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Klassiek - Verschenen op 3 mei 2011 | PentaTone

Booklet
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Klassiek - Verschenen op 7 augustus 2012 | PentaTone

Booklet
After his collection of nine Beethoven symphonies, conductor Philippe Herreweghe tasked himself with a collection of Schubert’s. Released under Pentatone are symphonies n° 6, 8 (incomplete) and 9 (the “Great”). The rest were released under Herreweghe’s label, Phi, in 2015 and 2017. Schubert’s universe, from the early symphonies heavy with the spirit of Haydn and Mozart to the vast pantheistic scores that make up the final two 8th and 9th, certainly suit Herreweghe better than Beethoven. The spirit of the lied which continues to live within Schubert’s orchestra inspires the conductor with most natural phrasing. The architecture is rolled out with great suppleness, and in the eighth, the conductor creates a particularly sombre palette, in a “molten” and silky style that evokes primarily Bruckner, who’s work the conductor is familiar with. An interpretation to rediscover, rich and passionate. © Qobuz
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Piano solo - Verschenen op 1 november 2019 | Sony Classical

Hi-Res Booklet
Seventeen years after his first Schubert recording, Arcadi Volodos takes us on another dive into the world of Schubert with the very great and very turbulent Sonata in A Major, D.959. Less than two months before his death, Schubert wrote this penultimate sonata, the most fully-developed in terms of the scope of its final movement. In its crepuscular light, it enfolds the darkness of human solitude in Andantino in F Sharp Minor, which protests against a cheap happiness, first with resignation and then with indignation. Then, a cheering, somersaulting call to life, a most Viennese Scherzo, full of insousiance and serenity, which comes before the final and utterly simple movement, which suffers from no "longueur", however "divine"... Preferring intimacy to ostentation, Arcadi Volodos provides a style of expression which is no less captivating for its sobriety. Going from the most gently-whispered pianissimi to extreme fortissimi, his playing style adapts from moment to moment, a velvet touch that paints unique colours. His interior style of performance, its poetic depth, mixed with the classicism of his approach to the work, all add up to an utterly simple and natural Schubertian language. Returning to the very young Schubert, this inspired recital is rounded off with three rare Minuets (including the stunning D.600, which starts out sounding like an aria by Bach), sculpted with peerless grace and purity: a fitting end to a programme of such high musical quality. © GG/Qobuz
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Symfonieën - Verschenen op 16 augustus 2019 | Berlin Philharmonic Orchestra

Hi-Res Onderscheidingen Diapason d'or / Arte
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Piano solo - Verschenen op 12 april 2019 | ECM New Series

Hi-Res Booklet Onderscheidingen 5 de Diapason - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
For a truly great interpretation it’s not enough just to play a historical instrument, the playing also has to be up to scratch. This recording released by the world-renowned label ECM showcases a pianist of the highest calibre playing the wonderful Viennese Brodmann piano. András Schiff captures the convergence of thought and sound remarkably well and seldom before have we been given so much insight into Schubert’s innermost thoughts. The softness and the unmistakable legato that the pianist produces on this Viennese instrument give the Sonatas D. 958 and D. 959 an indescribable feeling of nostalgia. But Schubert’s inward revolt was growing and András Schiff leads us steadily to the edge of the abyss. The crystalline sounds of the Scherzo in the Sonata D. 959 are as enchanting as the sound of ancient harpists who were so often depicted by German Romantics. This exploration into sound is also marvellous in the Impromptus D. 899 and the 3 Klavierstücke D. 946 or “Three Piano Pieces”, which have a very expressive counterpoint that differ from the unfathomable depth of the sonatas. This album is a revelation into a whole new world of sound that is unveiled as András Schiff’s fingers touch the keys. Inspiring. © François Hudry/Qobuz
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Piano solo - Verschenen op 7 februari 2020 | harmonia mundi

Hi-Res Booklet Onderscheidingen 4F de Télérama
French pianist Adam Laloum is joining prestigious label harmonia mundi for a new album dedicated to Schubert. The album is an example of this young artist’s attractiveness. Laloum makes his piano sing and offers an intensely melancholic poetic vision with a personal and smooth touch. Lesser known than Schubert’s last three sonatas, the Sonata in G major, D. 894 is one of the few pieces published when the composer was still alive. Schumann saw it as his most perfect work and Liszt loved it. The Sonata in C minor, D. 958 was edited ten years after Schubert’s death. It was composed in the fall of 1928, a few weeks before the musician’s death from syphilis. The piece is infused with Schubert’s doubts, demons and fear of his upcoming death. Adam Laloum wonderfully translates the fraternal spirit of dear Franz Schubert, who almost seems to apologize for the piece’s severity, by adding glimpses of bright recklessness or fatalism. © François Hudry/Qobuz
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Piano solo - Verschenen op 15 maart 2019 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 Sterne Fono Forum Klassik
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Kwartetten - Verschenen op 21 april 2014 | Evidence

Hi-Res Booklet
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Piano solo - Verschenen op 20 september 2019 | PentaTone

Hi-Res Booklet
Swiss pianist Francesco Piemontesi interprets Schubert’s last three piano sonatas (D958-D960) on his PentaTone debut album, after years of engagement with these extraordinary works. These sonatas continue to fascinate pianists and listeners until this very day. They are arguably among the most existential music ever written for the piano, full of beauty and sadness, celebrating life and at the same time anticipating the composer’s untimely death. Even if Schubert was barely thirty years old when he wrote these works, they reveal the otherworldly and detached nature of what is often described as “late style”, while the music remains highly expressive and personal. © PentaTone
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Kamermuziek - Verschenen op 24 april 2020 | Mirare

Hi-Res Booklet Onderscheidingen 4F de Télérama
At the height of mental and physical pain, Schubert wrote Octet in F major in 1824, recalling the Septet, Op. 20 composed by Beethoven at about the same age. Their age gap meant that Beethoven opened the Classical age and Schubert the Romantic age. Schubert was composing his first works while Beethoven already had many masterpieces behind him. Played for the first time during a concert in homage to Beethoven who had just passed away, this marvellous Octet didn’t find its way to an editor at the time. It was found to be too long (62 minutes here, respecting all the repeats!) and was forgotten until its first complete edition in 1861 when it was admired by Brahms. During the String Quintet written four years later, the Octet alternates (as so often happens with Schubert) between moments of Viennese grace and deep melancholy. The Modigliani Quartet give a magnificent performance with experienced musicians including clarinettist Sabine Meyer, who showcases her incredibly expressive playing in the sublime Adagio, a true lullaby opening up to the next world that poor Schubert was awaiting in his early thirties. Bruno Schneider on horn, Dag Jensen on bassoon and Knut Erik Sundquist on double bass complete this ensemble of superb musicians giving Schubert a tender and fraternal humanity. © François Hudry/Qobuz
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Klassiek - Verschenen op 8 april 2016 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik
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Kamermuziek - Verschenen op 13 oktober 2017 | Alpha

Hi-Res Booklet Onderscheidingen Diapason d'or
Following a first recording on Alpha devoted to Brahms which garnered much praise – ‘real duo playing’ said Gramophone, while Classica discerned ‘shared music making . . . a world full of nuances and subtlety, boundless sonic imagination (Marie-Elisabeth Hecker), playing of rare intelligence (Martin Helmchen)’ and awarded the disc a ‘Choc’ – the duo is reunited. Its new programme features two summits of chamber music: Schubert’s famous Arpeggione Sonata – named after a now obsolete instrument that was a cross between the guitar and the cello – and his no less celebrated Trio no.2 D929, which achieved even greater popularity thanks to Stanley Kubrick’s film Barry Lyndon. In the latter, the duo is joined by an eminent musician with whom they enjoy playing, Antje Weithaas, ‘one of the great violinists of our time’ (Fonoforum) and also one of the teachers most sought after by the young generation. For example, she taught Tobias Feldmann, the young violinist recently signed by Alpha. © Alpha Classics
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Klassiek - Verschenen op 16 oktober 2015 | naïve

Hi-Res Booklet Onderscheidingen Diapason d'or / Arte - 4 étoiles Classica - 5 Sterne Fono Forum Klassik
Described by the prestigious British music magazine Gramophone as ‘the most innovative and transcendent interpreter of all’ for his work in Rachmaninov and Prokofiev, as well as being capable of a grand refinement and a ‘crystalline beauty’ (The Financial Times) in Mozart and Schubert, Nikolai Luganski is an extraordinarily deep and versatile pianist. His CD recital of sonatas for piano by Rachmaninov won him a Diapason d’or and an ECHO Klassik prize, whilst his recording of the concertos of Grieg and Prokofiev was awarded an ‘Editors Choice’ by Gramophone. His previous recordings were also greeted with many awards, including a second Diapason d’or, the BBC Music Magazine Award, and a prize from ECHO Klassik. Here, he performs one of the ultimate Schubert sonatas, the incredible and titanic Sonata in C minor, which was written in the summer of 1828, a few months before the death of the composer. We hear – and Luganski emphasizes – the resonant impact of the last sonatas by Beethoven, by which Schubert was so fed and freed. The symphonic dimensions of this sonatas require an interpreter with strong shoulders, therefore: enter Luganski. Shortly before this work, Schubert composed his second collection, Impromptus, which hit somewhere between poetry and sombre savagery, as the Russian interpreter endorses here.
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Symfonieën - Verschenen op 9 november 2018 | Aparté

Hi-Res Booklet Onderscheidingen Diapason d'or - Exceptional Sound Recording - 5 Sterne Fono Forum Klassik
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Klassiek - Verschenen op 23 augustus 2019 | PentaTone

Hi-Res Booklet
Just like Pears and Britten, Ian Bostridge worked with the composer Thomas Adès on this recording of Schubert's Winterreise, made at a concert at London's famous Wigmore Hall in 2018. With his unique voice and style, the British singer divides opinion. Love him or hate him, he evokes strong feelings. As we fall into the former camp, we couldn't recommend this recording strongly enough. It is very different from the studio version recorded some years before for EMI, with the great Norwegian pianist Leif Ove Andsnes. Compared to that splendid record, this new version is simpler, almost calmer. Thomas Adès makes use of original manuscripts to build a fine accompaniment, that gives voice to the overwhelming melancholy of the young composer who knows himself to be doomed. Fatal wanderings, seen through a lens of solitude, regret and resignation. The first volume of a trilogy which will eventually bring together Schubert's great cycles, in live recordings by these same musicians. © François Hudry/Qobuz
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Klassiek - Verschenen op 14 oktober 2013 | ARTALINNA

Hi-Res Booklet Onderscheidingen 5 de Diapason - 4F de Télérama - 4 étoiles Classica - Exceptional Sound Recording - Hi-Res Audio
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Klassiek - Verschenen op 4 oktober 2019 | CAvi-music

Hi-Res Booklet
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Piano solo - Verschenen op 27 maart 2020 | La Dolce Volta

Hi-Res Booklet Onderscheidingen 5 de Diapason - Choc de Classica
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Liederen (Duitsland) - Verschenen op 3 november 2014 | harmonia mundi

Hi-Res Booklet Onderscheidingen Diapason d'or - 4F de Télérama - Le Choix de France Musique - 4 étoiles Classica
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Piano solo - Verschenen op 8 november 2011 | harmonia mundi

Hi-Res Booklet Onderscheidingen Hi-Res Audio