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Techno - Verschenen op 9 april 2021 | Columbia Local

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Forty-five years after Oxygène, Jean-Michel Jarre returns to the border between the artistic and the ecological with this new album dedicated to the lungs of the Earth, the Amazon. This is the soundtrack composed for the Amazônia exhibition by Brazilian photographer Sebastião Salgado, which will open in May 2021 at the Philharmonie de Paris. Salgado presents more than 200 photos and videos from his six years in the region, focusing on the relationship between humans and biodiversity. The exhibition was an impressive piece of work that presented a challenge for Jarre to set to music. "It was a question of not falling into a purely scientific or ethnomusicological approach, nor into simple background music", he explains. "I therefore set up a sort of toolbox, containing musical elements, whether orchestral or electronic, intended to recreate or evoke the timbre of natural sounds, to which were added sounds from the environment and finally human sources (voices, songs, instruments) from the archives of the Musée d'Ethnographie de Genève.”Clearly inspired by his subject, Jarre has released one of his best records, in terms of coherence, concept and ideas. Thanks to the binaural recording technique, which allows for ultra-precise reproduction of sound in space, he offers long pieces of eight or nine minutes that push at the limits of trance sounds, such as the opening Amazônia, Pt. 1, all strings and percussion, with stormy synths in the background, encompassed by forest noises. On Amazônia, Pt. 2, a distant techno beat guides us through a stifling forest, while Pt. 3 takes an intoxicating ethno-trance twist on the ending. Jarre often leans towards musique concrète on this record but he also throws out some tasty loops that mix techno and ambient. An album worth digging deeper into. © Smaël Bouaici/Qobuz
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Electronic - Verschenen op 1 december 1978 | Sony Music Catalog

Hi-Res Onderscheidingen The Qobuz Ideal Discography
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Electronic - Verschenen op 2 december 1976 | Sony Music Catalog

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Techno - Verschenen op 2 december 2016 | Sony Music Catalog

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Techno - Verschenen op 22 mei 1981 | Sony Music Catalog

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Techno - Verschenen op 28 augustus 2015 | Sony Music Catalog

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Techno - Verschenen op 9 april 2021 | Columbia Local

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Techno - Verschenen op 16 november 2018 | Columbia Local

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Techno - Verschenen op 28 augustus 2015 | Sony Music Catalog

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Techno - Verschenen op 28 augustus 2015 | Sony Music Catalog

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Techno - Verschenen op 28 augustus 2015 | Sony Music Catalog

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Techno - Verschenen op 16 oktober 2015 | Columbia

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When the Godfather makes an offer, it can be difficult to refuse… This is a bit like what Jean-Michel Jarre has done with the release of Electronica 1: The Time Machine. The supporting cast assembled by the great French guru of electronic music, for his 18th album, no less, is impressive. Stylistically and generationally, Jarre has set the bar high by inviting a smorgasbord of electronic artists as diverse as M83, Air, Moby, Pete Townshend of The Who, 3D of Massive Attack, Vince Clarke of Erasure, Boys Noize, Gesaffelstein, Tangerine Dream, Laurie Anderson, Armin van Buuren, the filmmaker John Carpenter, and even the classical pianist Lang Lang. Gathering such a wide-ranging cast together could have been risky, and could even be read as a bluff on the part of Jarre. But JMJ’s Electronica 1: The Time Machineis a fully coherent work with a real homogeneity. Each guest brings their own personal touch with them, but Jarre remains in charge. When the record hits home, returning to earth, one has the feeling of having undergone a fascinating techno journey, crafted by a musician more inspired than ever. © CM/Qobuz
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Techno - Verschenen op 28 augustus 2015 | Sony Music Catalog

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Techno - Verschenen op 6 mei 2016 | Columbia

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The release of Electronica 2 is part of a project that gives off the air of a sort of 'All Star Game' in electro music. Indeed, the 19th album from Jean Michel Jarre is the direct result of its predecessor, Electronica 1. To make them, the French musician visited various studios where his guests worked in order to collaborate with them. As a result, this second instalment was composed and recorded around the world! The artistic process is comprehensive, human relationships are privileged as much as the music. The list of special guests (Massive Attack, Air, Moby, M83...) was already full for the first game, but it continues to grow: Jeff Mills, Hans Zimmer, Christopher Rone, Sébastien Tellier... The result is 15 co-composed songs and 19 tracks in total. Everything is beautifully mixed, perfectly balanced and greatly inspired. Jean Michel Jarre has once again reminded us that he is most certainly the unquestionable master of French touch. © AR / Qobuz
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Techno - Verschenen op 24 augustus 2000 | Sony Music Catalog

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The title gave us fair warning, but the world wasn't ready. In the year 2000, three years after he gave us a follow-up to his masterpiece Oxygène, Jean-Michel Jarre, now basking in the glory of a gigantic concert in Moscow's Red Square, brought out Métamorphose, which stunned fans because it contained vocals! The record opens with a collaboration with American singer Laurie Anderson, Je me souviens, over an Eighties electro instrumental, before Natacha Atlas comes in for the next piece. On C’est la vie, the diva of Transglobal Underground does what she does best, with her Near-Eastern vocal sallies, which producer Joachim Garraud, matches with percussion from the same climes, and trancey beats and keyboards with a slightly kitsch effect. Next up, Rendez-vous à Paris, in the hypnotic voice of Jarre himself, filtered through a vocoder against a glitchy, aquatic background, and accompanied by the Irish violinist Sharon Corr of the Corrs; Bells, one of the only completely instrumental tracks, while Tout est bleu and its techno beat marks a little departure from good taste. Despite a fine cast list, the record, which would not win the expected commercial success, was simply not understood by Jean-Michel Jarre's hardcore fans. Twenty years on, perhaps they'll give it another chance. © Smaël Bouaici/Qobuz 
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Techno - Verschenen op 1 augustus 1988 | Sony Music Catalog

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Techno - Verschenen op 18 april 2014 | Sony Music Catalog

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Techno - Verschenen op 24 augustus 2018 | Sony Music Catalog

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It was the early 2000 and downtempo and acid jazz were being smothered by the rise of French Touch house. But they found an escape route when lounge music flared into life, with its 90 BPM tempos, played at cool hangouts like the Mezzanine de l'Alcazar in Saint-Germain-des-Prés, the Buddha Bar or the Costes hotel, all of which have brought out compilations in their own names. Although the movement wasn't quite a musical revolution, radio programmers took advantage of it to soften their playlists, and lounge invaded the bars and restaurants of Paris (soon to be replaced by Deep House, which was then languishing in a very deep basement indeed).It was in this context that the VIP Room discos, led by Jean Roch, commissioned Jean-Michel Jarre to produce this album of lounge music, which originally ran to only 2,000 CDs, and which is a part of the salvo of re-releases that the star French publisher is putting out in 2018. For this stylistic exercise, Jarre gives us a 40-minute demonstration of his mastery of the genre's codes – something he's not always managed to do with other styles – and offers up eight tracks of sensuality (an aspect emphasised by the title and the sleeve image of the pixellated pubis of his then-girlfriend, Isabelle Adjani), with Geometry of Love pt 1 as the climax, and some mystical moments (the Minimoog on Soul Intrusion), and others that approach ambient (Skin Paradox). While the record only offers a patchy discography of Jarre, it is nonetheless of great interest for his hardest-core fans, and it is a worthy testament to a certain era. © Smaël Bouaici/Qobuz
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Techno - Verschenen op 2 december 2016 | Sony Music Catalog

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Electronic - Verschenen op 28 augustus 2015 | Sony Music Catalog

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Jean Michel Jarre in het magazine