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Volledige opera's - Verschenen op 5 april 2019 | Glossa

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama
With Les Indes galantes by Jean-Philippe Rameau, György Vashegyi – along with his Orfeo Orchestra and Purcell Choir – makes a further dazzling addition to their Glossa series of French dramatic masterpieces from the Baroque, and in the company of a luxurious line-up of vocal soloists. The version of this “ballet heroïque” – supplied with an anti-colonial, anti-clerical manifesto by librettist Louis Fuzelier – selected by Vashegyi is the 1761 revision, a mere decade or so before the irruption onto the Parisian musical scene of the likes of Gluck and Grétry. Rameau’s score had undergone frequent adjustments and improvements since its première a quarter of a century earlier, and the performing edition for this recording, prepared for the Rameau Opera Omnia by Sylvie Bouissou (who also provides a booklet essay here), offers a vision of this work which is more theatrical, fluid and concise than hitherto. Just in themselves, the names of Chantal Santon-Jeffery, Katherine Watson, Véronique Gens, Reinoud Van Mechelen, Jean-Sébastien Bou and Thomas Dolié (sharing out the dozen solo roles) augur well for a glorious exploration of the prologue and three entrées ahead. Recently, they have also, in conjunction with the Centre de Musique Baroque de Versailles, been working on questions of tempo and how to perform Rameau’s sequences as the composer intended. Vashegyi brings a consummate understanding of Rameau’s galante style to the proceedings, following two previous Ramellian Glossa outings (Naïs and Les Fêtes de Polymnie). © Glossa
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Klassiek - Verschenen op 17 oktober 2014 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Operafragmenten - Verschenen op 23 februari 2018 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice - Diamant d'Opéra - Choc de Classica - 5 Sterne Fono Forum Klassik
With his ensemble Pygmalion, Raphaël Pichon has written the listing for this album in the form of a "pastiche" of a Mass for the Dead, a Requiem both sacred and profane. While it is a long way from having all the defining traits, it does possess all the outlines: Introit, Kyrie, Gradual, Sequence, Offertory, In Paradisum... The idea came about after a recent discovery, in the Bibliothèque Nationale of an anonymous requiem mass from the 18th century, in which the writer constructed a "parody" based on musical extracts from Castor and Pollux and the Fêtes de Paphos by Jean-Philippe Rameau. Note that the term "parody" doesn't necessarily imply satire or mockery: it refers to the practice of taking up older music and setting new words to it. This fusion of sacred music (the mass) and profane music (lyrical tragedy), a common practice during the Enlightenment, was a procedure that Pichon wanted to take up. In French society at the time, when Catholicism was the norm, where the political system was monarchical rule by divine right, the representation of ancient pagan Hell on theatrical stages seemed to betray a fascination in the beliefs of the ancients. And so this programme melds together pagan fable with a Christian imaginary, where Hell takes on different faces. It is the place of unjust and eternal torment, a place of privation where a couple is separated, one half kept in Hades. But, in the lyrical tragedy, Hell is also a place of perdition: obscure forces unleashed in Sabbath rites, a Satanic vision which unearths the darkest depths of the human soul... Stéphane Degout is the author of this tragedy, bringing together such varied characters as Phaedra, Pluto, and the Parcae. The composers whose music is put to use are Rameau and Gluck, with a single borrowing from Rebel: it would have been a shame not to mention his singular Chaos (taken from Éléments), which starts with a dissonant chord containing the seven notes of the scale of D minor. © SM/Qobuz
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Volledige opera's - Verschenen op 3 september 2015 | Aparté

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica - Choc Classica de l'année
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Kamermuziek - Verschenen op 28 november 2002 | Channel Classics Records

Hi-Res Booklet Onderscheidingen Diapason d'or
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Opera - Verschenen op 6 april 2018 | Glossa

Hi-Res Booklet Onderscheidingen 5 de Diapason - 5 Sterne Fono Forum Klassik
Created in 1749 to commemorate the Treaty of Aix-la-Chapelle signed between George II and Louis XV of France to end the War of the Austrian Succession, Rameau’s pastorale héroïque Naïs consecrates the triumph of virtuosity on the stage of the Académie Royale de Musique, while in England, Handel wrote his famous Music for the Royal Fireworks for the same occasion. Weary of sombre tragedies and their dark and oppressive passions, audiences received lighter works more enthusiastically – ballets and pastorales – for which soprano Marie Fel and tenor Pierre Jélyotte were applauded for their prodigious vocal performances. With Naïs, Rameau produces some of his most impressive pages, among which the overture and descriptive prologue, tracing the epic fight between the Titans and the heavenly court for the rule of Olympus. Chivalrous exchanges, athlete evolutions, prophecies, pastoral celebrations, naval battles and underwater nuptials punctuate the work and support the blooming of tender feelings that unite Naïs and Neptune. This co-production between the Centre de Musique Baroque de Versailles (CMBV − Centre of Baroque Music Versailles) and the Müpa Budapest Early Music Festival confirms the position of György Vashegyi in the field of baroque music, and French music in particular. Following the success of Rameau’s Les Fêtes de Polymnie (The Festivals of Polyhymnia) in 2015, and the revelation that was Mondonville’s Isbé, the Hungarian conductor is at it again with excellent singers and his two ensembles, the Budapest Orfeo Orchestra and the Purcell Chorus, which he founded in Budapest at the end of his studies at The Franz Liszt Academy of Music, completed by master classes from the likes of Sir John Eliot Gardiner and Helmut Rilling. This French-Hungarian production focusing on Rameau will be extended with the upcoming release of Les Indes Galantes (The Amorous Indies). © François Hudry/Qobuz
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Kamermuziek - Verschenen op 23 februari 2015 | Mirare

Hi-Res Booklet Onderscheidingen Diapason d'or - Choc de Classica - Exceptional Sound Recording
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Opera - Verschenen op 28 oktober 2013 | Warner Classics International

Hi-Res Booklet Onderscheidingen Diapason d'or de l'année - Diapason d'or - Le Choix de France Musique - 4 étoiles Classica - Hi-Res Audio
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Klassiek - Verschenen op 1 maart 2001 | Alpha

Booklet Onderscheidingen Choc de Classica
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Klassiek - Verschenen op 1 januari 1994 | Decca Music Group Ltd.

Onderscheidingen The Qobuz Ideal Discography
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Klassiek - Verschenen op 27 maart 2020 | La Musica

Hi-Res Booklet
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Volledige opera's - Verschenen op 27 april 2015 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama
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Klassiek - Verschenen op 3 december 2012 | 1001 Notes

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Klassiek - Verschenen op 23 september 2019 | Ligia

Hi-Res Booklet
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Opera - Verschenen op 14 oktober 1991 | harmonia mundi

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Klassiek - Verschenen op 11 juni 1987 | Decca Music Group Ltd.

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Klassiek - Verschenen op 24 september 2013 | Alpha

Hi-Res Booklet
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Klassiek - Verschenen op 25 februari 2010 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or - Hi-Res Audio
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Kamermuziek - Verschenen op 6 maart 2012 | harmonia mundi

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Klassiek - Verschenen op 1 januari 2005 | Archiv Produktion