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Klassiek - Verschenen op 1 januari 2005 | Arcana

Onderscheidingen Diapason d'or de l'année - Diapason d'or - 10 de Répertoire - 10 de Classica-Répertoire
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Klassiek - Verschenen op 25 september 2012 | Aeon

Hi-Res Booklet Onderscheidingen Diapason d'or - 4 étoiles de Classica - Hi-Res Audio
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Klassiek - Verschenen op 21 oktober 2014 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 4 étoiles de Classica
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Klassiek - Verschenen op 1 januari 2002 | Alpha

Booklet Onderscheidingen 5 de Diapason - 4 étoiles de Classica
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Klassiek - Verschenen op 25 september 2012 | Ramée

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Klassiek - Verschenen op 1 juni 2018 | Evidence

Hi-Res Booklet Onderscheidingen Diapason d'or
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Kamermuziek - Verschenen op 4 juni 2009 | Alpha

Booklet Onderscheidingen 4 étoiles de Classica
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Vocale muziek (wereldlijk en religieus) - Verschenen op 4 november 2014 | Phi

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Wereldlijke vocale muziek - Verschenen op 25 mei 2018 | Arcana

Hi-Res Booklet Onderscheidingen 5 étoiles de Classica
Not much is known of the life of Giacomo Gorzanis, born around 1520, and died in 1579; he was almost certainly blind, probably from birth, judging from the note written in his Third Book for lute published in Venice in 1564 ("I, blind" and "I, deprived of light"); he was probably a very famous lutist, going by the note on his First Book of lute in 1562 lauding his"long experience over many years with the lute", and he probably also sang at the court of Archduke Charles II of Austria, if the note in his Second Book of Neapolitan songs of 1571 is to be believed: "the memory I retain, as your humble servant, and the true affection I bear for you." In short, it was a full life, in which Gorzanis would publish no less than five volumes of tablature for the lute between 1561 and 1575, and two books of Neapolitan songs in 1570 and 1571, which are precious glimpses of what is probably a much broader body of work, but of which now very little remains. The subjects taken on by the villanelles and other songs run from Petrarch and Ariosto to rather more daring stuff, even making allusions to forbidden love, the eternal subject matter of "popular" songs from the Renaissance to today. These pages, while still marked with a hefty dose of polyphony in the accompaniment, turn rather more towards the new style of melody, underpinned by a simple backcloth of chords – the ancestor of canzone napoletana, as it were, in which the line sung takes precedence over any other consideration. Pino de Vittorio (who sings but also plays the naker) is accompanied by Fabio Accurso and Bor Zuljan on lute and guitar, as well as Domen Marinčič on viole da gamba and percussion – including the dulce melos, a kind of hammered zither – played by Massimiliano Dragoni. © SM/Qobuz
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Operafragmenten - Verschenen op 29 november 2018 | Les Indispensables de Diapason

Onderscheidingen Diapason d'or
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Religieuze vocale muziek - Verschenen op 8 september 2015 | Alpha

Booklet Onderscheidingen 4 étoiles de Classica
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Klassiek - Verschenen op 8 september 2017 | Aeon

Hi-Res Booklet Onderscheidingen 5 de Diapason
Through a repertoire of Consort Songs for five violas and countertenor, the Céladon Ensemble tries to underline the obvious artistic connections between the music of english Renaissance and contemporary music. This parentage, this harmonic, rhythmic and poetic logic, opens a whole field of exploration into sound identity and tradition. How have such seemingly different composers, belonging to remote eras, dealt with timbre fusion in a similar way, with the same desire to deeply affect, to create a full-bodied sound, both powerful and soothing ? The two eras are not placed in opposition for this concert, as Michael Nyman’s music arises naturally from that of his predecessors ; on the contrary, it is a clever mix of genres that points out to surprising similarities between these works : we could easily believe that Tye’s Sit Fast was composed very recently. From one century to the next, we face a testimony brought to song by the timbre of a countertenor, the intensity of a violas consort that carries a certain magic, the paradoxical expression of a voice which is solitary but also becomes a seventh instrument, one of the violas. © Aeon
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Klassiek - Verschenen op 1 januari 2005 | Alpha

Booklet Onderscheidingen 4 étoiles de Classica
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Klassiek - Verschenen op 25 februari 2014 | Zig-Zag Territoires

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Religieuze vocale muziek - Verschenen op 1 september 2005 | Studio SM

Onderscheidingen Grand Prix de l'Académie Charles Cros
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Religieuze vocale muziek - Verschenen op 8 oktober 2015 | Bayard Musique

Onderscheidingen 5 de Diapason
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Religieuze vocale muziek - Verschenen op 15 april 2016 | Bayard Musique

Onderscheidingen 5 de Diapason
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Klassiek - Verschenen op 5 maart 2015 | Bayard Musique

Onderscheidingen 4 étoiles de Classica
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Klassiek - Verschenen op 20 maart 2012 | Ramée

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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CD€ 3,49€ 4,99(30%)

Klassiek - Verschenen op 15 juli 2013 | naïve classique

Hi-Res Booklet Onderscheidingen Hi-Res Audio

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