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Classique - Verschenen op 8 november 2019 | harmonia mundi

Hi-Res Booklet
The year 1979 saw the death of one of the leading players in the ‘Baroque’ revolution, undoubtedly the most famous countertenor of the twentieth century. Alfred Deller had even achieved the supreme tour de force of convincing us that, three centuries earlier, Purcell had composed his songs for him! With him the public of the 1960s and 1970s discovered not only an absolutely inimitable timbre, but also the delights of a repertory that had been slumbering in libraries until then. Forty years after his death, thanks to the meticulous process of remastering harmonia mundi has carried out on the original tapes, Alfred Deller’s art seems more alive than ever! © harmonia mundi
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Classique - Verschenen op 18 oktober 2019 | Warner Classics

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Classique - Verschenen op 1 januari 1979 | harmonia mundi

Hi-Res Booklet
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Classique - Verschenen op 1 september 1979 | harmonia mundi

Hi-Res Booklet
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Opéra - Verschenen op 1 januari 1972 | harmonia mundi

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Classique - Verschenen op 1 januari 1978 | harmonia mundi

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Opéra - Verschenen op 1 januari 1977 | harmonia mundi

Hi-Res Booklet
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Classique - Verschenen op 23 november 2018 | Alpha

Hi-Res Booklet Onderscheidingen 4F de Télérama - Gramophone Editor's Choice
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Récitals vocaux - Verschenen op 31 juli 2007 | harmonia mundi

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Intégrales d'opéra - Verschenen op 27 januari 2009 | Chandos

Hi-Res Booklet Onderscheidingen Hi-Res Audio
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Classique - Verschenen op 15 januari 2018 | Warner Classics

With its lavish music and elaborate staging, the semi-opera King Arthur is one of the master-pieces in Purcell’s works. On a text by the poet John Dryden very freely inspired from Arthurian legend and specifically devised for him, Purcell created a work of great expressive intensity which includes among his most beautiful and well-known arias. While an undergraduate at Cambridge, John Eliot Gardiner launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in 1964, which led to the foundation of the Monteverdi Choir. In 1968 he founded the Monteverdi Orchestra. Upon changing from modern instruments to period instruments in 1977, the orchestra changed its name to the English Baroque Soloists in 1978. Gardiner is one of the best conductors in the historically informed movement. © Warner Classics
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Intégrales d'opéra - Verschenen op 24 september 2007 | Warner Classics

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Classique - Verschenen op 1 januari 2010 | Decca Music Group Ltd.

Booklet
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Classique - Verschenen op 1 januari 1992 | Archiv Produktion

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Classique - Verschenen op 10 november 2009 | Warner Classics International

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Opéra - Verschenen op 1 september 2017 | Glossa

Hi-Res Booklet
Sébastien d’Hérin and his ensemble Les Nouveaux Caractères wanted to give back to The Fairy Queen (the masterful 1692 semi-opera; a very British genre, comparable to the French comedy ballet of that time) all its variety and exuberance as well as imperial stature from that time. A combination of lushness, opulence and generosity − that was the true genius of Purcell. Thus this recording can easily be described as “baroque”, in the original sense of the word: irregular and unexpected, but it’s precisely this share of surprises and colours that d’Hérin proclaims loud and clear. Adequate period instruments − such as gut strings, two harpsichord and one organ, a few pastoral oboes, a bassoon, two trumpets and a serpent, a cornett, a viola da gamba, a theorbo, a harp, numerous flutes – are played as they were at the time, by polyvalent instrumentalists… A good number of percussions can be heard, more or less improvised – again, as it was the custom at the time – because the initial score omits countless instrumental details, as we know it was common to have the available instrumentalists play on the spot. Regardless this interpretation by Les Nouveaux Caractères puts emphasis on spontaneity, vivacity, and (good) surprises, both on the instrumental and vocal sides: the Shakespeare play that vaguely serves as a setting  – A Midsummer Night’s Dream, even though Purcell didn’t use any single word from the play – is wonderfully depicted. © SM/Qobuz
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Classique - Verschenen op 17 november 2008 | Alpha

Booklet
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Classique - Verschenen op 1 september 2009 | Warner Classics International

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Intégrales d'opéra - Verschenen op 11 januari 2019 | Universal Music Australia Pty. Ltd.

Onderscheidingen 5 de Diapason