Albums

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Klassiek - Verschijnt op 28 juni 2019 | Brilliant Classics

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Klassiek - Verschenen op 1 oktober 2016 | Intellectual Reserve

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Klassiek - Verschenen op 7 juni 2019 | Decca Music Group Ltd.

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Symfonische muziek - Verschenen op 7 juni 2019 | NoMadMusic

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Klassiek - Verschenen op 7 juni 2019 | Signum Records

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Klassiek - Verschenen op 7 juni 2019 | harmonia mundi

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Klassiek - Verschenen op 7 juni 2019 | Australian Broadcasting Corp (ABC)

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Klassiek - Verschenen op 31 mei 2019 | naïve classique

Hi-Res Booklet
When it comes to posterity, Vivaldi has been quite lucky. Thanks to a series of happy accidents, his personal manuscript collection has survived through the centuries, allowing his music to be preserved and later played and recorded. Contralto Delphine Galou and Ottavio Dantone, the director of the Accademia Bizantina, drew from this invaluable batch of nearly 450 compositions to develop this album’s program of sacred music dedicated to the alto voice. This recording includes two “introdutioni” for alto, a kind of motet whose form would have been devised by Vivaldi for his Venetian work for the Pietà. You can also find the vespertine hymn Deus tuorum militum for alto and tenor (Alessandro Giangrande), as well as a Regina coeli, a Marian antiphon played on Easter Sunday. At the heart of this album is a violin concerto written for the day of the The Assumption of Mary (August 15th). The importance of this celebration in the Italian liturgical calendar is underlined here by a score of an unusual length for a Vivaldi concerto, with it being divided into two orchestral parts that exchange a sometimes and sometimes joyous dialogue. Written for his student Anna Maria, the solo violin part preserved in the archives is played here by Alessandro Tampieri, who has once again enriched it with a very virtuoso "capriccio" of his own making. © François Hudry/Qobuz
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Klassiek - Verschenen op 31 mei 2019 | Brilliant Classics

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Klassiek - Verschenen op 31 mei 2019 | Brilliant Classics

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Klassiek - Verschenen op 31 mei 2019 | Sony Classical

Klassiek - Verschenen op 31 mei 2019 | Signum Records

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Klassiek - Verschenen op 14 september 2004 | Intellectual Reserve

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Klassiek - Verschenen op 31 mei 2019 | Brilliant Classics

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Liederen (Frankrijk) - Verschenen op 24 mei 2019 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or
Sandrine Piau invites us for a stroll through the heart of romantic French melody with the musicians of the Concert de la Loge playing on period instruments. Known at the beginning of her career as a prominent performer of Baroque song, Sandrine Piau admits that she was nourished by 19th and 20th-century French music from an early age, at a time when she dreamed of becoming a harpist. Palazzetto Bru Zane are therefore going back to their roots, co-producing this album with the Alpha Classics label. Most of the tracks on this album are real discoveries, like these exquisite mini-works by Massenet, Pierné, Dubois, Godard or Guilmant. And what a wonderful idea to have also slipped the real gem that is Aux étoiles between these melodies, the short night-time instrumental that Henri Duparc wrote in 1910. Almost blind, the composer had dictated the orchestration to the very young Ernest Ansermet, who created it shortly afterwards, conducting the Montreux Kursaal Orchestra. A departure from the usual piano accompaniment, these melodies take on an additional grace and elegance in their orchestral setting, under the subtle and diaphanous direction of Julien Chauvin. © François Hudry/Qobuz
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Klassiek - Verschenen op 24 mei 2019 | deutsche harmonia mundi

Hi-Res Booklet
Without the help of blaring drums or castanets, culture-filled aesthete Paul van Nevel gives the opportunity to hear the music that Christopher Columbus heard during his travels and adventurous life. This has resulted in a rigorous selection of (many unknown) a capella works, by Italian and Spanish composers from the late 15th and early 16th centuries. Beginning with childhood memories of Christopher Columbus (a carnival song evoking an erotic joke about chimney sweeps), the album ends with pieces by Agricola most likely heard by the navigator at the end of his final voyage in 1506. This virtual musical journey begins in 15th century Venice and reaches the court of Ferdinand and Isabella in Madrid, Seville, Cordoba and Valladolid. This offers an exciting programme benefitting from the exceptional quality of singers of the Huelgas Ensemble, specialised in medieval and Renaissance polyphony and founded in 1971 by Paul van Nevel. © François Hudry/Qobuz
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Klassiek - Verschenen op 24 mei 2019 | deutsche harmonia mundi

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Without the help of blaring drums or castanets, culture-filled aesthete Paul van Nevel gives the opportunity to hear the music that Christopher Columbus heard during his travels and adventurous life. This has resulted in a rigorous selection of (many unknown) a capella works, by Italian and Spanish composers from the late 15th and early 16th centuries. Beginning with childhood memories of Christopher Columbus (a carnival song evoking an erotic joke about chimney sweeps), the album ends with pieces by Agricola most likely heard by the navigator at the end of his final voyage in 1506. This virtual musical journey begins in 15th century Venice and reaches the court of Ferdinand and Isabella in Madrid, Seville, Cordoba and Valladolid. This offers an exciting programme benefitting from the exceptional quality of singers of the Huelgas Ensemble, specialised in medieval and Renaissance polyphony and founded in 1971 by Paul van Nevel. © François Hudry/Qobuz
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Klassiek - Verschenen op 24 mei 2019 | Ambronay Éditions

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Klassiek - Verschenen op 24 mei 2019 | Raumklang

Hi-Res Booklet
Inspired by Meister Eckhart, who described the “now” (German: Nun) in the mystical sense as a moment in which the past and future merge together, the ensemble gave itself its name nu:n. On this album, the three musicians delve into the earliest surviving sources of the music, and give it a new sonic guise of our time. From various concerts, we hear wonderful recordings of secular and sacred hymns, eloquent and sensitive texts, and enchanting melodies informed by profound and virtuoso improvisation. © Raumklang

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Klassiek in het magazine