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Klassiek - Verschenen op 11 oktober 2019 | PM Classics Ltd.

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Andrew Manze and the Royal Liverpool Philharmonic Orchestra’s cycle of the 9 Vaughan Williams symphonies have been praised by the reviewers, and their live performances rapturously received. This album contains the most popular of his shorter orchestral works – The Tallis Fantasy, Greensleeves, The Lark Ascending and the wonderful Five Variants of "Dives and Lazarus". The Serenade to Music is heard in the rarely performed orchestral version – this album will be a must have for all fans of the composer! © Onyx Classics
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Symfonische muziek - Verschenen op 1 maart 2001 | Chandos

Hi-Res Booklet Onderscheidingen Gramophone Record of the Year - The Qobuz Ideal Discography - Hi-Res Audio
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Klassiek - Verschenen op 17 november 2009 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Hi-Res Audio
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Kamermuziek - Verschenen op 6 mei 2014 | Naxos

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Symfonische muziek - Verschenen op 23 maart 2018 | Onyx Classics

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice
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Symfonische muziek - Verschenen op 15 april 2016 | Onyx Classics

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Klassiek - Verschenen op 1 januari 1968 | Warner Classics

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Concertmuziek - Verschenen op 5 november 2013 | Chandos

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 4 étoiles Classica
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Klassiek - Verschenen op 10 mei 2019 | PM Classics Ltd.

Hi-Res Booklet
The final volume in the RLPO/Andrew Manze Vaughan Williams Symphony cycle contains ‘Sinfonia Antartica’ No.7 and his final enigmatic symphony, the 9th. The 7th drew its inspiration from music RVW had composed for the film ‘Scott of the Antartic’, though very little of that score actually made it to the symphony. This often mis-understood work is a true symphony that draws on themes from the film. The composer headed each movement with a literary quotation, and these are narrated on this recording by the distinguished actor Timothy West, following in the footsteps of Sir John Gielgud and Sir Ralph Richardson. The 9th symphony dates from his final years and shows no trace of any creative decline. It is a challenging forbidding work and if music could be hewn from granite, then this symphony is a supreme example. © Onyx Classics
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Symfonische muziek - Verschenen op 6 oktober 2017 | Chandos

Hi-Res Booklet Onderscheidingen Diapason d'or - Exceptional Sound Recording - 5 Sterne Fono Forum Klassik
Vaughan Williams’ seventh symphony (1951), Sinfonia Antartica, reuses numerous materials from the stunning piece the composer wrote in 1948 for the film Scott of the Antarctic. Therefore none will be surprised by the extraordinarily visual orchestration and theme, which any listener – even ignoring the title or cinematographic influence – will immediately associate with vast windy flatlands, scintillating icy lights, Antarctica in all its splendour – and dangers, as Scott’s expedition ended tragically, that’s the least one can say. As a complement to the programme, the Bergen Philharmonic Orchestra (where they are used to the great cold!) and Andrew Davis provide us with Vaughan Williams’s Concerto For Two Pianos: initially created in 1933 for a single piano, the work was adapted to two pianos in 1946 in light of the tremendous difficult piano part, and the composer also took the opportunity to change a few sections. Here it is performed by two Canadians, Louis Lortie and Hélène Mercier. And finally you’ll discover the Four Last Songs sung by Roderick Williams, a kind of Vaughanwilliamsian equivalent to Strauss’ own Four Last Songs, even though Vaughan Williams’ four songs were first orchestrated after his death, by Anthony Payne in 2013 – scrupulously following the composer’s orchestral habits. A beautiful musical testament, created during the last few months of his life. © SM/Qobuz
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Symfonische muziek - Verschenen op 24 maart 2017 | Onyx Classics

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Klassiek - Verschenen op 23 oktober 2020 | Albion

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This is the first in a series of four albums recording all 80 of the folk songs in English that Ralph Vaughan Williams arranged for voice and piano or violin. 57 of the 80 songs have not previously been recorded in these arrangements, so there is a good deal of unknown - but very beautiful - music to be found here. This first album has 23 tracks including 15 world premières. It includes Folk Songs from Sussex (1912) and Six English Folk Songs (1935). Later volumes will include songs collected in the Eastern Counties (1908), the Appalachian Mountains (about 1938) and from Newfoundland (1946). Vaughan Williams is well known as a collector of folk songs, but his own collection by no means predominates in this series; most of the arrangements were made and published as a collaborative effort, drawn from many sources. The 14 Songs from Sussex on this album were all collected by Percy Merrick from Henry Hills, a farmer from Lodsworth, Sussex, around 1900. Some will be well-known in other arrangements; others will be unfamiliar. © Albion Records
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Symfonische muziek - Verschenen op 3 november 2014 | Halle Concerts Society

Hi-Res Onderscheidingen Gramophone Editor's Choice
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Vocale muziek (wereldlijk en religieus) - Verschenen op 1 januari 2006 | Chandos

Hi-Res Booklet Onderscheidingen 4 étoiles du Monde de la Musique - Diapason découverte - Hi-Res Audio
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Klassiek - Verschenen op 4 februari 2013 | Halle Concerts Society

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Klassiek - Verschenen op 30 november 2018 | Onyx Classics

Hi-Res Booklet
Looking at it closely, Vaughan Williams' first symphony, A Sea Symphony, is his first major work; the composer, who was never in a hurry, was already thirty-six years old when he finished it, even though the writing process had taken him a good half a dozen years. Never in a hurry indeed... But this first great work was a masterpiece that propelled Vaughan Williams to the forefront of the musical world in that year of 1910, a position that he would never leave again. Quite the contrary in fact: masterpiece after masterpiece followed until the end of his life. His Symphony No.1 is the longest of his symphonies; there are four movements in which the choir appears like a soloist from start to finish alongside two real vocal soloists. The style is very modern - not too much in the wake of a Debussy, but truly at the basis of a complete renewal of English music in which Elgar also participated and which served as a foundation, for example, for Britten a few decades later. The album, which features the excellent conductor Andrew Manze at the head of the Royal Liverpool Philharmonic Orchestra, closes with one of the composer's most famous works, The Lark Ascending for solo violin (James Ehnes here) and orchestra. It is a true wonder of poetry and invention. The composer limits the orchestra to strings and a few woodwinds, plus a triangle that plays a total of sixteen notes - what an invention! © SM/Qobuz
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Klassiek - Verschenen op 14 november 2011 | Halle Concerts Society

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Symfonische muziek - Verschenen op 6 oktober 2017 | Halle Concerts Society

Hi-Res Booklet
Two of the greatest symphonies from England's greatest symphonist, Vaughan Williams: what a find! To cut a long story short, he composed nine symphonies alongside other pieces, themselves no minor works. The Sixth, finished in 1947, is a real orchestral deluge, in which wailing, hysterical saxophones, macabre xylophones, delirious brass and terrifying, martial percussion all meet, in particular in the titanic Scherzo, which follows a sombre, ghostly fourth and final movement which never rises above a pianissimo (frequently with the note, "senza crescendo"), and in which we find neither theme nor development, but only a  powerful and meandering polyphony made up of rhythmic and melismatic micro-cells,  in which some of the more desolate moments presage Gorecki's Third - in short, this Sixth is an immense masterpiece. The album signed by the Hallé Orchestra directed by Mark Elder closes with the no-less-imposing Fourth from 1935, the first of Vaughan Williams's symphonies to be published without a title - pure music, detached from any external element. More severe than the three that preceded it, it is nonetheless possessed of a great depth and a sombre intensity, with a few amusing echoes of Hindemith, which could leave no-one indifferent. © SM/Qobuz
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Symfonische muziek - Verschenen op 4 september 2015 | Halle Concerts Society

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Klassiek - Verschenen op 1 januari 2007 | Chandos

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