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Klassiek - Verschenen op 11 september 2020 | Supraphon a.s.

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The greatest Czech composers – Dvořák, Smetana, Janáček, Suk, Martinů ... And anyone else? Yes, Vítězslav Novák! Who was he? A pupil of Dvořák’s, later on one of the most distinguished music creators and teachers on the domestic scene. A Post-Romantic and the first of the generation of Modernists profoundly inspired by Moravian folk music. This year’s 150th anniversary of Novák’s birth affords the opportunity to take a closer look at his oeuvre – and to rediscover that which has been overlooked. The idea of making the first studio recording of the Piano Concerto, a remarkable early work by the 25-year-old Novák, was enthusiastically endorsed by the superb Czech pianist Jan Bartoš. Due to its intimate nature, At Dusk, Op. 13, a cycle of miniatures for solo piano, inspired by J. S. Machar’s poetry, stands in contrast to the concerto’s virtuosic stylisation. The tone poem Toman and the Wood Nymph may be deemed the most ambitious of Novák’s symphonic works. As the composer himself put it, he strove to express an “uncontrollable torrent of wild passion”, referring to the piece as an “orgy of sound” and the ballad as a “depiction of woman’s demonic power over man”. Jakub Hrůša, a globally renowned contemporary conductor, invites us to rediscover Novák’s music: “We are obliged to perform it. His music is so profound and far-reaching that we simply cannot ignore it and let it gather dust in archives and remain buried in music history textbooks”. © Supraphon
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Klassiek - Verschenen op 14 april 2017 | Naxos

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Klassiek - Verschenen op 4 december 2020 | Naxos

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Vítezslav Novák, a composition student of Dvorák, rose to prominence with a series of increasingly ambitious orchestral works that reflect his very personal amalgam of folk music elements, impressionism and late Romanticism. The far-ranging harmonies heard in Toman and the Wood Nymph earned Novák some notoriety – his evocation of supernatural magic and human passion results in music of heady intensity. The evocative aura of the later South Bohemian Suite is notable for the subtlety with which folk songs are embedded into its textures. © Naxos
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Symfonische muziek - Verschenen op 1 januari 1992 | Supraphon a.s.

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Symfonische muziek - Verschenen op 1 januari 1998 | Supraphon a.s.

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Symfonische muziek - Verschenen op 1 januari 1996 | Supraphon a.s.

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Klassiek - Verschenen op 26 maart 2021 | Piano Classics

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For his debut on Piano Classics, the Dutch pianist Tobias Borsboom presents a new recording of the five-movement, hour-long tone-poem which Vítězslav Novák (1870-1949) composed in 1910. The work is marginally better known through the orchestration made by the composer two years later, but the great breadth, melodic richness and sumptuous harmonies of Pan still await discovery by all but the most devoted follower of Slavonic byways. Novak composed the work at the height of his powers. It presents a pantheistic, spiritual autobiography in music, responding to the idea of the Greek god, and the myths associated with him, through highly colourful, evocative music. The forest stirs and murmurs in a manner reminiscent of Dvorak, but the sea also swells with Debussyan waves of sonority and there are hints of Janacek in the cycle’s brooding second movement, The Mountains, which inhabits the mood of Novak’s more concise orchestral masterpiece, In the Tatras Mountains. As Tobias Borsboom observes in his invaluable booklet essay, the cycle emulates Smetana’s Ma Vlast in pursuing a cyclical unity through the return of themes and leitmotifs. Thus the opening Pan theme lends a universal, shaping power to the entire work. A glorious C major apotheosis – on the scale of Scriabin, Schoenberg and Strauss in their contemporary works – brings the finale, Woman to a transcendent climax. The piano version has many virtues of its own, not least clarity of line and texture, which Tobias Borsboom’s performance brings out. Patrick Hemmerlé (Indésens) already recorded the complete work. © Piano Classics
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Symfonische muziek - Verschenen op 1 januari 1996 | Supraphon a.s.

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Symfonische muziek - Verschenen op 28 juni 2019 | Supraphon a.s.

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Klassiek - Verschenen op 1 januari 1998 | Supraphon a.s.

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Klassiek - Verschenen op 28 juli 2003 | Supraphon a.s.

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Symfonische gedichten - Verschenen op 1 mei 2000 | Chandos

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Kamermuziek - Verschenen op 1 april 1995 | Centaur Records, Inc.

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Klassiek - Verschenen op 30 november 2018 | Supraphon a.s.

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Klassiek - Verschenen op 1 maart 2010 | Classico

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Klassiek - Verschenen op 28 juni 1995 | Marco-Polo

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Piano solo - Verschenen op 24 oktober 2017 | Indésens

Hi-Res Booklet Onderscheidingen 5 de Diapason