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Klassiek - Verschenen op 7 april 2015 | Deutsche Grammophon (DG)

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Klassiek - Verschenen op 15 april 2016 | Evidence

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
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Concerten voor viool - Verschenen op 10 mei 2019 | Naxos

Hi-Res Booklet Onderscheidingen 5 de Diapason
Brahms’ string concertos are indissolubly linked with the musicians for whom the works were written. He wrote his Violin Concerto for Joseph Joachim, and in it he combined what a contemporary critic termed ‘the great and serious’ with songful lyricism, melodic beauty, and a fiery Hungarian finale. To mend a breach with the violinist, Brahms later composed a concerto with the unusual combination of violin and cello, the latter played at the premiere by Joachim’s colleague Robert Hausmann. Neither instrument predominates in a work of reconciliation that embodies both drama and reflection. © Naxos
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Kamermuziek - Verschenen op 2 september 2016 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Le Choix de France Musique - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 1 november 2019 | Ondine

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Lars Vogt continues his series of concerto recordings with the Royal Northern Sinfonia with this new recording of Johannes Brahms’ (1833–1897) First Piano Concerto together with Four Ballades (Op. 10) for solo piano. As in previous albums, Lars Vogt conducts from the keyboard. The evolution of Brahms’ 1st Piano Concerto took several steps. Originally conceived to become a Sonata for Two Pianos through orchestration it was developed into a four-movement "Symphony" until reaching into its final form of a "Piano Concerto" in three movements. During the process, which lasted from 1854 to 1856, some movements were also discarded and replaced by new material. This music is packed with much drama. No wonder since these years were particularly tumultuous in Brahms’ personal life: it was during this period when his great mentor Robert Schumann was sent into an asylum and ultimately died. It was also time when Brahms formed a close, lifelong friendship to Clara Schumann. Some of these feelings might well be echoed in the peaceful second movement, Adagio. Brahms’ Four Ballades, Op. 10 are works written in 1854 by a young composer barely in his 20s, yet these pieces are technically mature and profound in such a manner that they could even be compared to his final piano opuses. © Ondine
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Piano solo - Verschenen op 15 april 2016 | Evidence

Hi-Res Booklet Onderscheidingen 4 étoiles Classica
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Klassiek - Verschenen op 1 januari 2013 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Gramophone Record of the Year - Gramophone Record of the Month - Choc de Classica - Hi-Res Audio
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Klassiek - Verschenen op 25 september 2015 | Warner Classics

Hi-Res Booklet Onderscheidingen The Qobuz Ideal Discography
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Duo´s - Verschenen op 6 mei 2016 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Qobuzism
Marie-Elisabeth Hecker made her entry into the ‘big leagues’ by winning first prize in the Rostropovich Competition in Paris back in 2005. Her international career was simultaneously launched on the back of this great success. Born in 1987 in Zwickau, the young cellist has studied with Steven Iserlis, Bernard Greenhouse and even Gary Hoffman. She has performed as a soloist with the Russian Symphony Orchestra, the Mahler Chamber Orchestra, the Kremerata Baltica, the Mariinsky Orchestra, the Philharmonia Orchestra, the Munich and Dresden Philharmonic Orchestras, the Staatskapelle Berlin, the Vienna Symphony Orchestra, Orchestre de Paris… the list goes on. Her experience has seen her work with conductors such as Yuri Temirkanov, Yuri Bashmet, Gidon Kremer, Valery Gergiev, Fabio Luisi, Marek Janowski, Emmanuel Krivine, Christian Thielemann or even Daniel Barenboim. Here, with her musical partner (and husband) pianist Martin Helmchen for their first duo album; the two musicians met at the Lockenhaus Festival at which time they performed another one of Brahms sonatas: Proust's Madeleine! More than twenty years separate the two sonatas for cello and piano, the first from 1862 – the composer had not yet turned 30 – and the second from 1886, by which time he had nothing left to prove to anyone. Hecker-Helmchen thoroughly master this repertoire. A coup for this first album as a duo. © SM / Qobuz
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Klassiek - Verschenen op 7 augustus 2015 | Deutsche Grammophon (DG)

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Symfonieën - Verschenen op 1 maart 1965 | Deutsche Grammophon (DG)

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Piano solo - Verschenen op 25 oktober 2019 | Alpha

Hi-Res Booklet Onderscheidingen 5 de Diapason
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Piano solo - Verschenen op 18 maart 2016 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Pianiste Maestro - Choc de Classica - Choc Classica de l'année - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 1 januari 2015 | Decca Music Group Ltd.

Hi-Res Booklet Onderscheidingen Diapason d'or
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Klassiek - Verschenen op 3 april 2020 | Ondine

Hi-Res Booklet
The second album in Lars Vogt’s Johannes Brahms concerto series with the Royal Northern Sinfonia includes Brahms’ 2nd Piano Concerto combined with a solo piano work, Handel Variations Op. 24, which was dedicated to Clara Schumann by the composer. Brahms’ Piano Concerto No. 2 is a romantic 4-movement concerto written two decades after its predecessor and one of the cornerstones in the concerto repertoire. This remarkable opus with a great number of beautiful solo passages and with a duration of over 45 minutes has been intrepreted by numerous pianists since its premiere in 1881. In this album, Vogt performs the concerto conducting from the keyboard. Variations and Fugue on a Theme by Handel Op. 24 for solo piano were written by the young composer in his late 20s. This work, which includes some technically demanding passages for the pianists, reveals Brahms’ profound interest in the work of the great masters of the Baroque era which served as a source of inspiration in the composer’s creative work. This set of 25 variations and a fugue shows Brahms as a great successor to the tradition of piano variations exemplified by Mozart and Beethoven. ©: Ondine
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Klassiek - Verschenen op 1 januari 2013 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Piano solo - Verschenen op 7 april 2017 | Sony Classical

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - 4F de Télérama - Gramophone Award - Gramophone Record of the Month - Le Choix de France Musique - Choc de Classica - 5 Sterne Fono Forum Klassik
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Religieuze vocale muziek - Verschenen op 15 oktober 2010 | RCA Red Seal

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - Choc de Classica - Choc Classica de l'année - Hi-Res Audio
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Kamermuziek - Verschenen op 18 oktober 2019 | Myrios Classics

Hi-Res Onderscheidingen Diapason d'or
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Missen, passies, requiems - Verschenen op 6 september 2019 | harmonia mundi

Hi-Res Booklet Onderscheidingen 5 de Diapason
Brahms’s Requiem, completed in 1868, draws on the legacy of his forerunners, Heinrich Schütz and Johann Sebastian Bach. In setting texts from the German Bible, it deliberately departs from the models of the Catholic liturgy and imposes a sorrowing yet consolatory meditation on death and the Last Judgment, in the manner of a poignant and grandiose cradle song for the dead. © harmonia mundi