than hitherto. Just in themselves, the names of Chantal Santon-Jeffery, Katherine Watson, Véronique Gens, Reinoud Van Mechelen, Jean-Sébastien Bou and Thomas Dolié (sharing out the dozen solo roles) augur well for a glorious exploration of the prologue and three entrées ahead. Recently, they have also, in conjunction with the Centre de Musique Baroque de Versailles, been working on questions of tempo and how to perform Rameau’s sequences as the composer intended. Vashegyi brings a consummate understanding of Rameau’s galante style to the proceedings, following two previous Ramellian Glossa outings (Naïs and Les Fêtes de Polymnie). © Glossa
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Klassiek - Verschenen op 5 april 2019 | audite Musikproduktion

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Klassiek - Verschenen op 5 april 2019 | Glossa

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After their recent releases of Conti’s Missa Sancti Pauli and Rameau’s Les Indes galantes, conductor György Vashegyi and his Orfeo Orchestra and Purcell Choir present a world premiere recording of a passion by a today virtually unknown composer, Gottfried Heinrich Stölzel. The name of Stölzel does not ring a bell even with the keenest lovers of Baroque music, even though he was a significant figure in the musical life of Germany in the first half of the 18th century; he was held in highest respect even by Johann Sebastian Bach himself, just to name the greatest authority of all, as documents of the time show. The work recorded here is a so-called “passion oratorio”, a musical form widely used in the Germanspeaking world in the 18th century built upon a series of lyrical contemplations resting on the story of Christ’s passion. The libretto for Ein Lämmlein geht und trägt die Schuld was written by Stölzel himself. After listening to the passion of Stölzel, one can only agree with Lorenz Mizler, founder of the “Corresponding Society of the Music Sciences and the author of an obituary for the composer: “... Germany has lost a great deal with the loss of this skillful and really great Kapellmeister, and it would be desirable that there should be many Stölzels in this regard. His name is therefore and will always be venerated not only by the Society, but by all true composers.” Though Mizler was wrong in his prophecy, as Stölzel has been forgotten until recently, recordings like the present one might start a real, if belated renaissance of Stölzel. He deserves it. © Glossa
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Klassiek - Verschenen op 5 april 2019 | Sony Classical

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Klassiek - Verschenen op 5 april 2019 | Sony Classical

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